本文選題：中國文化經(jīng)濟學 + 歷史�。� 參考：《福建論壇(人文社會科學版)》2017年12期

【摘要】：中國文化經(jīng)濟學研究經(jīng)歷了20世紀50-70年代的初始階段、80-90年代的轉(zhuǎn)型階段和20世紀90年代后的建構(gòu)階段。藝術(shù)社會學和馬克思主義關(guān)于經(jīng)濟基礎和上層建筑的理論是中國文化經(jīng)濟學研究初始階段的價值觀與方法論,改革開放后中國從計劃經(jīng)濟體制向市場經(jīng)濟體制轉(zhuǎn)變,帶動了中國文化經(jīng)濟學研究的市場經(jīng)濟轉(zhuǎn)向,重建關(guān)于文化與經(jīng)濟關(guān)系的認知系統(tǒng),馬克思主義政治經(jīng)濟學和現(xiàn)代西方經(jīng)濟學同時對中國文化經(jīng)濟學研究的市場化轉(zhuǎn)向產(chǎn)生影響,形成關(guān)于文化商品的雙重屬性和文化經(jīng)濟運動雙重規(guī)律理論;中國加入WTO進一步推動中國文化市場開放,大力發(fā)展文化產(chǎn)業(yè)成為21世紀中國文化經(jīng)濟學研究的核心內(nèi)容,帶動了文化經(jīng)濟學理論研究、學科建設與實踐應用的發(fā)展。構(gòu)成了中國文化經(jīng)濟學研究的特點:現(xiàn)實性、宏觀性、對策性、學科建設與學術(shù)研究互為建構(gòu);定性研究為主與定量研究相結(jié)合;價值理性研究為主與工具理性研究相結(jié)合,將長期主導中國文化經(jīng)濟學發(fā)展的基本格局與屬性;新古典主義與新自由主義、新結(jié)構(gòu)主義經(jīng)濟學在進一步推動中國文化經(jīng)濟學研究的同時,也將進一步導致中國文化經(jīng)濟學研究路徑和價值取向的分化,數(shù)字經(jīng)濟突飛猛進的發(fā)展正在對文化經(jīng)濟學研究的運動方向產(chǎn)生巨大的影響;"一帶一路"的提出和中國進一步向世界開放,都將為中國文化經(jīng)濟學發(fā)展提出新命題和新領(lǐng)域。中國文化經(jīng)濟學研究的現(xiàn)代建構(gòu)很有可能在這個過程中獲得突破與新的創(chuàng)造性發(fā)展,中國文化經(jīng)濟學的科學建構(gòu)很有可能在這個過程中形成。
[Abstract]:The study of Chinese cultural economics has gone through the initial stage of the 50-70 's in the 20th century and the transition stage of the 80-90 's and the construction stage after the 1990s. The theories of art sociology and Marxism on the economic base and superstructure are the values and methodology of the initial stage of the study of Chinese cultural economics. After the reform and opening up, China has changed from a planned economy system to a market economy system. It has led to a market economy shift in the study of Chinese cultural economics and the re-establishment of a cognitive system on the relationship between culture and economy. Marxist political economics and modern western economics have an influence on the market-oriented turn of Chinese cultural economics research at the same time, and form the theory of the dual property of cultural commodities and the dual law of cultural economic movement. China's entry into WTO has further promoted the opening of Chinese cultural market and vigorously developed cultural industry, which has become the core content of the study of Chinese cultural economics in the 21st century, and has led to the development of theoretical research, discipline construction and practical application of cultural economics. It constitutes the characteristics of Chinese cultural economics research: reality, macroscopical, strategic, subject construction and academic research, combination of qualitative research and quantitative research, combination of value rationality research and instrumental rationality research. The basic pattern and attributes of the development of Chinese cultural economics will be dominated for a long time, while neoclassicism, neoliberalism and neo-structuralism economics will further promote the study of Chinese cultural economics. It will also lead to the differentiation of the research path and value orientation of Chinese cultural economics. The rapid development of digital economy is exerting a great influence on the direction of cultural economics research, and the proposition of "Belt and Road" and the further opening of China to the world will bring forward new propositions and new fields for the development of Chinese cultural economics. The modern construction of Chinese cultural economics is likely to make a breakthrough and new creative development in this process, and the scientific construction of Chinese cultural economics is likely to form in this process.
【作者單位】： 上海師范大學;上海交通大學;
【分類號】：G05-F

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