本文關(guān)鍵詞： 太平天國壁畫 民間化 民間藝人　出處：《東南文化》2013年03期 　論文類型：期刊論文

【摘要】：太平天國壁畫以社會現(xiàn)實作為創(chuàng)作題材,以民間藝人為主要創(chuàng)作主體,有別于明清以來以文人畫為主導(dǎo)的繪畫風(fēng)格,其設(shè)立"繡錦衙"以專門管理藝術(shù)創(chuàng)作,并大力提倡人民喜愛的藝術(shù)形式,使壁畫得到空前的繁榮。太平天國壁畫的繪畫風(fēng)格有民間化傾向的特點,與其創(chuàng)作主體的民間化、創(chuàng)作觀念的民間化、形式要素的民間性三個方面的成因有密切關(guān)系。
[Abstract]:The murals of the Taiping Heavenly Kingdom take social reality as the creative subject and folk artists as the main creative subject, which is different from the painting style dominated by literati paintings since the Ming and Qing dynasties. The painting style of the painting of Taiping Heavenly Kingdom has the characteristic of folk tendency, and the folk character of the subject of creation, the folk of the creative idea, the folk style of the painting of the Taiping Heavenly Kingdom, and the folk style of the creation of the mural painting of the Taiping Heavenly Kingdom. There is a close relationship between the three causes of the folk nature of the elements of form.
【作者單位】： 東南大學(xué)藝術(shù)學(xué)院;
【分類號】：K879.41;J218.6

【參考文獻】

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