本文關(guān)鍵詞： 旅游景區(qū) 文化 打造 可持續(xù)發(fā)展 保護(hù)　出處：《西安建筑科技大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：眾所周知，文化動(dòng)機(jī)是旅游行為中的重要?jiǎng)訖C(jī)之一。高層次的旅游往往是以文化的互異性為誘因；以文化的碰撞與互動(dòng)為過(guò)程；以文化的相互融合為結(jié)果。而知識(shí)經(jīng)濟(jì)的到來(lái)不僅提高了旅游者的文化素質(zhì)和修養(yǎng)，對(duì)旅游目的地景觀設(shè)計(jì)也提出了更高的要求，不僅需要通過(guò)觀光游覽景區(qū)景點(diǎn)放松身心、緩解壓力，同時(shí)他們更渴望在參與和體驗(yàn)旅游項(xiàng)目時(shí)學(xué)到新知識(shí)、拓展視野，需要具有較高文化內(nèi)涵的旅游景區(qū)設(shè)計(jì)。 縱觀國(guó)內(nèi)所有的旅游景區(qū)，其目的無(wú)不是為了發(fā)展城市經(jīng)濟(jì)，提高城市知名度，帶動(dòng)其他產(chǎn)業(yè)鏈，，目的的出發(fā)就決定著旅游景區(qū)的結(jié)果，景觀建設(shè)僅僅追求簡(jiǎn)單形式與浮華外殼或?qū)⑽幕?jiǎn)單符號(hào)化的浮躁氛圍中，造成文化的錯(cuò)亂使用，景區(qū)的錯(cuò)位移接，使得旅游景區(qū)文化產(chǎn)生脫節(jié)、流失和破壞，面對(duì)此現(xiàn)象的出現(xiàn)我們有如何解決呢？對(duì)于文化的繼承與延續(xù)，我們應(yīng)該怎樣去繼承、究竟怎樣的文化是我們應(yīng)該去繼承與延續(xù)的？我們應(yīng)該怎樣篩選以及怎樣讓文化在景觀中得到展現(xiàn)？在打造上怎樣與情、與景、與人產(chǎn)生互動(dòng)以及在怎樣更好的體現(xiàn)文化內(nèi)涵的同時(shí)帶動(dòng)區(qū)域經(jīng)濟(jì)的發(fā)展？都是值得我們?nèi)パ芯颗c探討的。 本文通過(guò)對(duì)旅游景區(qū)文化的研究分析總結(jié)出旅游景區(qū)設(shè)計(jì)中文化的應(yīng)用需求同時(shí)對(duì)旅游景區(qū)文化的打造進(jìn)行探討與分析，了解旅游景區(qū)文化打造的方式及方法，并對(duì)成功案例進(jìn)行分析總結(jié)，為現(xiàn)代旅游景區(qū)文化的發(fā)展提供參考與啟示，從以下幾個(gè)方面進(jìn)行展開(kāi)：第一個(gè)方面對(duì)國(guó)內(nèi)外旅游景區(qū)文化進(jìn)行分析與研究，并對(duì)其打造方式進(jìn)行深度剖解，并運(yùn)用個(gè)案輻射的方法來(lái)聯(lián)系其他相似旅游景區(qū)文化。第二個(gè)方面對(duì)旅游景區(qū)文化進(jìn)行分析解剖，明了文化與旅游的關(guān)系、文化介入的方式以及文化存在的狀態(tài)，進(jìn)而協(xié)調(diào)好區(qū)域范圍內(nèi)的各方面的聯(lián)系。第三個(gè)方面就是在打造上進(jìn)行創(chuàng)新，以景觀與文化相互融合設(shè)計(jì)理念打造景區(qū)文化并從內(nèi)在方面與外在方面兩個(gè)方面來(lái)進(jìn)行打造的分析研究。第四就是對(duì)成功案例解析，分析文化成功營(yíng)造的特點(diǎn)以及打造的表達(dá),為其他類(lèi)似的旅游景區(qū)中文化的開(kāi)發(fā)與挖掘提供參考。采用這樣的設(shè)計(jì)方法，有利于把握整個(gè)旅游景區(qū)風(fēng)格和景觀空間的營(yíng)造，使得旅游景區(qū)無(wú)論在文化上還是在打造上都融合貫通，開(kāi)創(chuàng)一種情景相融情意相通的現(xiàn)代旅游新途徑。
[Abstract]:As we all know, cultural motivation is one of the important motivations in tourism behavior. Take the culture collision and the interaction as the process; The arrival of knowledge economy not only improves the cultural quality and accomplishment of tourists, but also puts forward higher requirements for the landscape design of tourist destination. Not only do they need to relax their bodies and minds through sightseeing scenic spots, but also they are eager to learn new knowledge and broaden their horizons when they participate in and experience tourism projects. The design of tourist attractions with higher cultural connotation is needed. Throughout all the domestic tourist attractions, its purpose is to develop the city economy, improve city awareness, and promote other industrial chains, the purpose of the departure determines the outcome of the tourist attractions. The landscape construction only pursues the simple form and the flashy shell or the impetuous atmosphere which simply symbolizes the culture, which results in the misusing of the culture and the dislocation of the scenic spot, which makes the culture of the tourist spot disconnect, lose and destroy. In the face of this phenomenon, how do we solve it? For the inheritance and continuation of culture, how should we inherit, what kind of culture is we should inherit and continue? How should we screen and how can culture be displayed in the landscape? How to create with feelings, with the scene, with the interaction with people and how to better reflect the cultural connotations while driving the development of regional economy? Are worthy of our research and discussion. Through the research and analysis of the scenic area culture, this paper summarizes the application needs of the culture in the design of the scenic spot and discusses and analyzes the creation of the tourist scenic area culture at the same time. To understand the ways and methods of cultural creation of tourist attractions, and to analyze and summarize the successful cases, to provide reference and inspiration for the development of modern tourist scenic area culture. From the following aspects of the development: the first aspect of the domestic and foreign tourist attractions culture analysis and research, and the way to create in-depth analysis. And use the method of case radiation to connect with other similar scenic area culture. The second aspect of tourism culture analysis and anatomy to understand the relationship between culture and tourism. The way of cultural intervention and the status of cultural existence, and then coordinate the regional scope of all aspects of the relationship. The third aspect is to create innovation. Landscape and culture design concept of mutual integration to create scenic area culture and from the internal and external aspects to build two aspects of the analysis and research. 4th is the analysis of successful cases. This paper analyzes the characteristics and expression of successful cultural construction, and provides a reference for the development and excavation of culture in other similar tourist attractions. It is beneficial to grasp the style of the whole scenic spot and the construction of the landscape space, so that the scenic spots are integrated in both culture and creation, and create a new way of modern tourism.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：TU984.18

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