本文選題：建筑形態(tài)　切入點(diǎn)：楚文化媒介　出處：《武漢理工大學(xué)》2015年碩士論文

【摘要】：現(xiàn)代建筑的形態(tài)設(shè)計(jì),在經(jīng)歷了簡單幾何形態(tài)的演變與構(gòu)成這一階段后,逐漸回歸到傳統(tǒng)文化,地域主義設(shè)計(jì)的興起將設(shè)計(jì)師和大眾的注意力拉回了地區(qū)發(fā)展形態(tài)及文化特質(zhì)本身。尤其是在體驗(yàn)經(jīng)濟(jì)下,每個(gè)建筑乃至城市都需要讓自己具有標(biāo)識性的印記與獨(dú)特之處.建筑形態(tài)已經(jīng)超出簡約化審美的需求,而成為一種傳播文化的載體。在此基礎(chǔ)上,本文以建筑形態(tài)作為切入點(diǎn),這一點(diǎn)有別于建筑學(xué)學(xué)科對于建筑類別、結(jié)構(gòu)和功能等方面的探討與分析,而是依托于設(shè)計(jì)學(xué)的學(xué)科領(lǐng)域成果,側(cè)重于形態(tài)對文化的傳播價(jià)值與對美學(xué)精神的塑造這一內(nèi)容。深邃輝煌的楚文化在歷史文明的發(fā)展歷程中占有重要的地位,也為當(dāng)今各領(lǐng)域的開拓與創(chuàng)新提供了豐富的創(chuàng)作資源。如何承襲傳統(tǒng)文化的基因,將荊楚文化的形式語言進(jìn)行取舍和重塑,并融入到現(xiàn)代設(shè)計(jì)手法當(dāng)中,成為值得探討的課題。體驗(yàn)經(jīng)濟(jì)下的設(shè)計(jì),尋求主題化,而地域文化是最佳的題材來源之一。文化的介入能夠滿足體驗(yàn)經(jīng)濟(jì)中的教育與審美需求。除了設(shè)計(jì)在商業(yè)活動中的營銷價(jià)值外,設(shè)計(jì)中文化的體現(xiàn)對于城市形象的營造及人們地域文化的認(rèn)同感與歸屬感的重塑而言都具有十分重要的意義。越來越多的設(shè)計(jì)師開始研究和探討楚文化的豐富內(nèi)容與美學(xué)特征,試圖從中找到楚文化通往現(xiàn)代審美的契機(jī)。對傳統(tǒng)文化形態(tài)的研究與運(yùn)用,不能停留在對傳統(tǒng)建筑等造物藝術(shù)形式的復(fù)制上,相較之下,更為重要的是尋找出傳統(tǒng)文化媒介的美學(xué)特質(zhì),并分析成就其美學(xué)特質(zhì)的營造手法,從中提取幾何化形態(tài)進(jìn)行異變、構(gòu)成與組合運(yùn)用到當(dāng)?shù)氐慕ㄖ⻊?chuàng)作中,使之符合現(xiàn)代審美特征。因此,在結(jié)合文化媒介與形態(tài)設(shè)計(jì)的過程中,既要對文化媒介的形態(tài)特征與美學(xué)特征進(jìn)行提煉與演繹,又要注重對多元化設(shè)計(jì)手法的運(yùn)用與創(chuàng)新。本論文的研究重點(diǎn)在于建立一個(gè)多層次的體現(xiàn)楚文化內(nèi)涵,同時(shí)符合現(xiàn)代設(shè)計(jì)語境的建筑創(chuàng)作手法研究的框架,這一框架涵蓋了基本形態(tài)的提取異變過程以及基本形態(tài)之間的構(gòu)成與組合關(guān)系。本文在實(shí)例分析的基礎(chǔ)上,歸類整理并提煉出符合荊楚建筑風(fēng)格的設(shè)計(jì)原則與形態(tài)創(chuàng)作手法,為今后荊楚地區(qū)特色建筑創(chuàng)作實(shí)踐提供有價(jià)值的參考。
[Abstract]:The form design of modern architecture, after going through the evolution and composition of simple geometric form, has gradually returned to the traditional culture.The rise of regionalism draws the attention of designers and the public back to the form of regional development and cultural characteristics.Especially in the experience economy, each building and even the city needs to have its own identity mark and unique place.The architectural form has gone beyond the demand of simple aesthetic appreciation, and has become a carrier of spreading culture.On this basis, this paper takes the architectural form as the breakthrough point, which is different from the discussion and analysis of architectural category, structure and function in architecture, but based on the achievements of the discipline of design.Focus on the form of cultural dissemination value and the creation of aesthetic spirit this content.The deep and brilliant Chu culture plays an important role in the development of historical civilization and provides rich creative resources for the development and innovation of various fields.How to inherit the genes of traditional culture, to choose and reshape the formal language of Jingchu culture, and to integrate it into modern design techniques has become a topic worthy of discussion.Under the experience economy design, seeks the theming, and the regional culture is one of the best subject matter sources.Cultural intervention can meet the educational and aesthetic needs of the experience economy.In addition to the marketing value of design in commercial activities, the embodiment of culture in design is of great significance to the construction of city image, the recognition of people's regional culture and the remolding of their sense of belonging.More and more designers begin to study and discuss the rich content and aesthetic characteristics of Chu culture, and try to find the opportunity for Chu culture to reach modern aesthetics.The study and application of the traditional cultural form cannot remain in the reproduction of the artistic forms of creation, such as the traditional architecture, but it is more important to find out the aesthetic characteristics of the traditional cultural media.And analysis of its aesthetic characteristics of the means of construction, from the extraction of geometric form for different changes, composition and combination of the local architectural creation, to make it in line with the modern aesthetic characteristics.Therefore, in the process of combining cultural media with morphological design, we should not only refine and deduce the morphological and aesthetic characteristics of cultural media, but also pay attention to the application and innovation of diversified design techniques.The research focus of this paper is to establish a multi-level framework for the study of architectural creation techniques that embodies the connotation of Chu culture and conforms to the context of modern design.This framework covers the extraction process of basic morphology and the composition and combination relationship between basic forms.On the basis of the analysis of examples, this paper classifies and refines the design principles and form creation methods which accord with Jingchu architectural style, and provides a valuable reference for the practice of special architectural creation in Jingchu area in the future.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU201

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