【摘要】：站在全球經(jīng)濟(jì)語(yǔ)境中，本論文首先獨(dú)創(chuàng)性的分析出，當(dāng)下是一種多棲化經(jīng)濟(jì)形態(tài)背景。在新經(jīng)濟(jì)時(shí)代里，人們的消費(fèi)需求早已超越單純的功能需求，一種融合了信息視覺(jué)化、網(wǎng)絡(luò)化、功能跨界化、時(shí)間穿越化的需求形態(tài)在市場(chǎng)上逐步出現(xiàn)，基于這些多元消費(fèi)需求的顯現(xiàn)、多種經(jīng)濟(jì)的并存以及不穩(wěn)定的經(jīng)濟(jì)現(xiàn)象的出現(xiàn)，筆者提出了多棲化經(jīng)濟(jì)形態(tài)的概念。多棲化的經(jīng)濟(jì)形態(tài)中，與以往的歷史時(shí)期相比，，它具有對(duì)文化創(chuàng)新發(fā)展的需求，具有文化性消費(fèi)價(jià)值形態(tài)的特征，是人文性的、可持續(xù)發(fā)展的、創(chuàng)新性需求的經(jīng)濟(jì)形態(tài)意識(shí)。它是對(duì)人類經(jīng)濟(jì)生活方式、文化體驗(yàn)、精神意識(shí)的一種匯流集合的經(jīng)濟(jì)形態(tài)。 在這種經(jīng)濟(jì)形態(tài)背景中，通過(guò)對(duì)文化創(chuàng)意產(chǎn)業(yè)視塑機(jī)能的研究，實(shí)現(xiàn)具有抽象特征的文化創(chuàng)意意識(shí)到可流通的產(chǎn)業(yè)價(jià)值的轉(zhuǎn)化，在國(guó)際競(jìng)爭(zhēng)中占據(jù)產(chǎn)業(yè)鏈高端地位，實(shí)現(xiàn)文化創(chuàng)意產(chǎn)業(yè)價(jià)值在世界范圍內(nèi)的價(jià)值流通，為中國(guó)打造文化創(chuàng)意強(qiáng)國(guó)形象。 本論文研究的主要課題就是：如何適應(yīng)當(dāng)下多棲化經(jīng)濟(jì)環(huán)境，發(fā)展文化創(chuàng)意產(chǎn)業(yè)，讓文化創(chuàng)意產(chǎn)業(yè)在全球范圍內(nèi)實(shí)現(xiàn)文化與經(jīng)濟(jì)的雙重價(jià)值，在國(guó)際上塑造出中國(guó)文化創(chuàng)意產(chǎn)業(yè)的強(qiáng)國(guó)形象。獨(dú)創(chuàng)性的研究出：在文化創(chuàng)意產(chǎn)業(yè)中運(yùn)用的視塑機(jī)能，是解決多棲化經(jīng)濟(jì)形態(tài)中文化創(chuàng)意產(chǎn)業(yè)發(fā)展的一種途徑。 筆者從“觀察者改變觀察結(jié)果”的量子物理學(xué)概念中得到啟示，提出視塑機(jī)能這個(gè)獨(dú)創(chuàng)性的概念。它指的是視覺(jué)塑造的交互機(jī)能，是通過(guò)觀察與被觀察所形成的關(guān)系和過(guò)程的作用與反作用的場(chǎng)化效應(yīng)。涵蓋了視覺(jué)系統(tǒng)所能夠觀察到、見到的事象和物象，主客體牽引融匯、動(dòng)靜相生相應(yīng)，觀察的主導(dǎo)者既可以改變成為被觀察者，同時(shí)又會(huì)受到其反作用的影響，形成類似于磁場(chǎng)特性的能量交互。在不同的學(xué)科領(lǐng)域中，視塑機(jī)能有著不同的詮釋。對(duì)于文化創(chuàng)意產(chǎn)業(yè)來(lái)說(shuō)，視塑機(jī)能就是把文化創(chuàng)意具有概念性價(jià)值的優(yōu)勢(shì)，進(jìn)行商業(yè)流通價(jià)值的表達(dá)與呈現(xiàn)，為經(jīng)濟(jì)產(chǎn)生機(jī)能性的場(chǎng)化效應(yīng)，作為文化創(chuàng)意的意識(shí)形態(tài)通往產(chǎn)業(yè)經(jīng)濟(jì)化道路的橋梁，調(diào)動(dòng)其相關(guān)產(chǎn)業(yè)鏈的挖掘，讓文化創(chuàng)意產(chǎn)業(yè)驅(qū)動(dòng)經(jīng)濟(jì)的發(fā)展，通過(guò)視塑中國(guó)夢(mèng)，實(shí)現(xiàn)中國(guó)文化創(chuàng)意經(jīng)濟(jì)的崛起。
[Abstract]:Standing in the context of global economy, this paper firstly analyzes the background of multi-perch economy. In the new economic era, people's consumption demand has already exceeded the pure functional demand, a demand pattern that integrates information visualization, networking, function transborder, time traversing gradually appears in the market. Based on the appearance of these multiple consumption demands, the coexistence of various kinds of economy and the emergence of unstable economic phenomena, the author puts forward the concept of multi-perch economic form. Compared with the historical period, it has the characteristics of cultural innovation and development, cultural consumption value, humanism, sustainable development and innovative demand. It is a confluence of economic life style, cultural experience and spiritual consciousness. In this kind of economic form background, through the research on the visual and plastic function of the cultural and creative industries, we can realize the transformation of the cultural creative consciousness with abstract characteristics to the circulating industrial value, and occupy the high-end position of the industrial chain in the international competition. To realize the value circulation of cultural and creative industry in the world, and to create the image of cultural and creative power for China. The main topic of this thesis is: how to adapt to the current economic environment, to develop cultural and creative industries, and to realize the dual value of culture and economy in the global scope. In the international shaping of the image of China's cultural and creative industries as a powerful nation. The original research shows that the visual and plastic energy used in the cultural creative industry is a way to solve the problem of the development of the cultural creative industry in the form of multi-perched economy. The author draws inspiration from the concept of "observer changing observation result" and puts forward the original concept of optoplastic machine energy. It refers to the interactive function of visual shaping, the field effect of the action and reaction of the process and the relationship formed by observation and observed. Covering what the visual system can observe, what it sees and what it sees, where the subject and object are drawn together, and what happens to each other, so that the dominant observer can change to be an observer, and at the same time be influenced by its counteraction. Forms an energy exchange similar to that of a magnetic field. In different disciplines, the plastic machine can have different interpretations. For the cultural and creative industries, the ability to view plastic is to express and present the value of commercial circulation by making cultural creativity have the advantage of conceptual value, so as to produce a functional field effect for the economy. As a bridge between the ideology of cultural creativity and the road of industrial economization, we can mobilize the mining of related industrial chain, let the cultural and creative industries drive the development of economy, and realize the rise of Chinese cultural creative economy through Chinese Dream.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：G124

【共引文獻(xiàn)】

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