本文選題：舞蹈啦啦操 + 創(chuàng)編手法　； 參考：《山東師范大學(xué)》2017年碩士論文

【摘要】：目的:隨著我國綜合國力不斷增強(qiáng),民眾對(duì)于精神食糧的需求日益突出,特別是體育項(xiàng)目的多元化發(fā)展,既為大眾提供健身鍛煉的方法,也為他們提供社交與娛樂的工具。正是基于此背景,啦啦操開始運(yùn)而生,成為年輕群體的選擇,它兼具表演、健身、競(jìng)技等多種功能,是一項(xiàng)可持續(xù)性和發(fā)展性的大眾普及性的體育項(xiàng)目,在漫長的發(fā)展進(jìn)程中,逐漸成為具有專業(yè)化水準(zhǔn)的競(jìng)賽項(xiàng)目。在長期發(fā)展過程中,其發(fā)生極為重要的歷史變革。從歷史視角來看,啦啦操已經(jīng)逐漸從幕后走到臺(tái)前,其在競(jìng)賽場(chǎng)上的作用越來越大,而且逐漸形成單一體系的舞蹈形式,而啦啦操實(shí)際上已經(jīng)從展示功能逐漸發(fā)展到表演、競(jìng)技等方向上,其發(fā)展方向的變化,也預(yù)示著將會(huì)有更多更好的啦啦操出現(xiàn),對(duì)于啦啦操而言,當(dāng)代舞提供的更多是其表現(xiàn)方式及方法上,但兩者具有很共同的品質(zhì),因?yàn)槎紝儆谖璧傅姆种?在其發(fā)展歷程上交叉內(nèi)容很多,也注定兩者能夠更好的吸納與融合;與啦啦操剛剛出現(xiàn)相比,已經(jīng)擺脫傳統(tǒng)“廣播操”的認(rèn)知,向著更高的層面發(fā)展。從其創(chuàng)作手法來看,吸納當(dāng)代舞的創(chuàng)作風(fēng)格后,使其在保持現(xiàn)有節(jié)奏及花式的同時(shí),有更多的創(chuàng)作空間,特別是在道具的使用上,中國元素逐漸淡化,取而代之的是西方元素、現(xiàn)代流行元素,更加符合受眾的年齡及心理因此,本課題緊緊圍繞啦啦操創(chuàng)編融入中國當(dāng)代舞元素的實(shí)踐,從及我國當(dāng)代舞與啦啦操融合的可行性進(jìn)行研究分析,對(duì)目前啦啦操的發(fā)展現(xiàn)狀、與世界強(qiáng)隊(duì)的差距進(jìn)行了深入剖析,并對(duì)未來啦啦操融入當(dāng)代舞的發(fā)展前景和可能面臨的問題進(jìn)行了系統(tǒng)研究。希望能夠從民族傳統(tǒng)文化中汲取營養(yǎng),以豐富其藝術(shù)內(nèi)容及精神價(jià)值,使啦啦操更具備良好的發(fā)展前景。方法:本文收集、整理和分析2015年全國啦啦操聯(lián)賽中舞蹈啦啦操運(yùn)用當(dāng)代舞元素的隊(duì)伍、2011年全國啦啦操聯(lián)賽優(yōu)秀隊(duì)伍藝術(shù)分得分,分析舞蹈啦啦操中的當(dāng)代舞元素在編排套路中的作用。主要是采取文獻(xiàn)資料法、訪談法及邏輯分析法進(jìn)行研究,創(chuàng)編出更多兼具當(dāng)代舞和啦啦操特征的新型風(fēng)格,從而推動(dòng)啦啦操向更高層面發(fā)展。結(jié)論與建議:通過研究發(fā)現(xiàn),舞蹈啦啦操正在發(fā)生深刻的變革,處于快速創(chuàng)新發(fā)展時(shí)期,得出結(jié)論如下:(1)啦啦操創(chuàng)編形式。結(jié)合當(dāng)代舞元素的特征,對(duì)其中存在的美進(jìn)行深度挖掘,以體現(xiàn)出形體、動(dòng)作、韻律之美,增加啦啦操的文化底蘊(yùn)及內(nèi)涵,使其成為新型的體育舞蹈類別。(2)啦啦操編排元素。對(duì)于舞蹈啦啦操的加工,也要體現(xiàn)出反哺效果,將當(dāng)代舞中的動(dòng)作、服務(wù)、音樂以及情感等要素提煉出來,與啦啦操相融合,從而增加其創(chuàng)作的深度。(3)舞蹈啦啦操創(chuàng)編融入當(dāng)代舞元素,既是對(duì)歷史的傳承與發(fā)揚(yáng),又很好地豐富了舞蹈啦啦操的藝術(shù)特色、創(chuàng)編理念和設(shè)計(jì)主題,促進(jìn)了啦啦操多元化發(fā)展。但在具體融合過程中,要把握兩點(diǎn):一是把握融合限度。對(duì)于啦啦操與當(dāng)代舞元素融合而言,必須要充分的把握其限度,因?yàn)槿魏挝璧感问蕉加衅湎嗤ㄖ?也有其差異之處,如果不能夠很好的把握,極容易出現(xiàn)“四不像”情況;二是控制表現(xiàn)方式。無論啦啦操與當(dāng)代舞如何的融合,都離不開自己的適用范圍和內(nèi)在的體系;三是注重文化底蘊(yùn)。要注意兩者融合之后,雖然加重了西方文化、道具及表現(xiàn)手法的應(yīng)用,但啦啦操在中國出現(xiàn)后,始終是以中國人能夠接納的方式存在,因而在任何時(shí)候都不可以“全盤西化”,要以中華民族的文化作為底蘊(yùn),不斷的創(chuàng)新創(chuàng)作,才能夠逐漸走上歷史舞臺(tái),得到全世界的認(rèn)可。
[Abstract]:Objective: as China's comprehensive national strength is increasing, the demand for spiritual food is becoming more and more prominent, especially the diversified development of sports. It provides a means of fitness training for the public, and also provides them with social and recreational tools. Performance, fitness, competitive and other functions, is a sustainable and developing popular sports project, in the long process of development, gradually become a professional level of competition. In the long course of development, it has a very important historical change. From a historical perspective, cheerleading has gradually gone from behind the curtain. To the platform, its role in the competition field is more and more large, and gradually forms a single system of dance, and cheerleading has actually developed from display function to performance, competition and other direction, the change of its development direction also indicates that there will be more and better fuck. For cheerleading, the contemporary dance provides more. Many are their ways and methods, but both have a common quality, because they all belong to the branch of the dance. They have a lot of cross content in the course of their development. They are also doomed to better absorb and merge. Compared with the emergence of cheerleading, it has gone out of the traditional "broadcasting" cognition and developed to a higher level. From its creation. By means of the style, after the creative style of contemporary dance, in keeping with the existing rhythm and style, there