云南百濮系民族服飾色彩內涵及審美研究
發(fā)布時間：2018-09-03 16:08
【摘要】：近年來，國家從大局出發(fā)，大力推行文化產業(yè)建設，促進了少數(shù)民族文化的繁榮與發(fā)展。少數(shù)民族服飾作為少數(shù)民族文化的一部分，以其獨特造型、絢麗色彩和精美配飾吸引著越來越多的目光。人們在驚嘆少數(shù)民族服飾絢麗多姿時，卻忽略了這些華麗服飾背后蘊含著的豐富內涵。今云南省境內的佤族、德昂族和布朗族同屬百濮系民族，論文以這一支系的少數(shù)民族為研究對象，從服飾色彩角度切入，引導人們從欣賞百濮系民族服飾的外在出發(fā)，逐步認識和了解其服飾的內涵，使人們能夠真正領略到百濮系民族服飾獨特而充滿魅力的象征意義所帶來的心靈震撼。在逐步加深記憶深刻的同時，做到保護和發(fā)展少數(shù)民族文化。 基于查閱史料文獻和田野調查，論文運用色彩學、人類學、民族學、宗教學等理論，通篇采用由淺入深、由表及里的研究思路和方法，主要從五個方面對百濮系民族服飾色彩展開較為系統(tǒng)的研究和論述。 首先，百濮系民族服飾文化是百濮系民族文化的重要組成部分，對百濮系民族服飾概況進行系統(tǒng)的概括和總結，為下文做好鋪墊。其次，運用色彩學的研究方法，以色相和色調為主，分別對以上總結的百濮系民族服飾色彩加以分析，為色彩的內涵和審美進一步闡述做鋪墊。第三，從記述性、寓意性、象征性等方面，追溯百濮系民族服飾色彩的淵源，，探尋服飾色彩的內涵。第四，為提升人們對于少數(shù)民族服飾色彩更深層次地理解，從審美的角度對百濮系民族服飾色彩加以分析。結合服飾色彩的內涵，深入分析百濮系民族服飾色彩的審美意蘊等。最后，根據(jù)以上研究分析，對百濮系民族服飾色彩的傳承配合案例進行探討，分析其運用中的合理性與可行性。 對百濮系民族服飾色彩內涵及審美的研究，不僅可以使少數(shù)民族服飾色彩在藝術創(chuàng)作中有理可依、有據(jù)所尋，而且可以更好地保護和傳承少數(shù)民族文化。為我們進一步探索西南少數(shù)民族服飾的藝術價值和文化傳承提供參考，使少數(shù)民族文化的研究成果更具實踐意義。
[Abstract]:In recent years, the country, proceeding from the overall situation, vigorously promoted the construction of cultural industry and promoted the prosperity and development of minority culture. As a part of minority culture, ethnic dress attracts more and more attention with its unique shape, gorgeous color and exquisite accessories. People marvel at the colorful costumes of ethnic minorities, but ignore the rich connotations behind them. The WA nationality in Yunnan Province, the Deyong nationality and the Bang nationality both belong to the Baipu ethnic group. This paper takes the ethnic minorities of this branch as the research object, from the angle of dress color, and guides people to start from the external appreciation of the Bai Pu nationality costume. The gradual understanding and understanding of the connotation of its clothing enables people to truly appreciate the spiritual shock brought by the unique and charming symbolic significance of the national costumes of Baipu system. While gradually deepening our memory, we should protect and develop minority cultures. Based on the reference of historical documents and field investigation, the thesis uses the theories of color, anthropology, ethnology, religion and so on, and adopts the research ideas and methods from simple to deep, from surface to inside. Mainly from five aspects of the Bai Pu series ethnic dress color to carry out a more systematic study and discussion. First of all, Baipu ethnic dress culture is an important part of Baipu ethnic culture. The general situation of Baipu ethnic dress is summarized and summarized systematically, which will pave the way for the following. Secondly, by using the research method of color science, mainly hue and hue, the paper analyzes the color of Baipu ethnic dress respectively, which lays the groundwork for the further elaboration of the connotation and aesthetic of color. Third, from the aspects of description, implication and symbolism, trace back the origin of the national dress color of Baipu system, and explore the connotation of the dress color. Fourth, in order to promote people to understand the color of ethnic costumes deeper, from the aesthetic point of view to analyze the color of national costumes in Baipu. Combined with the connotation of costume color, the aesthetic implication of national costume color of Baipu system is deeply analyzed. Finally, according to the above research and analysis, the paper discusses the inheritance and coordination case of the national costume color of Baipu system, and analyzes the rationality and feasibility of its application. The study of the color connotation and aesthetics of the national costume of Baipu system can not only make the color of the ethnic dress reasonable and reliable in the artistic creation, but also better protect and inherit the minority culture. It provides a reference for us to further explore the artistic value and cultural heritage of ethnic costume in Southwest China, and makes the research results of minority culture more practical significance.
【學位授予單位】：云南藝術學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J523.5
[Abstract]:In recent years, the country, proceeding from the overall situation, vigorously promoted the construction of cultural industry and promoted the prosperity and development of minority culture. As a part of minority culture, ethnic dress attracts more and more attention with its unique shape, gorgeous color and exquisite accessories. People marvel at the colorful costumes of ethnic minorities, but ignore the rich connotations behind them. The WA nationality in Yunnan Province, the Deyong nationality and the Bang nationality both belong to the Baipu ethnic group. This paper takes the ethnic minorities of this branch as the research object, from the angle of dress color, and guides people to start from the external appreciation of the Bai Pu nationality costume. The gradual understanding and understanding of the connotation of its clothing enables people to truly appreciate the spiritual shock brought by the unique and charming symbolic significance of the national costumes of Baipu system. While gradually deepening our memory, we should protect and develop minority cultures. Based on the reference of historical documents and field investigation, the thesis uses the theories of color, anthropology, ethnology, religion and so on, and adopts the research ideas and methods from simple to deep, from surface to inside. Mainly from five aspects of the Bai Pu series ethnic dress color to carry out a more systematic study and discussion. First of all, Baipu ethnic dress culture is an important part of Baipu ethnic culture. The general situation of Baipu ethnic dress is summarized and summarized systematically, which will pave the way for the following. Secondly, by using the research method of color science, mainly hue and hue, the paper analyzes the color of Baipu ethnic dress respectively, which lays the groundwork for the further elaboration of the connotation and aesthetic of color. Third, from the aspects of description, implication and symbolism, trace back the origin of the national dress color of Baipu system, and explore the connotation of the dress color. Fourth, in order to promote people to understand the color of ethnic costumes deeper, from the aesthetic point of view to analyze the color of national costumes in Baipu. Combined with the connotation of costume color, the aesthetic implication of national costume color of Baipu system is deeply analyzed. Finally, according to the above research and analysis, the paper discusses the inheritance and coordination case of the national costume color of Baipu system, and analyzes the rationality and feasibility of its application. The study of the color connotation and aesthetics of the national costume of Baipu system can not only make the color of the ethnic dress reasonable and reliable in the artistic creation, but also better protect and inherit the minority culture. It provides a reference for us to further explore the artistic value and cultural heritage of ethnic costume in Southwest China, and makes the research results of minority culture more practical significance.
【學位授予單位】：云南藝術學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J523.5
【共引文獻】
相關期刊論文 前10條
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