本文選題：媒介　切入點：傳播　出處：《美術研究》2017年02期 　論文類型：期刊論文

【摘要】：20世紀前期,石印、珂羅版等影印技術在中國的普及給書法領域帶來一場革命,但這場革命的內(nèi)容并不僅僅是精確復制這么簡單,它還帶來了一系列新的書法出版門類,如碑帖單行本、書法全集、各類書法工具書、新式書法史等,這在極大程度上豐富了書法欣賞和取法視野的同時,也在極大程度上改變了書法學習的方式。這樣看來,在分析20世紀書法媒介傳播變遷的同時注意于這一系列轉(zhuǎn)化背后的文化邏輯,以及這種邏輯在多大程度上反過來影響了20世紀書法風格的變遷,就成為今天重新理解20世紀書法史過程中不可或缺的重要環(huán)節(jié)。
[Abstract]:In early 20th century, the popularization of lithography and Cologne in China brought a revolution in the field of calligraphy, but the content of this revolution was not only exact reproduction, but also a series of new calligraphy publishing categories. Such as monographs, complete collections of calligraphy, various calligraphy reference books, new calligraphic history, etc., which greatly enriched the appreciation and acquisition of calligraphy, and at the same time greatly changed the way of calligraphy learning. While analyzing the changes of calligraphy media communication in 20th century, it pays attention to the cultural logic behind this series of transformations, and to what extent this logic in turn affected the changes of calligraphy style in 20th century. It has become an indispensable link in the process of reunderstanding the history of calligraphy in 20th century.
【作者單位】： 重慶大學藝術學院;東南大學藝術學院;
【基金】：重慶市社會規(guī)劃項目[項目號:2014YBS096] 重慶大學中央高�；究蒲袠I(yè)務費專項項目[項目號:106112015CDJSK05XK10]
【分類號】：J20-4;J131.3
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本文編號：1587311