本文選題：無錫紙馬藝術　切入點：藝術特征　出處：《江南大學》2012年碩士論文

【摘要】：無錫紙馬產(chǎn)生于吳文化體系下的太湖流域,是特定地域、文化和技術等多因素綜合影響的產(chǎn)物,是雕版印刷的宗教祭祀用品,屬于木板年畫大類。無錫紙馬是人們在“萬物有靈”的思想指導下,人們根據(jù)自己的想象加以創(chuàng)造所形成的他們心目中的崇拜對象,是農(nóng)耕社會中民間習俗的載體之一。 本文主要針對無錫紙馬藝術在新時代下的保護、傳承與創(chuàng)新展開論述。首先,圍繞無錫紙馬的相關概念做論述,其中對無錫紙馬的概念、歷史淵源以及其發(fā)展基礎做了分析梳理,同時對無錫紙馬同民間木版畫、年畫之間的關系做了對比分析,使三者之間的關系更加清晰。在此基礎之上,從民俗學、宗教學、藝術人類學等角度出發(fā),對無錫紙馬藝術的造型來源、題材分類以及制作材料和工藝特色展開詳細論述,分析理清了無錫紙馬藝術的獨特之處。再次,從構圖、線描、造型和色彩四個方面來解讀無錫紙馬的藝術特征,整理出了無錫紙馬的民俗內涵和藝術特征,同時又將無錫紙馬同江陰紙馬、內丘紙馬和云南紙馬做了橫向比較,通過對比更加明確了無錫紙馬的藝術特征和工藝特性等。最后,通過對無錫紙馬現(xiàn)狀的分析研究,提出了無錫紙馬藝術在保護和傳承上所存在的問題和解決方法,明確了以設計創(chuàng)新作為重要手段來傳承和保護無錫紙馬藝術的設想。
[Abstract]:Wuxi paper-horse originated in the Taihu Basin under the Wu culture system. It is the product of various factors, such as specific region, culture and technology, and is a religious sacrificial article printed by engraving plate. Wuxi paper horse is the object of worship formed by people according to their own imagination under the guidance of "everything is alive", and is one of the carriers of folk customs in farming society. This paper mainly discusses the protection, inheritance and innovation of paper horse art in Wuxi in the new era. Firstly, it discusses the related concepts of paper horse in Wuxi, including the concept of paper horse in Wuxi. The historical origin and its development foundation are analyzed and combed. At the same time, the relationship between Wuxi paper-horse and folk wood prints and New year's paintings is compared and analyzed, which makes the relationship between the three more clear. On this basis, from folklore, religious education, From the point of view of art anthropology, this paper discusses in detail the source of modeling, classification of subject matter, production materials and technological characteristics of paper horse art in Wuxi, and analyzes and clarifies the unique features of paper horse art in Wuxi. Thirdly, from composition, line drawing, This paper interprets the artistic features of Wuxi paper-horses from four aspects: shape and color, and collates the folk and artistic connotations of Wuxi paper-horses. At the same time, it makes a horizontal comparison between Wuxi paper-horses and Jiangyin paper-horses, Neiqiu paper horses and Yunnan paper-horses. Finally, through the analysis and research on the present situation of paper horses in Wuxi, the problems and solutions in the protection and inheritance of paper horses in Wuxi are put forward. Design innovation as an important means to inherit and protect the art of Wuxi paper horse.
【學位授予單位】：江南大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J528

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本文編號：1657148