本文選題：跨國合拍　切入點：經(jīng)濟利益　出處：《電影文學》2014年03期

【摘要】：跨國合拍作為一種制片模式,經(jīng)歷了從早期中國電影"來料加工"的階段到新時期以來可以提供部分資金但仍然缺乏技術優(yōu)勢的合拍階段。審慎地觀照歷史與現(xiàn)實,這種資金的提供在大制作面前仍然顯得捉襟見肘,合拍帶來的產業(yè)經(jīng)濟效益的提升縮小不了我國與西方發(fā)達國家在當代電影技術上的差距。本文從合拍史的角度入手剖析一直以來存在于我國電影制作方的軟肋即技術落后,核心技術被外方占有,指出若要為我國電影產業(yè)發(fā)展帶來強大后勁,合拍中我方必須明確自身的核心利益。
[Abstract]:As a mode of production, transnational co-production has experienced from the early stage of Chinese film "raw materials processing" to the new period, which can provide some funds but still lack of technical advantages.Considering the history and reality carefully, this kind of fund supply still appears to be overstretched in front of the big production, and the promotion of the industrial economic benefit brought by the co-production can not narrow the gap between our country and the western developed countries in the contemporary film technology.From the angle of the history of co-production, this paper analyzes the weakness that has always existed in Chinese film producers, that is, the technology is backward, and the core technology is occupied by foreign parties. It is pointed out that if we want to bring strong stamina to the development of the film industry in our country,We must be clear about our core interests.
【作者單位】： 中國傳媒大學;
【分類號】：J943

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本文編號：1721426