從投壺的歷史演進(jìn)看傳統(tǒng)體育的復(fù)興
發(fā)布時間:2018-01-26 15:02
本文關(guān)鍵詞: 投壺 歷史演進(jìn) 娛樂化 文化擔(dān)當(dāng) 當(dāng)代啟示 出處:《成都體育學(xué)院學(xué)報》2017年05期 論文類型:期刊論文
【摘要】:運(yùn)用文獻(xiàn)資料等方法梳理回顧投壺的歷史演進(jìn),得出:投壺起源于先秦的射禮,經(jīng)歷了先秦的初步娛樂化,兩漢的進(jìn)一步娛樂化,魏晉隋唐的全面娛樂化及宋明的過度娛樂化與"復(fù)禮"運(yùn)動等發(fā)展階段,至清末西方體育大量傳入時式微。進(jìn)一步分析投壺興衰的文化與社會學(xué)原理,認(rèn)為:育人與娛人功能的對立統(tǒng)一是左右投壺興衰的內(nèi)在文化因素;"中間階層"是投壺興衰的重要推動力量。最后得出當(dāng)代啟示:復(fù)興傳統(tǒng)體育須尋找傳統(tǒng)體育傳統(tǒng)性與現(xiàn)代性的結(jié)合點(diǎn);復(fù)興傳統(tǒng)體育可適度利用傳統(tǒng)的禮文化因素;復(fù)興傳統(tǒng)體育應(yīng)注重發(fā)揮中間階層的作用。
[Abstract]:Using literature and other methods to review the historical evolution of the pot, it is concluded that the pot originated from the shooting ceremony of the pre-Qin Dynasty, experienced the preliminary entertainment of the pre-Qin Dynasty, and the further entertainment of the Han Dynasty. The comprehensive entertainment of Wei, Jin, Sui and Tang dynasties, the excessive entertainment of Song Ming and the movement of "redecorating" declined, and the cultural and sociological principles of the rise and fall of casting pot were further analyzed in the late Qing Dynasty when western sports were introduced in large quantities. The author holds that the unity of opposites between educating and entertaining is the internal cultural factor of the rise and fall of the jug; The "middle class" is an important driving force for the rise and fall of the pot. Finally, the enlightenment of the contemporary era is drawn: to revive the traditional sports, we must look for the combination of the tradition and modernity of the traditional sports; Reviving the traditional sports can make proper use of the traditional cultural factors of propriety; Revival of traditional sports should pay attention to play the role of the middle class.
【作者單位】: 清華大學(xué)體育部;池州學(xué)院體育學(xué)院;安徽師范大學(xué)體育學(xué)院;
【基金】:安徽省教育廳人文社會科學(xué)重點(diǎn)項目“先秦體育禮儀研究”(sk2014A331)
【分類號】:G898.1
【正文快照】: 投壺是我國古代一項兼具禮儀教化與休閑娛樂的社會文化活動,至今已有數(shù)千年歷史。據(jù)史料記載,投壺在中國古代曾十分盛行,上至天子下至平民皆有所樂。在投壺歷代發(fā)展演變進(jìn)程中,娛樂化是貫穿全程的一種趨勢。也正是投壺育人與娛人兩大功能的對立統(tǒng)一及不同時期、不同社會階層對
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