本文選題：海德格爾　切入點：現(xiàn)象學(xué)　出處：《學(xué)術(shù)界》2017年08期

【摘要】：海德格爾的《藝術(shù)作品的本源》被稱為20世紀(jì)無與倫比的美學(xué)經(jīng)典。但要進入海德格爾這個文本,我們首先要了解作為其思想基礎(chǔ)的現(xiàn)象學(xué)哲學(xué),盡管在該文本中根本就沒有出現(xiàn)"現(xiàn)象學(xué)"一詞。進一步,我們要理解海德格爾的藝術(shù)理解和藝術(shù)規(guī)定。最后我們來探討海德格爾對德國當(dāng)代藝術(shù)的影響。在博伊斯開創(chuàng)的當(dāng)代藝術(shù)中業(yè)已隱含和發(fā)生了三大轉(zhuǎn)向:從主體主義藝術(shù)轉(zhuǎn)向后主體主義藝術(shù);從視覺研究轉(zhuǎn)向物質(zhì)/物的研究;從手藝技巧轉(zhuǎn)向總體藝術(shù)創(chuàng)作。而這三大"轉(zhuǎn)向"都與海德格爾的思想努力有著直接的關(guān)聯(lián)。
[Abstract]:Heidegger's Origin of works of Art is described as an unparalleled aesthetic classic in the 20 th century.But in order to enter Heidegger's text, we must first understand the phenomenological philosophy, which is the basis of his thought, although there is no phenomenology in this text.Further, we should understand Heidegger's art understanding and art regulations.Finally, we discuss Heidegger's influence on German contemporary art.In the contemporary art initiated by Boyce, there have been three major turns: from the art of subjectivity to the art of post-subjectivity, from the study of vision to the study of matter / object, from the skill of craft to the creation of art as a whole.These three "turns" are directly related to Heidegger's ideological efforts.
【作者單位】： 同濟大學(xué)人文學(xué)院;
【分類號】：J151.6

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