本文關(guān)鍵詞：夏季奧運(yùn)獎(jiǎng)牌表現(xiàn)形式及設(shè)計(jì)趨勢(shì)研究　出處：《武漢體育學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 奧運(yùn)會(huì) 獎(jiǎng)牌 地域文化 民族文化 發(fā)展趨勢(shì)

【摘要】：自現(xiàn)代奧林匹克運(yùn)動(dòng)會(huì)從1896年起源以來,已經(jīng)發(fā)展成為世界性的體育盛會(huì)。作為奧運(yùn)視覺系統(tǒng)之一的奧運(yùn)獎(jiǎng)牌,不僅蘊(yùn)涵著奧林匹克精神,也是各民族的人文環(huán)境、歷史文化的集中反映,成為一種獨(dú)具特色的奧運(yùn)文化。本文的寫作思路是:通過分析研究歷屆奧運(yùn)獎(jiǎng)牌的表現(xiàn)形式,對(duì)其設(shè)計(jì)的歷史和發(fā)展有一個(gè)準(zhǔn)確的認(rèn)識(shí),進(jìn)而總結(jié)奧運(yùn)獎(jiǎng)牌的設(shè)計(jì)規(guī)律和理念,最后探索未來設(shè)計(jì)的發(fā)展趨勢(shì)。本文以奧運(yùn)獎(jiǎng)牌的獨(dú)特性作為研究設(shè)計(jì)的切入點(diǎn),以30屆現(xiàn)代夏季奧林匹克獎(jiǎng)牌為研究對(duì)象。利用文獻(xiàn)資料法,對(duì)奧運(yùn)會(huì)理念、夏季奧運(yùn)獎(jiǎng)牌的發(fā)源及階段做詳細(xì)介紹,使人們清晰、直觀的從表面了解夏季奧運(yùn)獎(jiǎng)牌;利用對(duì)比分析法,研究夏季奧運(yùn)獎(jiǎng)牌在正、反面中表現(xiàn)形式的差異性及民族文化差異,體現(xiàn)出夏季奧運(yùn)獎(jiǎng)牌更深層次的設(shè)計(jì)原理和設(shè)計(jì)意義,使之更具感染力;利用邏輯推理法,試圖探索猜想未來夏季奧運(yùn)獎(jiǎng)牌的設(shè)計(jì)理念及發(fā)展趨勢(shì),進(jìn)一步豐富奧運(yùn)獎(jiǎng)牌的設(shè)計(jì)研究。研究表明,整個(gè)現(xiàn)代夏季奧運(yùn)獎(jiǎng)牌的發(fā)展歷經(jīng)四個(gè)階段,并在每個(gè)時(shí)代階段具有獨(dú)特設(shè)計(jì)理念;夏季奧運(yùn)獎(jiǎng)牌的背面設(shè)計(jì)豐富于正面設(shè)計(jì),未來會(huì)出現(xiàn)更多代表性圖形元素;夏季奧運(yùn)獎(jiǎng)牌的材質(zhì)會(huì)由單一化向多元化轉(zhuǎn)變,而奧林匹克精神與民族文化特色是組成獎(jiǎng)牌設(shè)計(jì)理念的兩大因素。作為夏季奧運(yùn)會(huì)重要載體的獎(jiǎng)牌文化,在充分弘揚(yáng)奧林匹克精神的同時(shí),充盈各民族文化,推升人類文明。本文研究以使人們對(duì)奧運(yùn)獎(jiǎng)牌有一個(gè)更加正確的了解和完整的認(rèn)識(shí)為目的,希望能對(duì)我國今后在獎(jiǎng)牌設(shè)計(jì)方面有一定的借鑒和參考價(jià)值。
[Abstract]:Since the origin of the modern Olympic Games in 1896, it has developed into a worldwide sports event. As one of the Olympic visual system, Olympic medals not only contain the Olympic spirit. It is also the humanistic environment of all ethnic groups, and the concentrated reflection of history and culture has become a unique Olympic culture. To its design history and development has an accurate understanding, and then summed up the Olympic medal design laws and ideas. Finally explore the development trend of future design. This paper regards the uniqueness of Olympic medals as the starting point of the research design, taking the medals of the 30th modern summer Olympic Games as the research object, and using the method of literature. To the Olympic Games idea, the summer Olympic medal origin and the stage to do the detailed introduction, causes the people to understand the summer Olympic medal from the surface clearly, intuitively; By using the method of comparative analysis, this paper studies the difference of the form of expression and the difference of national culture in the positive and negative aspects of the Olympic medals in summer, which reflects the deeper design principle and design significance of the medals in the summer Olympic Games, and makes them more infectious. By using the method of logical reasoning, this paper tries to explore the design idea and development trend of the future Olympic medals in order to further enrich the research on the design of Olympic medals. The development of the Olympic medals in the whole modern summer has gone through four stages and has a unique design concept in each stage of the times. The back design of the Olympic medals in summer is more abundant than the front design, and there will be more representative graphic elements in the future. The material of the Olympic medals in summer will change from simplex to pluralistic, and the Olympic spirit and national cultural characteristics are the two major factors that make up the design idea of medals. As an important carrier of the Summer Olympic Games, the medal culture. In the full development of the Olympic spirit at the same time, to fill the culture of all nationalities, promote human civilization. This study aims at making people have a more correct understanding and complete understanding of Olympic medals. It is hoped that it can be used for reference and reference value in medal design in China in the future.
【學(xué)位授予單位】：武漢體育學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：G811.21

