貴州松桃苗族服飾審美文化研究
發(fā)布時間:2018-03-15 02:10
本文選題:苗族服飾 切入點:傳承 出處:《西南大學》2012年碩士論文 論文類型:學位論文
【摘要】:苗族是一個擁有悠久歷史和燦爛文化的民族,但是苗族的文字在常年的遷徙和流亡中已經(jīng)逐漸消失,苗族人民把自身所穿戴的服飾作為歷史傳承的載體,以織繡花紋的方式記錄本民族的歷史和日常生活。苗族服飾反映出了苗族人民的物質(zhì)和精神文化特征,既實用又美觀,兼具傳承性,可以說苗族服飾是苗人“穿在身上的史書”。隨著社會各界對少數(shù)民族的日漸重視,對苗文化的研究也逐步深入,苗族服飾成為其中的研究熱點。本文主要分三個章節(jié),結(jié)合實地對松桃苗族的服飾文化審美進行解讀。 第一章首先結(jié)合松桃縣的地理位置探尋松桃苗族的族源,然后借族源引出苗族傳統(tǒng)的服飾文化,闡述苗族服飾所具有的功能性和其服飾的日益改變,即審美變遷。 第二章進入到松桃苗族各類服飾的具體介紹,從服飾美學角度結(jié)合圖片,從款式、面料、色彩、紋飾方面入手,解讀松桃苗族服飾的審美構(gòu)成與特征。 第三章作者從苗族的宗教信仰、生活環(huán)境、歷史傳統(tǒng)以及外界影響等方面尋求苗族人民對其服飾的審美心理形成的答案,解讀苗族服飾在苗文化中的特殊地位。 最后結(jié)語部分適當闡述苗族服飾的獨特價值和意義,以及這種服飾審美中所傳承的文化信息和審美意蘊。
[Abstract]:The Miao nationality is a nation with a long history and splendid culture, but the characters of the Miao nationality have gradually disappeared during the years of migration and exile. The people of the Miao nationality regard their own clothing as the carrier of historical heritage. The history and daily life of this nation are recorded by weaving and embroidery patterns. Miao dress reflects the material and spiritual characteristics of the Miao people, which is practical, beautiful and inheritable. It can be said that Miao dress is a historical book that Miao people wear on their bodies. With the increasing attention paid to ethnic minorities by all walks of life, the research on Miao culture has gradually deepened, and Miao clothing has become a research hotspot. This paper mainly consists of three chapters. Combined with the field analysis of the dress culture aesthetic of Songtao Miao nationality. The first chapter first explores the ethnic origin of Songtao Miao nationality in combination with the geographical location of Songtao County, and then draws out the traditional dress culture of Miao nationality through clan source, and expounds the function of Miao nationality dress and the changing of its dress day by day, that is, aesthetic change. The second chapter goes into the specific introduction of all kinds of clothing of Songtao Miao nationality, from the angle of dress aesthetics, from the aspect of style, fabric, color and decoration, it interprets the aesthetic composition and characteristics of Songtao Miao clothing. In the third chapter, the author tries to find the answer of the Miao people's aesthetic psychology in the aspects of religious belief, living environment, historical tradition and external influence, and explains the special position of the Miao nationality costume in the Miao culture. In the last part, the unique value and significance of Miao costume and the cultural information and aesthetic implication passed down in the aesthetic of this kind of dress are properly expounded.
【學位授予單位】:西南大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:J523.5
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