本文選題：阿多諾　切入點：文化工業(yè)　出處：《中南大學(xué)》2012年碩士論文

【摘要】：在我們所處的這個時代,對文化產(chǎn)業(yè)進行冷思考似乎有些不合時宜,但實際上意義深遠。本文在廣泛搜集阿多諾文化工業(yè)批判理論文獻資料的基礎(chǔ)上,系統(tǒng)闡述了阿多諾的文化工業(yè)批判理論,界定了其內(nèi)涵,分析了該理論在我國的研究歷程。同時,以此為鏡鑒,實事求是地分析了我國文化產(chǎn)業(yè)發(fā)展中存在的問題,并探討了其對策。 參照阿多諾的文化工業(yè)批判理論,我國文化產(chǎn)業(yè)主要存在的問題是：產(chǎn)品形式的同一化、產(chǎn)品內(nèi)容的庸俗化和娛樂化、對受眾主體性的遮蔽、消費主義對傳統(tǒng)文化的沖擊、遭到西方意識形態(tài)的強勢入侵等。以此為基礎(chǔ),本文有針對性地提出了促進文化產(chǎn)業(yè)穩(wěn)步發(fā)展的對策：要構(gòu)建我國特色的文化產(chǎn)業(yè)批判理論;堅守民族文化的重要地位；注重文化產(chǎn)品中人文精神的傳承；重塑主體的批判性；協(xié)調(diào)多元的文化關(guān)系；用教育手段普及文化產(chǎn)業(yè)的基礎(chǔ)知識等。 阿多諾文化工業(yè)批判理論用意在于批判文化產(chǎn)業(yè)的負面影響,以此遏制文化產(chǎn)業(yè)所帶來的文化藝術(shù)的危機,是一種否定文化產(chǎn)業(yè)的理論。而本文僅把其理論作為一面鏡子,來探討我國文化產(chǎn)業(yè)存在的問題和發(fā)展對策,目的仍在于為促進我國文化產(chǎn)業(yè)大發(fā)展大繁榮鋪平道路,這是筆者自始至終強調(diào)的立論點。
[Abstract]:In our time, it may seem inappropriate to think about the cultural industry, but in fact, it has far-reaching significance. This paper is based on the extensive collection of literature on Adorno's critical theory of cultural industry. This paper systematically expounds Adorno's critical theory of cultural industry, defines its connotation, and analyzes its research course in China. At the same time, it takes this theory as a mirror to analyze the problems existing in the development of Chinese cultural industry realistically and realistically. The countermeasures are also discussed. Referring to Adorno's critique theory of cultural industry, the main problems of Chinese cultural industry are: the homogeneity of product form, the vulgarization and entertainment of product content, the shelter of audience subjectivity, and the impact of consumerism on traditional culture. Based on the strong invasion of western ideology, this paper puts forward some countermeasures to promote the steady development of cultural industry: to construct the critical theory of cultural industry with Chinese characteristics, to adhere to the important position of national culture, and to promote the steady development of cultural industry. Emphasis should be placed on the inheritance of humanistic spirit in cultural products; remolding the criticism of the subject; coordinating the pluralistic cultural relations; and popularizing the basic knowledge of cultural industry by means of education. Adorno's critique theory of cultural industry is intended to criticize the negative influence of cultural industry, so as to contain the crisis of culture and art brought by cultural industry, and is a theory of negating cultural industry. The purpose of this paper is to pave the way for the great development and prosperity of China's cultural industry, which is the point that the author emphasized from the beginning to the end.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G124

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