本文選題：VR影像　切入點(diǎn)：電影生態(tài)　出處：《當(dāng)代電影》2017年12期

【摘要】：VR產(chǎn)業(yè)或?qū)_擊電影行業(yè)固有的生態(tài)系統(tǒng)。新技術(shù)在打破電影敘事體系的同時(shí),也改變著受眾的觀影行為、視聽(tīng)認(rèn)知和文化空間,這一顛覆性變革使電影工業(yè)面臨嚴(yán)峻挑戰(zhàn)。而電影作為國(guó)家實(shí)現(xiàn)文化公平的重要載體,其生態(tài)狀貌的健康穩(wěn)定顯得尤為重要,VR技術(shù)對(duì)電影生態(tài)的沖擊與構(gòu)建不僅在創(chuàng)作層面上顯而易見(jiàn),更將在市場(chǎng)環(huán)境及輿論環(huán)境等方面掀起革新浪潮,不斷在影像語(yǔ)言、版權(quán)經(jīng)營(yíng)和社交空間等多維場(chǎng)域中進(jìn)行探索性嘗試,這一互動(dòng)過(guò)程或?qū)⒋偈闺娪爱a(chǎn)業(yè)打破原有平衡,建立新的生態(tài)秩序。
[Abstract]:The VR industry may impact on the inherent ecosystem of the film industry. New technologies not only break the film narrative system, but also change the audience's viewing behavior, audiovisual cognition and cultural space. This subversive change has challenged the film industry, which is an important vehicle for the country to achieve cultural equity. The health and stability of its ecological appearance is particularly important. The impact and construction of VR technology on film ecology is not only obvious on the creative level, but also will set off a wave of innovation in the market environment and public opinion environment. The interactive process of copyright management, social space and other multi-dimensional field fields may promote the film industry to break the original balance and establish a new ecological order.
【作者單位】： 四川外國(guó)語(yǔ)大學(xué)新聞傳播學(xué)院;澳門(mén)科技大學(xué);西南大學(xué)文學(xué)院;
【基金】：國(guó)家社科基金藝術(shù)學(xué)項(xiàng)目“文化公平語(yǔ)境中的電影生態(tài)發(fā)展研究”(項(xiàng)目編號(hào):2016FH02626)的階段性研究成果
【分類(lèi)號(hào)】：J943
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本文編號(hào)：1697481