is more space for creation, especially in the use of props, the Chinese elements are gradually desalinated and replaced by Western elements, modern popular elements, more in line with the age and psychology of the public, so this topic is tightly around cheerleading. The author makes an analysis of the feasibility of integrating Chinese contemporary dance elements into the feasibility of contemporary dance and Cheerleading in China, analyzes the current development status of cheerleading and the gap between the strong teams in the world, and makes a systematic study on the future development of cheerleading and the possible problems that may be faced with. To draw nutrition from national traditional culture in order to enrich its artistic content and spiritual value, so that cheerleading has a better prospects for development. Methods: This article collects, collects and analyzes the team of dance Cheerleading in the National Cheerleading League in 2015, the artistic score of the outstanding team of the National Cheerleading League in 2011, and the analysis of the artistic score of the outstanding team in the National Cheerleading League in 2015. The role of contemporary dance elements in choreography is mainly based on literature, interview and logical analysis to create a new style that combines contemporary dance and cheerleading features to promote cheerleading to a higher level. Conclusions and suggestions: Dance cheerleading is being found through research. Profound changes, in the rapid innovation and development period, draw the following conclusions as follows: (1) the form of Cheerleading creation. Combined with the characteristics of contemporary dance elements, the beauty of the existence of the depth of excavation, in order to reflect the beauty of the form, movement, rhythm, and increase the cultural background and connotation of cheerleading, and make it a new type of sports dance category. (2) cheerleading Choreography elements. For the processing of dance cheerleading, it should also reflect the effect of back feeding, refining the movements, services, music and emotions in the contemporary dance, and blending with cheerleading, thus increasing the depth of his creation. (3) the dance cheerleading creations are integrated into the contemporary dance element, which is not only the inheritance and development of history, but also a good enrichment of the history. The artistic features of the dance cheerleading, the creation idea and the design theme, promote the diversification of cheerleading. But in the process of concrete integration, we should grasp two points: one is to grasp the limit of fusion. For the fusion of cheerleading and contemporary dance elements, it is necessary to fully grasp its limit, because any dance form has its own similarities, and it also has its own. The difference, if not very good grasp, the "four unlike" situation is very easy to appear, two is to control the way of expression. No matter how the combination of cheerleading and contemporary dance, it is inseparable from its own scope of application and internal system; the three is to pay attention to cultural background. After the combination of both, although the combination of the two, although the aggravation of western culture, props and performance The application of the technique, but after the emergence of China, cheerleading has always been in the way that the Chinese can be accepted, so it can not be "fully westernized" at any time, and the Chinese nation's culture as the foundation and continuous innovation can gradually come to the stage of history and get the recognition of the whole world.

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G837

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