【摘要】：地域武術(shù)文化是武術(shù)文化的子系統(tǒng),是一種承載著傳統(tǒng)武術(shù)不同拳種流派豐富內(nèi)涵與發(fā)展歸屬的文化形態(tài)。中州武術(shù)與嶺南武術(shù)是我國南北地域典型的拳種流派系統(tǒng),在地域武術(shù)文化中具有鮮明的代表性,是中華傳統(tǒng)武術(shù)文化的縮影。對中州武術(shù)文化與嶺南武術(shù)文化進(jìn)行系統(tǒng)比較,挖掘兩地域武術(shù)文化之間的深層關(guān)系,是對地域武術(shù)文化之間比較研究體系的完善,也是對中華武術(shù)文化研究的深入、細(xì)化與補(bǔ)充,對中華武術(shù)的傳承與發(fā)展具有深遠(yuǎn)意義。運(yùn)用文獻(xiàn)資料法、對比分析法、專家訪談法、跨學(xué)科研究法,以中州武術(shù)文化與嶺南武術(shù)文化為研究對象,闡釋影響中州武術(shù)文化與嶺南武術(shù)文化形成與發(fā)展因素的基礎(chǔ)上,分析討論中州武術(shù)文化與嶺南武術(shù)文化在物器技術(shù)層、制度習(xí)俗層、心理價值層的聯(lián)系和區(qū)別。研究表明:1.中州武術(shù)與嶺南武術(shù)在地理環(huán)境、社會環(huán)境、經(jīng)濟(jì)環(huán)境的影響下形成并發(fā)展。中州武術(shù)是中華武術(shù)的源頭,嶺南武術(shù)在社會的變革以及多次大移民浪潮中又深受中州武術(shù)的影響,從而形成了各具特色的文化形態(tài)。2.中州武術(shù)具有大開大合、多穿蹦跳躍、拳腿并用且腿法較多等技術(shù)特點(diǎn);中州武術(shù)套路起勢右起向左運(yùn)動,運(yùn)行路線多以左右為主,最后在右邊收勢;武術(shù)套路動作構(gòu)成突顯中州武術(shù)技術(shù)特點(diǎn);中州武術(shù)技擊方法上有體現(xiàn)重防守、后發(fā)制人的技術(shù)應(yīng)用特色;中州武術(shù)器械有稍窄長形制,操作樸實(shí)、圓活;武術(shù)服裝宜寬松型、低明度、柔軟絲綿面料。嶺南武術(shù)具有寬闊扎馬、少跳躍、呼氣發(fā)聲、手法多腿法少等技術(shù)特點(diǎn);嶺南武術(shù)套路起勢一般向前運(yùn)動,中間穿插左右小幅度運(yùn)動,在后邊收勢;武術(shù)套路動作構(gòu)成再現(xiàn)南派武術(shù)技術(shù)風(fēng)格;嶺南武術(shù)技擊方法上有體現(xiàn)攻守合一且攻守同期的技術(shù)應(yīng)用特色;嶺南武術(shù)器械有相對較短小形制,操作輕巧、實(shí)用;武術(shù)服裝宜修身型、深色、柔軟絲綿面料。3.中州武術(shù)有以地點(diǎn)命名的拳種;民俗中舞獅、豫劇多結(jié)合中州武術(shù)基本功塑造北獅威武形態(tài)、表現(xiàn)粗獷豪放的豫劇風(fēng)采。嶺南武術(shù)拳種較多的以姓氏命名;民俗南獅武獅合一、粵劇武戲結(jié)合,突顯南獅神態(tài)、南派功夫?qū)嵱们抑仃噭蒿L(fēng)格。4.中州武術(shù)講究立身中正與儒家“中庸之道”相通,影響著人們的處世原則;受儒家思想熏染,其套路操作及動作創(chuàng)編表現(xiàn)出了濃厚的近儒性。南派拳種多帶有強(qiáng)烈的反抗思想,實(shí)由嶺南地域民族沖突嚴(yán)重,人民反抗意識強(qiáng)烈所致;嶺南遠(yuǎn)離儒家正統(tǒng),其武術(shù)發(fā)展、演變多有自身獨(dú)特方式,表現(xiàn)出遠(yuǎn)儒性特點(diǎn)。
[Abstract]:Regional Wushu culture is a subsystem of Wushu culture and a cultural form bearing rich connotation and development belonging to different boxing schools of traditional Wushu. Zhongzhou Wushu and Lingnan Wushu are typical boxing schools in north and south regions of our country. They are the epitome of Chinese traditional Wushu culture and have distinct representativeness in regional Wushu culture. The systematic comparison between Zhongzhou Wushu culture and Lingnan Wushu culture, excavating the deep relationship between the two regional Wushu cultures is the perfection of the comparative research system between the regional Wushu cultures and the deep research of the Chinese Wushu culture. Refinement and supplement are of great significance to the inheritance and development of Chinese Wushu. By using the methods of literature, comparative analysis, expert interview and interdisciplinary research, taking the culture of Zhongzhou Wushu and Lingnan Wushu as the research object, the paper explains the factors that influence the formation and development of Zhongzhou Wushu Culture and Lingnan Wushu Culture. This paper analyzes and discusses the relationship and difference between Zhongzhou Wushu culture and Lingnan Wushu culture in the layer of material technology, institution and custom, and psychological value. The results show that: 1. Zhongzhou Wushu and Lingnan Wushu were formed and developed under the influence of geographical environment, social environment and economic environment. Zhongzhou Wushu is the source of Chinese Wushu. Lingnan Wushu is deeply influenced by Zhongzhou Wushu in the social reform and many waves of emigration. Zhongzhou Wushu has many technical characteristics, such as jumping and jumping, using both fist and leg, and more leg method, and so on, and moves from right to left in the routine of Zhongzhou Wushu, the main running route is left and right, and finally, the trend is closed on the right. The composition of routine movements highlights the characteristics of martial arts techniques in Zhongzhou; the technical application features of heavy defense and late attack on the methods of martial arts in Zhongzhou martial arts, the narrow and long shape of martial arts instruments in Zhongzhou, the simple operation and round life of martial arts instruments in Zhongzhou; Wushu clothing should be loose, low brightness, soft silk fabric. Lingnan Wushu has the technical characteristics of broad zama, less jumping, exhalation, more legs and less manipulation, etc. Wushu routine movements constitute the reappearance of South School Wushu technical style; Lingnan Wushu technique and attack method embodies the combination of attack and defense and the same period of attack and defense, Lingnan Wushu equipment has relatively short shape, light operation, practical; Wushu clothing suitable for self-cultivation, dark, soft silk fabric. 3. Zhongzhou Wushu has a boxing style named after the place; in folk customs lion dance Henan opera combined with the basic skills of Zhongzhou martial arts shape the northern lion powerful form and show the wild and bold style of Henan opera. Lingnan martial arts boxing more named after the surname; folk South Lions and Lions in one, Cantonese opera combined with martial arts to highlight the South Lion manner, South Kungfu practical and heavy formation style. 4. Zhongzhou Wushu pays attention to the principle of "the mean of the mean", which influences people's principle of life. Influenced by Confucianism, the routine operation and movement creation of Zhongzhou Wushu shows a strong nearness of Confucianism. Most of the southern boxing have strong resistance thought, which is caused by the serious ethnic conflict in Lingnan region and the strong resistance consciousness of the people; Lingnan is far away from Confucian orthodoxy, and its Wushu development has its own unique way, showing the characteristics of far Confucianism.
【學(xué)位授予單位】：廣州體育學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G852

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