本文選題：美術(shù)館　切入點：管理理論　出處：《藝術(shù)工作》2017年05期

【摘要】：正美術(shù)館的知識生產(chǎn)"美術(shù)館的知識生產(chǎn)"是近些年美術(shù)館研究與管理理論中不斷被提及的概念。"美術(shù)館的知識生產(chǎn)"一詞沒有明確的定義,主要的論述來自于王璜生、朱青生、唐斌等學(xué)者,綜合現(xiàn)有相關(guān)文章,"美術(shù)館的知識生產(chǎn)"主要包含兩個方面:一、作為知識生產(chǎn)體的美術(shù)館;二、美術(shù)館與美術(shù)史的關(guān)系。對于作為知識生產(chǎn)體的美術(shù)館描述,主要從三個方面展開:一是美術(shù)館自身功能的產(chǎn)生;二是美術(shù)館的展覽產(chǎn)生;三是對現(xiàn)有美術(shù)館發(fā)展的思考與追問產(chǎn)生。在第一點上,王璜生根據(jù)美術(shù)館的具體工
[Abstract]:Knowledge production of Art Museum "knowledge production of Art Museum" is a concept that has been constantly mentioned in art museum research and management theory in recent years. There is no clear definition of the term "knowledge production of art museum", and the main discussion comes from Wang Huangsheng. Zhu Qingsheng, Tang Bin, and other scholars, synthesizing existing relevant articles, "knowledge production of Art Gallery" mainly includes two aspects: first, art museum as a body of knowledge production; second, The relationship between art gallery and art history. The description of art gallery as knowledge production is mainly carried out from three aspects: first, the production of art gallery's own function, second, the appearance of art gallery's exhibition; The third is the thinking and questioning of the development of the existing art gallery. On the first point, Wang Huangsheng according to the specific work of the art gallery.
【分類號】：J114
，

本文編號：1667122