【摘要】：延安，是馳名中外的革命圣地、革命搖籃和革命熔爐。抗日戰(zhàn)爭期間，延安是黨中央所在地，是全國抗日戰(zhàn)爭的指導(dǎo)中心，全國抗日根據(jù)地的總后方。在那“母親送兒上戰(zhàn)場，妻子送郎打東洋”的革命年代里，大批文藝工作者從國家四面八方云集在這里，積極投身于抗日戰(zhàn)爭。在這里，文藝作為抗戰(zhàn)武器，宣傳抗日救國主張、動員人民群眾參加抗戰(zhàn)斗爭，為國家的解放事業(yè)做出了杰出的貢獻(xiàn)。 陜甘寧邊區(qū)文藝運(yùn)動，和其他解放區(qū)的文藝運(yùn)動一樣，，都是在毛澤東為首的黨中央領(lǐng)導(dǎo)下開展和進(jìn)行的。延安剪紙，剪紙深深的植根與群眾之中，有著悠久的歷史和深厚的民間基礎(chǔ)。在延安抗戰(zhàn)這一特殊時(shí)期，特定生活環(huán)境下，延安文藝工作者與黃土高原生活有了更深的接觸，延安革命文藝工作者們被延安剪紙的古樸、渾厚的藝術(shù)魅力所吸引。毛澤東《在延安文藝座談會上的講話》發(fā)表，提出了文藝工作者為工農(nóng)兵服務(wù)的任務(wù)，號召藝術(shù)家、作家到群眾中去，到火熱的斗爭中去。于是延安魯藝師生開始深入農(nóng)村，同時(shí)出現(xiàn)了以江豐、艾青、古元、等為代表的一大批革命文藝工作者，深入延安當(dāng)?shù)厣钕虍?dāng)?shù)剞r(nóng)婦學(xué)習(xí)延安剪紙藝術(shù)，反復(fù)學(xué)習(xí)研究，積極請教與當(dāng)?shù)剞r(nóng)村剪紙者并且與他們聯(lián)手合作，并且在題材和內(nèi)容上大膽創(chuàng)新，創(chuàng)作出了大量貼近農(nóng)村生活，展現(xiàn)農(nóng)業(yè)生產(chǎn)勞動和革命戰(zhàn)士英勇抗日戰(zhàn)爭題材的新窗花，發(fā)揮了宣傳和鼓舞人民的作用，推動了新剪紙內(nèi)容的革新和延安剪紙民族化的發(fā)展。 文章從三個(gè)大方面介紹抗戰(zhàn)時(shí)期延安剪紙和延安剪紙當(dāng)時(shí)具備的民族特征。 第一部分：從延安的人文歷史、地理環(huán)境著手，探討延安剪紙?jiān)诳箲?zhàn)特殊時(shí)期的形式、內(nèi)容的演變。闡釋在當(dāng)時(shí)社會壞境下剪紙的大眾性、普遍性； 第二部分：分析文藝大眾化對延安剪紙的影響，從革命領(lǐng)導(dǎo)人和革命藝術(shù)家的影響等方面介紹抗戰(zhàn)時(shí)期剪紙的發(fā)展，結(jié)合當(dāng)時(shí)代表人物和代表作品，來分析當(dāng)時(shí)剪紙?jiān)诳箲?zhàn)中所起到的積極作用； 第三部分：分析剪紙對當(dāng)時(shí)抗戰(zhàn)的時(shí)期版畫、年畫等民間美術(shù)的創(chuàng)作的影響及意義。
[Abstract]:Yan'an is a famous revolutionary shrine, cradle of revolution and furnace of revolution. During the War of Resistance against Japan, Yan'an was the seat of the Party Central Committee, the guiding center of the National War of Resistance against Japan, and the general rear area of the anti-Japanese base area. In the revolutionary era when mothers sent children to the battlefield and wives sent their wives to fight against the Japanese, a large number of writers and artists gathered here from all sides of the country and actively devoted themselves to the War of Resistance against Japan. Here, as a weapon of resistance, literature and art propagandizes the idea of resisting Japan and saving the nation, mobilizes the masses to participate in the struggle against Japan, and makes outstanding contributions to the cause of national liberation. The literary and artistic movements in the Shaanxi-Gansu-Ningsia Border region, like those in other liberated areas, were carried out under the leadership of the Party Central Committee headed by Mao Zedong. Yan'an paper-cut, paper-cut deeply rooted in the masses, has a long history and deep folk foundation. In the special period of Yanan War of Resistance against Japan, under the special living environment, the writers and artists in Yan'an had deeper contact with the life of the Loess Plateau, and the revolutionary writers and artists in Yan'an were attracted by the simple and profound artistic charm of paper cutting in Yan'an. Mao Zedong's speech at the Yan'an Symposium on Literature and Art put forward the task of the literary and art workers to serve the workers, peasants and soldiers, and called on artists and writers to go to the masses and to the fierce struggle. As a result, the teachers and students of Luyi in Yan'an began to go deep into the countryside. At the same time, a large number of revolutionary writers and artists, represented by Jiang Feng, Ai Qing, and so on, began to study the art of paper cutting in Yan'an from the local peasant women, studying and studying it over and over again. Actively consulting and cooperating with local rural paper-cutting people, and making bold innovations in the subject matter and content, they created a large number of new window flowers close to rural life and showing agricultural production and revolutionary soldiers the heroic theme of the War of Resistance against Japan. Play the role of propaganda and encouragement of the people, promote the innovation of new paper-cut content and the development of Yan'an paper-cut nationalization. This paper introduces the national characteristics of Yanan paper-cut and Yanan paper-cut during the Anti-Japanese War from three aspects. The first part discusses the forms and contents of paper cutting in Yan'an during the special period of the War of Resistance against Japan from the point of view of the history and geographical environment of Yan'an. Explaining the popularity and universality of paper-cut in the bad social environment at that time; The second part analyzes the influence of popular literature and art on paper cutting in Yan'an, introduces the development of paper-cut during the War of Resistance against Japan from the aspects of revolutionary leaders and revolutionary artists, and combines the representative figures and representative works at that time. To analyze the paper cutting at that time in the Anti-Japanese War played a positive role; The third part analyzes the influence and significance of paper-cut on the creation of folk art, such as prints and New year paintings during the War of Resistance against Japan.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J528.1

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