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三皇炮捶拳源流考

發(fā)布時間:2018-06-29 14:34

  本文選題:傳統(tǒng)武術 + 三皇炮捶拳 ; 參考:《沈陽體育學院》2017年碩士論文


【摘要】:傳統(tǒng)武術作為我國歷史文化載體之一有著十分重要的地位,三皇炮捶拳是我國傳統(tǒng)武術眾多拳種中的一種,擁有悠久的歷史,現(xiàn)已被列為非物質文化遺產保護項目?疾鞂θ逝诖啡难芯堪l(fā)現(xiàn),已有的研究成果以記錄三皇炮捶拳的套路動作內容為主,缺少理論指導。文章圍繞著三皇炮捶拳的發(fā)展脈絡、對其歷史源流、技法特點、理論體系以及發(fā)展情況進行論述使三皇炮捶拳更加系統(tǒng)化,有利于三皇炮捶拳的傳承與發(fā)展。文章以三皇炮捶拳作為研究的對象,運用文獻資料法、專家訪談法、田野調查法和邏輯分析法,對三皇炮捶拳的12名傳人進行了訪談,到撫順、丹東、北京和冀州三皇炮捶拳發(fā)展較廣的地區(qū)進行了調查,掌握了三皇炮捶拳相關的一手資料。從三皇炮捶拳的起源發(fā)展、師承脈絡等方面對三皇炮捶拳進行了詳細的研究,并對三皇炮捶拳的起源進行了重新論證,對三皇炮捶拳的傳承脈絡進行了細化。研究發(fā)現(xiàn):(1)三皇炮捶拳由喬鶴齡所創(chuàng),至今已傳至十代,在我國的華北地區(qū)流傳,以北京和河北為中心,在北京、冀州、唐縣和丹東分別成立了研究協(xié)會。至今各研究為推廣三皇炮捶拳開辦了三皇炮捶拳培訓班和內部交流交流會,但時間不定參與人員有限推廣力度尚有不足。(2)喬鶴齡傳授宋邁倫和于連登、宋邁倫改革三皇炮捶拳并帶入北京、于連登傳授于鑒并讓其進京拜宋邁倫為師學成后將三皇炮捶拳帶入山西是三皇炮捶拳發(fā)展史的三個里程碑。宋邁倫將三皇炮捶拳與所學相結合改革了三皇炮捶拳,創(chuàng)立了夫子三拱手的技擊大法,形成了宋派三皇炮捶拳。于鑒繼承了于連登的于派三皇炮捶拳結合宋邁倫所傳授的拳法形成了現(xiàn)在所流傳的于派三皇炮捶拳,宋于兩派拳架不同拳理一致。(3)三皇炮捶拳在它的發(fā)展過程中深深地受到中國傳統(tǒng)文化的影響,無論是在它的拳理上還是在它的思想上都體現(xiàn)了這一點,三皇炮捶拳在功法上強調動作的實用性,具有極強的技擊性特點和極高的養(yǎng)生特點。用16個字來概括三皇炮捶拳的風格特點為:樸實無華、沉穩(wěn)剛勁、氣勢勇猛、靈活多變。(4)通過研究最后筆者將三皇炮捶拳定義為吸取了中國傳統(tǒng)文化而形成的一種內外兼修的樸實、沉穩(wěn)、勇猛的拳術。通過上述研究,本文提出以下建議:(1)進一步挖掘整理三皇炮捶拳的資料,通過探討考證將有分歧的觀點統(tǒng)一化。(2)開設以傳承人為培訓對象的培訓班,并組織考核,將零散的練習者組織起來由通過考核的傳承人進行培訓,提高練習者的動作規(guī)范。(3)通過舉行交流會和培訓班的方式為三皇炮捶拳的習練者搭建交流和學習的平臺。(4)進一步歸納總結三皇炮捶拳理論,并將難懂的術語簡易化,將三皇炮捶拳的套路動作編輯整理成影像資料出版。(5)將三皇炮捶拳編成統(tǒng)一的規(guī)定套路動作進入校園。
[Abstract]:As one of the carriers of Chinese history and culture, traditional Wushu has a very important position. Sanhuang Guanhongquan is one of the many kinds of traditional Wushu in China, which has a long history and has been listed as an intangible cultural heritage protection project. The research on Sanhuang Guanhongquan shows that the existing research results are mainly about recording the routine movements of Sanhuang Guanhongquan, and lack of theoretical guidance. This paper focuses on the development of Sanhuang Guanhongquan, and discusses its historical origin, technical characteristics, theoretical system and development situation, which is beneficial to the inheritance and development of Sanghuang Guanheng Quan. Taking Sanhuang Guanhongquan as the object of study, using the method of literature, expert interview, field investigation and logical analysis, the paper interviews 12 descendants of Sanhuang Guanhui Quan to Fushun, Dandong, Beijing and Jizhou Sanhuang Guanhongquan developed in a wide range of areas to investigate, to grasp the Sanhuang Guanhui related primary data. From the origin and development of Sanhuang Guanhongquan, the author makes a detailed study on Sanhuang Guanhui Quan, and reproves the origin of Sanhuang Guanhongquan, and refines the lineage of Sanhuang Guanhui Boxing. The results are as follows: (1) Sanhuang Guanheng Quan was founded by Qiao Heling and has been handed down to ten generations. It has been spread in North China, with Beijing and Hebei as the center, and research associations established in Beijing, Jizhou, Tangxian and Dandong, respectively. So far, various studies have held three Imperial Gun thumping training courses and internal exchange meetings for the promotion of Sanhuang Gun Pai Quan, but the limited efforts of the participants in the promotion are still insufficient. (2) Qiao Heling imparted Song Mai-lun and Yu Lian-deng. Song Mailun reformed the three emperors' gun punches and brought them into Beijing. Yu Liandeng imparted Yu Jian and let him come to Beijing to worship Song Mairen as a teacher, and brought the three emperors' gun blows into Shanxi Province, which was the three milestones in the history of the development of the three emperors' gun thumps. Song Mailun combined the three emperors' gun punches with his studies and reformed the three emperors' fists and created the master's skill of striking the great law, which formed the Song school San Huang's gun blows. Yu Jian inherited Yu Liandeng's three emperors gun thumping fists combined with the boxing method taught by Song Mailun, and formed the present spread of the three emperors gun thumping boxing. (3) the three emperors were deeply influenced by the traditional Chinese culture in its development, both in its theory of boxing and in its thought. (3) in the process of its development, Sanhuang Guanhui was deeply influenced by the traditional Chinese culture, both in its theory of boxing and in its thought. Sanhuang Gun punch emphasizes the practicability of action and has strong technical characteristics and high health characteristics. The characteristics of the style of Sanhuang Guanhongquan are summarized in 16 characters: simple, steady, vigorous and brave. (4) through the research, the author defines Sanhuang Guanhongquan as a kind of simple, steady and brave boxing, which is formed by absorbing the traditional Chinese culture. Through the above research, this paper puts forward the following suggestions: (1) further excavating and sorting out the data of Sanhuang Guanhui Quan, unifying different viewpoints through probing and textual research; (2) setting up a training course for inheritors, and organizing examination. The scattered practitioners are organized to be trained by the inheritors who have passed the examination. (3) to set up a platform for communication and learning by means of communication meetings and training courses. (4) to sum up and summarize the theory of Sanhuang Gun Boxing, and to simplify the difficult terminology. The routine actions of Sanhuang Guanhongquan are edited and published as video materials. (5) the Sanhuang Guanhui Boxing is compiled into a unified regular routine to enter the campus.
【學位授予單位】:沈陽體育學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:G852.1

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