電影眾籌融資模式與發(fā)展策略研究
本文選題:眾籌 + 電影眾籌; 參考:《中國(guó)電影藝術(shù)研究中心》2017年碩士論文
【摘要】:2013年《十萬(wàn)個(gè)冷笑話》在"點(diǎn)名時(shí)間"發(fā)起眾籌,并成為國(guó)內(nèi)第一部上映的眾籌電影,由此眾籌開(kāi)始成為電影投融資的熱門話題。到2015年暑期檔,引入了眾籌融資模式的《西游記之大圣歸來(lái)》(以下簡(jiǎn)稱《大圣歸來(lái)》)票房一路走高,電影眾籌備受關(guān)注。此后,有別于傳統(tǒng)融資模式的眾籌融資對(duì)電影產(chǎn)業(yè)的影響日漸顯現(xiàn)。本文從理論上對(duì)電影眾籌融資進(jìn)行研究,通過(guò)梳理電影眾籌的發(fā)展現(xiàn)狀,結(jié)合其他行業(yè)的眾籌經(jīng)驗(yàn),對(duì)電影眾籌融資提出具有針對(duì)性與建設(shè)性的發(fā)展策略,以促進(jìn)電影眾籌融資的可持續(xù)性發(fā)展,推動(dòng)中國(guó)電影產(chǎn)業(yè)投融資渠道的完善。本文共分五章,第一章"共享經(jīng)濟(jì)與眾籌",闡述共享經(jīng)濟(jì)的概念、意義及眾籌對(duì)共享經(jīng)濟(jì)在理念層面的拓展深化。第二章"電影眾籌的發(fā)展現(xiàn)狀",通過(guò)梳理眾籌的發(fā)展脈絡(luò),分析眾籌行業(yè)及電影眾籌的發(fā)展現(xiàn)狀。第三章"電影眾籌的融資模式",分析獎(jiǎng)勵(lì)眾籌與股權(quán)眾籌兩種電影眾籌的主要融資模式,及眾籌相較于傳統(tǒng)電影融資模式的優(yōu)勢(shì)。第四章"電影眾籌的局限及風(fēng)險(xiǎn)",結(jié)合實(shí)際案例分析電影眾籌發(fā)展在融資規(guī)模、平臺(tái)發(fā)展和行業(yè)整體運(yùn)作機(jī)制等方面的局限,及在運(yùn)作過(guò)程中面臨的潛在風(fēng)險(xiǎn)。第五章"電影眾籌發(fā)展策略研究",根據(jù)電影眾籌現(xiàn)階段的局限提出針對(duì)性的發(fā)展策略,并從推動(dòng)立法、加強(qiáng)政府監(jiān)管與行業(yè)自律、完善投資人保護(hù)機(jī)制和完善征信體系建設(shè)等方面對(duì)電影眾籌風(fēng)險(xiǎn)予以控制,推動(dòng)電影眾籌的發(fā)展。
[Abstract]:In 2013, 100,000 bad jokes launched crowdfunding in "Roll call time" and became the first multi-fund film to be released in China, so crowdfunding became a hot topic for film investment and financing. By the summer of 2015, the box office of "return of the Holiness of the Journey to the West" (hereinafter referred to as "the return of the Great Sage"), which had introduced the crowd-funding model, had gone up all the way, and the preparation of the film had attracted attention. Since then, different from the traditional financing mode, the impact of crowdfunding on the film industry has become increasingly apparent. This paper theoretically studies the financing of the film crowdfunding, through combing the current situation of the development of the film crowdfunding, combined with other industry crowdfunding experience, put forward a targeted and constructive development strategy for the financing of the film crowdfunding. In order to promote the sustainable development of film financing, promote the improvement of Chinese film industry investment and financing channels. This paper is divided into five chapters. The first chapter, "sharing economy and crowdfunding", expounds the concept of sharing economy, its significance and the expansion and deepening of sharing economy on the level of concept. Chapter two, "the present situation of film crowdfunding", analyzes the development status of crowdfunding industry and film crowdfunding industry through combing the development context of crowdfunding. The third chapter, "the financing mode of film crowdfunding", analyzes the two main financing modes of reward crowdfunding and shareholding crowdfunding, as well as the advantages of crowdfunding compared with the traditional mode of film financing. Chapter four, "the limitation and risk of film crowdfunding", analyzes the limitations of the development of film crowdfunding in the aspects of financing scale, platform development and the whole operation mechanism of the industry, and the potential risks in the process of operation. Chapter five, "Research on the Development Strategy of Film crowdfunding", puts forward targeted development strategies according to the limitations of the current stage of film crowdfunding, and promotes legislation, strengthens government supervision and industry self-discipline. Perfect investor protection mechanism and credit system construction to control the risk of film crowdfunding, promote the development of film crowdfunding.
【學(xué)位授予單位】:中國(guó)電影藝術(shù)研究中心
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J943
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