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四川渠縣“劉氏竹編”工藝品的傳承、保護(hù)與開發(fā)研究

發(fā)布時間:2018-04-07 00:03

  本文選題:非物質(zhì)文化遺產(chǎn) 切入點:渠縣“劉氏竹編” 出處:《重慶師范大學(xué)》2012年碩士論文


【摘要】:近年來,中國非物質(zhì)文化遺產(chǎn)保護(hù)取得了舉世矚目的成就,在聯(lián)合國教科文組織公布的166項《人類非物質(zhì)文化遺產(chǎn)代表作名錄》中,中國以總數(shù)26項名列第一。非物質(zhì)文化遺產(chǎn)是“活”的遺產(chǎn),作為中國優(yōu)秀傳統(tǒng)文化的重要內(nèi)容日益受到各級政府和大眾的重視。非物質(zhì)文化遺產(chǎn)傳承保護(hù)已逐漸成為廣大民眾的“文化自覺”。城鄉(xiāng)統(tǒng)籌發(fā)展和城鎮(zhèn)化進(jìn)程中,非物質(zhì)文化遺產(chǎn)保護(hù)與發(fā)展正面臨前所未有的挑戰(zhàn)。渠縣“劉氏竹編”工藝美術(shù)品的傳承、保護(hù)與開發(fā)研究,正是在這一背景下提出,具有重要研究價值。 在四川竹編藝術(shù)中,渠縣竹編可謂獨樹一幟,形成了川東特色的竹編藝術(shù)流派,渠縣因而被國家命名為“中國竹編藝術(shù)之鄉(xiāng)”。它產(chǎn)生在以渠江鎮(zhèn)為中心地帶的全縣范圍內(nèi),其誕生時間可以追溯至2300年前。古代岃人用竹材編制勞動工具和生活用具。到了唐代,渠縣竹編業(yè)已經(jīng)很發(fā)達(dá)了,人們住竹房、坐竹椅、背竹筐、戴竹笠、持竹扇等等,生產(chǎn)生活離不開竹。至清代,渠縣竹絲宮扇、細(xì)篾涼席等非常有名,成為朝庭貢品。民間初年,渠縣竹絲宮扇,精美絕論,成為達(dá)官貴人的收藏珍品。新中國成立之后,渠縣劉氏竹編業(yè)發(fā)展更加迅速,品種豐富,技術(shù)精湛。至70年代,渠縣劉氏竹編工藝再次得到迅速恢復(fù)與發(fā)展。渠縣劉氏竹編主要傳承人劉嘉峰從“龔扇”起家,在龔扇的基礎(chǔ)上改革創(chuàng)新,通過刻苦鉆研,根據(jù)提花織物織造原理的啟發(fā),對傳統(tǒng)的竹編進(jìn)行改革創(chuàng)新,,將平面竹編與立體竹編融于一體,在瓷胎竹編上編織各種字畫,成功研制出“提花竹編”,形成了一個獨特的竹編藝術(shù)流派——劉氏竹編。該工藝是我國竹編工藝的一大創(chuàng)舉,推動了我國竹編技藝的發(fā)展。 2008年,渠縣“劉氏竹編”被國務(wù)院批準(zhǔn)列入第二批國家級非物質(zhì)文化遺產(chǎn)保護(hù)名錄。通過非物質(zhì)文化遺產(chǎn)的“保護(hù)”措施,“劉氏竹編”得到立檔、研究、保存、保護(hù)、宣傳、弘揚、傳承的保證,以及振興民間工藝發(fā)展的生命力。渠縣“劉氏竹編”工藝是用慈竹作材料,制作生產(chǎn)生活用具,并在此基礎(chǔ)上衍生、創(chuàng)造出竹編工藝。它是最具特色的中國民間傳統(tǒng)手工技藝之一,技術(shù)精湛、文化品味濃郁,在四川乃至全國都具有代表性。本文擬在歸納、總結(jié)前人對渠縣竹編以及劉氏竹編的研究探索成果的基礎(chǔ)上,探索如何傳承、保護(hù)與開發(fā)渠縣“劉氏竹編”,以期對巴渝工藝美術(shù)品的保護(hù)傳承有所借鑒。
[Abstract]:In recent years, China has made remarkable achievements in the protection of intangible cultural heritage. In the 166 "list of Intangible Cultural Heritage of mankind" published by UNESCO, China ranks first with the total number of 26.Intangible cultural heritage is a "living" heritage. As an important part of Chinese excellent traditional culture, it has been paid more and more attention to by all levels of government and the public.Intangible cultural heritage inheritance and protection has gradually become the "cultural consciousness" of the general public.In the process of urban-rural development and urbanization, the protection and development of intangible cultural heritage is facing unprecedented challenges.The research on the inheritance, protection and development of the arts and crafts of Liu's Bamboo Editing in qu County is put forward under this background, which has important research value.In the bamboo weaving art of Sichuan, qu County is a unique school of bamboo weaving, which forms the bamboo art school with the characteristics of East Sichuan. Therefore, qu County is named "the hometown of Chinese bamboo weaving art" by the state.It was born in a county-wide area with Qujiang Town as its center, dating back to 2300 years ago.In ancient times, bamboo was used to make tools and utensils for living.By the Tang Dynasty, bamboo weaving industry in Quxian County had been very developed. People lived in bamboo houses, sat on bamboo chairs, carried bamboo baskets, wore bamboo hats, held bamboo fans, and so on. The production and life could not be separated from bamboo.To the Qing Dynasty, qu County bamboo palace fan, thin strips cool mat and other very famous, as a tribute to the court.Folk early years, qu County bamboo palace fan, exquisite absolutely, as a collection of dignitaries.After the founding of the people's Republic of China, Liu's bamboo knitting industry in qu County developed more rapidly, with rich varieties and exquisite technology.To 70 s, qu County Liu Bamboo knitting technology again rapid recovery and development.Liu Jiafeng, the main inheritor of Liu's bamboo knitting in Quxian County, started from "Gong Fan" and reformed and innovated on the basis of Gong Fan. By studying hard, according to the inspiration of the principle of jacquard fabric weaving, Liu Jiafeng reformed and innovated the traditional bamboo knitting.In this paper, plane bamboo knitting and stereoscopic bamboo knitting are combined, and all kinds of calligraphy and painting are woven on porcelain tire bamboo knitting, and "Jacquard Bamboo Knitting" is successfully developed, which forms a unique art school of bamboo weaving-Liu's Bamboo Knitting.This process is a great innovation of bamboo knitting technology in China, and promotes the development of bamboo knitting technology in China.In 2008, qu County "Liu bamboo editor" was approved by the State Council to be included in the second batch of national intangible cultural heritage protection list.Through the measures of "protecting" the intangible cultural heritage, "Liu's Bamboo compilation" has been set up, studied, preserved, protected, propagated, carried forward, carried forward and carried forward, and reinvigorated the vitality of the development of folk arts and crafts.Liu's bamboo knitting process in Quxian County is to use bamboo as material to produce life utensils, and on this basis, to create bamboo weaving process.It is one of the most distinctive traditional Chinese handicraft, exquisite technology, rich cultural taste, Sichuan and even the country has a representative.On the basis of summing up the achievements of previous researches on bamboo weaving and Liu's bamboo weaving in qu County, this paper explores how to inherit, protect and develop Liu's bamboo weaving in qu County, in order to provide some reference for the protection and inheritance of the arts and crafts of Bayu.
【學(xué)位授予單位】:重慶師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:J528.5

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