【摘要】：清代是中國封建社會最后一個王朝。從1636年建立到1912年滅亡，歷經(jīng)二百多年。清代前期的漆藝家具一方面沿著明代時期家具慣性方向繼續(xù)發(fā)展，一方面又顯示出與明代時期家具不同的特點。代之以絢麗、豪華、繁縟的富貴氣派。在裝飾風格上，清代時期的漆藝家具極盡雕琢彩繪之能事，竭力追求富麗華貴的皇家氣派。在造型上渾厚、莊重，裝飾上求多、求滿、求富貴、求華麗，常見通體裝飾、沒有空白，達到空前的富麗和輝煌。用材上，講究純正，大氣，整體用料壯碩厚重，做工精細。漆藝家具造型的氣質，雕飾的浩繁精麗，，形體的龐大和作風的大富大貴與清宮廷統(tǒng)治者的權勢和欲望相得益彰。后期，在紋飾上采用西洋裝飾，手法多樣，細膩入微，繁褥精密，盡現(xiàn)一派富麗輝煌。 “縱觀各式家具，其裝飾的意義主要從三個方面去考察：一是裝飾部位，二是裝飾手法，三是裝飾的題材和內容。”【1】在某一件家具上，這三個方面常常是相互聯(lián)系、又各自獨立的，如對某一部位的裝飾，既要通過某種裝飾手法去表現(xiàn)，也離不開一定的裝飾題材和內容；如果說，漆藝家具的結構和造型主要是為了滿足使用功能的要求，那么，漆藝家具絢麗、豪華的裝飾則是增進美觀，或者說它重點突出的是裝飾美。因此，本文對結構和造型傳達的審美意味，對家具的結構和造型所發(fā)揮的功能作用，不再作特別的闡述，只就裝飾的本義或出發(fā)點來討論清代漆藝家具，以及這種裝飾藝術的內容、形式及其意義。
[Abstract]:The Qing Dynasty was the last dynasty in Chinese feudal society. It lasted more than 200 years from its founding in 1636 to its demise in 1912. On the one hand, lacquer furniture in the early Qing Dynasty continued to develop along the inertia direction of furniture in Ming Dynasty, on the other hand, it showed different characteristics from furniture in Ming Dynasty. Replaced by gorgeous, luxurious, elaborate rich style. In terms of decoration style, lacquer furniture in Qing Dynasty tried its best to carve and paint, and tried its best to pursue the rich and magnificent royal style. In the shape of thick, solemn, decorative more, full, rich, gorgeous, common body decoration, there is no blank, to achieve unprecedented prosperity and brilliance.? On the use of materials, pay attention to purity, atmosphere, the overall use of strong and heavy materials, fine workmanship. The temperament of lacquer furniture modeling, the numerous and exquisite sculptures, the huge shape and the great wealth and style of style complement each other with the power and desire of the rulers of the Qing Dynasty. Later, in the ornaments on the use of Western decoration, various techniques, delicate into the micro, bedding precision, to show a rich and brilliant. "throughout all kinds of furniture, the significance of decoration is mainly investigated from three aspects: one is the decorative part, the other is the decorative technique, and the third is the subject matter and content of the decoration." [1] on a certain piece of furniture, these three aspects are often related to each other. And their own independent, such as a certain part of the decoration, not only through a certain decoration techniques to express, but also can not be separated from a certain decorative theme and content; If the structure and modeling of lacquer furniture is mainly to meet the requirements of the use of functions, then lacquer furniture is gorgeous, luxurious decoration is to improve beauty, or its focus is decorative beauty. Therefore, this paper no longer makes a special exposition on the aesthetic meaning of structure and modeling and the function of furniture structure and modeling, but only discusses the lacquer furniture of Qing Dynasty on the original meaning or starting point of decoration. And the content, form and significance of this kind of decorative art.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527

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相關期刊論文 前10條

1 胡德生;明清家具花紋裝飾寓意[J];新材料新裝飾;2005年05期

2 朱家n

本文編號：2483156