本文選題：美學　切入點：生活美學　出處：《四川師范大學》2012年碩士論文　論文類型：學位論文

【摘要】：中國有著上下五千年源遠流長的文化底蘊,作為禮儀之邦的中國,是很重視衣冠服飾在社會生活中的作用和地位的,因此也素有著衣冠之國的美譽。旗袍,作為眾多華夏服飾派別中重要的一支,承載了深厚的文化內(nèi)涵和美學思想。它的由清初的確立到民初的盛行,以及當今仍然不斷發(fā)展和演變著的經(jīng)歷,彰顯著獨有的魅力和別樣的審美價值。 旗袍服飾,不僅僅是一種實用生活品,更是一種可謂帶有審美意趣的藝術(shù)品,同語言、科學、歷史、哲學等一樣共通構(gòu)成了文化這個大圈的各個扇面。同時,也同歷史、政治等扇面在共存中相互制約與影響著。因此,在旗袍的發(fā)展主線中,不難看出,旗袍文化同不同的歷史政治背景息息相關(guān),同時,各個時期的旗袍文化也是吻合相應時期的美學觀點的。 旗袍有著悠久的發(fā)展變化史。1664年努爾哈赤進京,開啟了清王朝長達200余年的統(tǒng)治,同時,由“正八旗”女性穿戴的長袍演化而來的“旗袍”從此被明文統(tǒng)一為女性必須的服裝。隨著民族的融合,隨著社會變遷、制度改變,旗袍作為國粹,在不斷的改良、創(chuàng)新中日益奪目。通過旗袍發(fā)展史的展開,可以清楚地在旗袍最根本的特點上,看到與之相關(guān)的一些古典美學思想以及西方哲學思想。旗袍一直持續(xù)到如今的發(fā)展,已經(jīng)從民族走向世界,更多樣化地以其深厚的歷史意義和獨特的美感出現(xiàn)在各大影視作品和具有世界性的活動項目中,例如奧運、國際電影節(jié)頒獎典禮等等,彰顯著民族文化同世界文化碰撞后的創(chuàng)新力量和無限美感�，F(xiàn)代日新月異的式樣、更加藝術(shù)化的設(shè)計賦予了旗袍更廣的意義與影響力。 這一過程中,可以看到的一方面是旗袍被升華為藝術(shù)后,在傳統(tǒng)中又不失現(xiàn)代的極致的雅致美,作為一種服裝,與人物性情相得益彰,不是再現(xiàn)式的美,而是表現(xiàn)式的,所以可以帶有無拘無束的想象和各類添加的元素在其中；另一方面,也可以看到,在這些中西合璧美輪美奐的旗袍背后,作為一種文化的產(chǎn)物,旗袍成為了一種具有象征意義、社會文化意義的符號符碼,旗袍在社會中流行,同時為社會生活所創(chuàng)造,它承載的不是綾羅綢緞的姹紫嫣紅,而是一種象征著某些社會含義和文化底蘊的縮影,旗袍服飾必然有著不可限量的發(fā)展前景。
[Abstract]:China has five thousand years of long history of cultural heritage. As a state of ceremony, China attaches great importance to the role and status of dress and dress in social life, therefore, it also has the reputation of a clothed country. Cheongsam. As an important branch of many Chinese dress schools, it bears profound cultural connotations and aesthetic thoughts. Its popularity from the early Qing Dynasty to the early Republic of China, and today's continuous development and evolution of the experience, Show the unique charm and other aesthetic value. Cheongsam dress is not only a practical product of life, but also a work of art with aesthetic interest. Like language, science, history, philosophy and so on, it forms every sector of the great circle of culture. At the same time, it is also with history. Therefore, in the main development line of Qipao, it is not difficult to see that the culture of cheongsam is closely related to different historical and political backgrounds, at the same time, The cheongsam culture of each period is also consistent with the aesthetic point of view of the corresponding period. Qipao has a long history of development and change. In 1664, Nuerhachi entered Beijing, opening the reign of the Qing Dynasty for more than 200 years, and at the same time, The "cheongsam", evolved from the long robes worn by the women of the "Zhengzheng eight Banner", has since been clearly unified as a necessary dress for women. With the integration of the nation, with social changes and changes in the system, the cheongsam, as the quintessence of the nation, has been continuously improved. Through the development of the history of Qipao, we can clearly see some classical aesthetic thoughts and western philosophical thoughts related to the development of cheongsam. Has moved from the nation to the world, more diversified with its profound historical significance and unique aesthetic sense in various major film and television productions and international events, such as the Olympic Games, the International Film Festival awards ceremony, and so on. It shows the creative power and infinite beauty after the collision between national culture and world culture. The modern style with each passing day and the more artistic design endow the cheongsam with wider meaning and influence. In this process, we can see, on the one hand, that after the cheongsam was sublimated into art, the elegant beauty of the modern style was not lost in the tradition. As a kind of clothing, it was complementary to the character's temperament, and it was not a reproducing beauty, but an expressive one. So we can have an unrestrained imagination and all kinds of added elements in it. On the other hand, we can also see that behind these beautiful cheongsam, Chinese and Western beauty, as a product of a culture, cheongsam has become a symbolic significance. The symbol code of social and cultural meaning, the cheongsam is popular in the society, at the same time created for the social life, what it carries is not the colorful color of Luo Ayako silk satin, but a kind of microcosm that symbolizes certain social meaning and cultural background. Cheongsam dress is bound to have an unlimited development prospects.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J523.5

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