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 馬菲;;從符號(hào)學(xué)解讀奧運(yùn)獎(jiǎng)牌中的中國傳統(tǒng)文化傳播[J];安徽文學(xué)(下半月);2009年07期

2 黃莉;孫義良;陳立基;張銳鏵;;中國玉文化與奧林匹克文化的融合研究[J];北京體育大學(xué)學(xué)報(bào);2008年07期

3 何穎;;神人遇合:古希臘神話人性內(nèi)涵解讀[J];楚雄師范學(xué)院學(xué)報(bào);2012年12期

4 李洪國;何秋華;黃益;;奧運(yùn)視覺形象中植物元素的文化內(nèi)涵研究[J];廣州體育學(xué)院學(xué)報(bào);2013年02期

5 陳江風(fēng);胡鑫艷;;金鑲玉的美善思想及其在設(shè)計(jì)實(shí)踐中的價(jià)值體現(xiàn)[J];大眾文藝;2013年24期

6 朱旭;;奧運(yùn)獎(jiǎng)牌設(shè)計(jì)：不碎之玉[J];工業(yè)設(shè)計(jì);2008年07期

7 劉德華;董新軍;;2008年北京奧運(yùn)會(huì)獎(jiǎng)牌設(shè)計(jì)文化理念探析[J];內(nèi)江科技;2009年10期

8 運(yùn)齋;;見證“更快、更高、更強(qiáng)”的奧運(yùn)獎(jiǎng)牌[J];科技智囊;2008年08期

9 韓波;劉西洋;王舒;;從文化融合視角看北京奧運(yùn)會(huì)中中西文化之融合[J];南京體育學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2011年02期

10 李靜娜;王國淞;張良扙;徐天辰;;淺談鑲嵌在奧運(yùn)獎(jiǎng)牌上玉環(huán)的結(jié)構(gòu)特征[J];科技視界;2013年30期

相關(guān)碩士學(xué)位論文 前7條

1 張荔;現(xiàn)代奧運(yùn)會(huì)徽設(shè)計(jì)發(fā)展研究[D];清華大學(xué);2004年

2 薛梅;金玉其相[D];中央美術(shù)學(xué)院;2008年

3 焦素花;歷屆夏季奧運(yùn)會(huì)會(huì)徽研究[D];蘇州大學(xué);2008年

4 蔡淑敏;現(xiàn)代奧運(yùn)會(huì)徽符號(hào)的審美價(jià)值論[D];中南民族大學(xué);2008年

5 董建華;現(xiàn)代夏季奧運(yùn)會(huì)平面設(shè)計(jì)研究[D];中國美術(shù)學(xué)院;2010年

6 姚瑤;昆侖玉品牌文化建設(shè)探索[D];中央民族大學(xué);2013年

7 崔文鵬;我國冬夏季奧運(yùn)會(huì)金牌特征研究[D];成都體育學(xué)院;2013年

，

本文編號(hào)：1395934