【摘要】：近年來,隨著生活水平的提高,人們的審美需求也越來越高,裝飾壁畫不再是高不可攀的藝術(shù),已經(jīng)悄然的走進(jìn)每個家庭�，F(xiàn)代裝飾壁畫起源于包豪斯設(shè)計學(xué)院,由于特殊的教學(xué)觀念和實(shí)踐培養(yǎng)出很多優(yōu)秀的設(shè)計人才,設(shè)計師引領(lǐng)藝術(shù)潮流的發(fā)展方向,因此現(xiàn)代裝飾壁畫是有國界,有地域,有民族特色的。根據(jù)環(huán)境,創(chuàng)意方向,表現(xiàn)方法也各不相同。此文論述的是現(xiàn)代裝飾壁畫與環(huán)境藝術(shù)空間的關(guān)系,通過各種媒介和渠道深入了解現(xiàn)代裝飾壁畫在國內(nèi)外的現(xiàn)狀,進(jìn)行實(shí)地考察和與研究,針對研究內(nèi)容擬采取的研究方法、進(jìn)行分析論證,在對中國現(xiàn)代裝飾壁畫的發(fā)展歷程進(jìn)行細(xì)致分析中,不同的時期研究現(xiàn)代裝飾壁畫與環(huán)境空間的特點(diǎn),這樣才能為現(xiàn)代裝飾壁畫創(chuàng)作提供系統(tǒng)的方法論,同時在研究的過程中也注重對現(xiàn)代裝飾壁畫人文價值的闡述。以現(xiàn)代人的角度來考慮,現(xiàn)代裝飾壁畫是要與環(huán)境藝術(shù)空間相互統(tǒng)一的,要符合現(xiàn)代人的思維方式與審美價值觀念�，F(xiàn)代裝飾壁畫不僅要成就環(huán)境藝術(shù)空間,更好體現(xiàn)文化內(nèi)涵,并且能激發(fā)出人們生活的樂趣。文中從人生觀以及價值觀來回答兩者之間的關(guān)系,在當(dāng)今社會文化大爆炸的時代,各民族、國家、地區(qū)的文化背景不同,他們所需要的設(shè)計原理自然就有所區(qū)別,這就要求我們對于分析兩者之間的關(guān)系要從根本出發(fā),細(xì)致挖掘,通過不同的環(huán)境藝術(shù)空間與不同風(fēng)格的壁畫、不同材料的壁畫等方面進(jìn)行分析,在每個時期里,裝飾壁畫隨著環(huán)境的改變而變化,也隨著時代進(jìn)步而改變,從材質(zhì)和表達(dá)形式上又有不斷的提升。通過理論聯(lián)系實(shí)踐,結(jié)合自己設(shè)計作品分析,從構(gòu)思到制作過程逐一舉例說明。首先在創(chuàng)作早期查找閱讀了國內(nèi)外很多關(guān)于壁畫研究的書籍,并通過實(shí)地考察論證,在了解蒙古族地域文化的特殊性的基礎(chǔ)上,改善蒙古族裝飾壁畫的單一性,不斷融入流行元素,嘗試多種材料,繪制出作品。作品不僅體現(xiàn)個人情懷,也是民族信仰,綜合材料運(yùn)用,利用很多專業(yè)知識,理論與實(shí)際相結(jié)合,清晰論證了壁畫與環(huán)境的關(guān)系,通過本次設(shè)計作品,熟悉掌握各種的構(gòu)成技巧和表現(xiàn)方法,培養(yǎng)審美觀及價值觀的需求,不斷創(chuàng)新,讓現(xiàn)代裝飾壁畫與環(huán)境藝術(shù)完美結(jié)合。
[Abstract]:In recent years, with the improvement of living standards, people's aesthetic needs are higher and higher, decorative murals is no longer a high art, has quietly entered every family. The modern decorative mural originates from the Bauhaus Institute of Design. Because of the special teaching concept and practice, many excellent design talents are cultivated, and the designers lead the development direction of the art trend. Therefore, the modern decorative murals have national boundaries and regions. Having national characteristics. According to the environment, creative direction, performance methods are also different. This paper discusses the relationship between modern decorative murals and environmental art space, through various media and channels to understand the current situation of modern decorative murals at home and abroad, to carry out field inspection and research, in view of the research content of the proposed research methods, In the course of the development of modern decorative murals in China, the characteristics of modern decorative murals and environmental space are studied in different periods, so as to provide a systematic methodology for the creation of modern decorative murals. At the same time, in the process of research, we also pay attention to the humanistic value of modern decorative murals. From the perspective of modern people, the modern decorative murals should be United with the space of environmental art, and conform to the thinking mode and aesthetic value of modern people. Modern decorative murals should not only achieve the environmental art space, better reflect the cultural connotation, but also stimulate the fun of people's life. This article answers the relationship between the two from the outlook on life and values. In the era of the great explosion of society and culture, the cultural backgrounds of different nationalities, countries and regions are different, and the design principles they need are naturally different. This requires us to analyze the relationship between the two from the fundamental point of view, carefully excavating, through different environmental art spaces and different styles of murals, different materials of murals, and so on, in each period, Decorative murals change with the change of environment and with the progress of the times. Through the combination of theory and practice, combined with their own design work analysis, from the conception to the production process one by one to illustrate. First of all, I looked up and read many books about mural research at home and abroad in the early stage of creation, and through field investigation and demonstration, on the basis of understanding the particularity of Mongolian regional culture, improved the singularity of Mongolian decorative murals. Constantly blend into popular elements, try a variety of materials, draw out the work. The works not only reflect personal feelings, but also national beliefs, comprehensive materials use, using a lot of professional knowledge, theory and practice, clearly demonstrated the relationship between the murals and the environment, through this design work, Familiar with all kinds of skills and methods of expression, cultivate aesthetic and value needs, constantly innovate, so that modern decorative murals and environmental art perfect combination.
【學(xué)位授予單位】：沈陽理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J218.6;TU238

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本文編號：2410099