本文選題：公共空間 + 景觀陶藝　； 參考：《山西大學(xué)》2012年碩士論文

【摘要】：陶藝作為人類(lèi)比較早的實(shí)用藝術(shù)承載了深厚的文化底蘊(yùn),匯集了祖先們的優(yōu)良品質(zhì)和智慧,它以自身天然質(zhì)樸的特性備受大眾喜愛(ài)。城市化的環(huán)境帶來(lái)的麻木或困惑讓人們無(wú)法親近也感覺(jué)不到溫暖。而現(xiàn)代景觀陶藝的產(chǎn)生打破了傳統(tǒng)實(shí)用性為主的功能,開(kāi)始以它獨(dú)特的審美來(lái)裝飾和點(diǎn)綴環(huán)境。對(duì)于現(xiàn)當(dāng)代陶藝介入公共空間來(lái)講,它并非是簡(jiǎn)單的介入空間構(gòu)成空間中的一種環(huán)境,而是作為一種新的姿態(tài)進(jìn)入環(huán)境、構(gòu)成環(huán)境、裝飾環(huán)境。它的設(shè)計(jì)理念應(yīng)當(dāng)是追求人與自然的和諧統(tǒng)一,注重文化性、情感性、獨(dú)特性以及回歸自然的強(qiáng)烈感受。 目前在中國(guó)大部分城市中,景觀陶藝的探索和研究的例子還很少,需要我們不斷地去試驗(yàn)和探索。隨著大眾審美意識(shí)的提高,把陶藝創(chuàng)作運(yùn)用到景觀設(shè)計(jì)中具有很重要的意義。他運(yùn)用到公共空間中不僅能夠美化空間,而且還能賦予其深厚的文化底蘊(yùn)。因此無(wú)論從審美的角度還是文化的角度出發(fā)對(duì)于公共空間中陶藝介入的分析和研究都非常的重要。 該論文的研究是根據(jù)自己的實(shí)踐創(chuàng)作,結(jié)合自己掌握的現(xiàn)有知識(shí)的基礎(chǔ)上展開(kāi)論述的。論文以當(dāng)代陶藝和公共空間的關(guān)系為線索,對(duì)公共空間中陶藝的形態(tài)構(gòu)成以及它在公共空間的實(shí)際應(yīng)用做了細(xì)致全面的分析研究,并且對(duì)其在空間中呈現(xiàn)的美學(xué)特性做了詳細(xì)分析。最后對(duì)中國(guó)未來(lái)景觀陶藝的前景做了分析研究。整篇論文采用實(shí)踐與理論相結(jié)合的研究方法,并且對(duì)現(xiàn)有研究做了借鑒和拓展,總體上較全面詳細(xì)。
[Abstract]:Ceramic art, as an early practical art of human beings, bears profound cultural background and gathers the good qualities and wisdom of ancestors. It is popular with the masses for its natural simplicity. The numbness or confusion of an urbanized environment makes people unapproachable and unable to feel warm. The emergence of modern landscape pottery broke the traditional function of practicability and began to decorate and embellish the environment with its unique aesthetic. For modern and contemporary ceramic art to intervene in public space, it is not a simple intervention space to constitute a space environment, but as a new attitude into the environment, constitute the environment, decorative environment. Its design idea should be to pursue the harmony and unity between man and nature, pay attention to culture, emotion, uniqueness and strong feeling of returning to nature. At present, in most cities in China, there are few examples of landscape ceramics exploration and research, which requires us to continue to experiment and explore. With the improvement of popular aesthetic consciousness, it is of great significance to apply ceramic art to landscape design. His application to public space not only beautifies space, but also endows it with profound cultural background. Therefore, it is very important for the analysis and research of ceramic art intervention in public space from the point of view of aesthetics and culture. The research of this paper is based on his own practice and existing knowledge. Based on the relationship between contemporary ceramic art and public space, the paper makes a detailed and comprehensive analysis and research on the formation of ceramic art in public space and its practical application in public space. And it presents in the space of aesthetic characteristics of a detailed analysis. Finally, the prospect of future landscape ceramic art in China is analyzed and studied. The whole paper adopts the research method of combining practice and theory, and makes reference and development to the existing research, which is more comprehensive and detailed.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J527

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本文編號(hào)：2107513