大冶礦山遺址博物館的設(shè)計研究
發(fā)布時間：2018-12-10 06:13
【摘要】：隨著社會的快速發(fā)展,博物館的設(shè)計理念和形式呈現(xiàn)出了多樣化,其中遺址博物館作為一個分支也得到重視和發(fā)展。通過遺址我們可以得知人類活動過后遺留下來的歷史信息;而遺址博物館的職能正是為了保護遺址和傳達遺址信息所建立的。但目前國內(nèi)對于遺址保護方面研究較為落后,遺址博物館的設(shè)計理念和形式存在著很多不足,例如對于遺址完整性保護不徹底,使遺址環(huán)境在開發(fā)過程中受到破壞以及缺乏對遺址周圍環(huán)境的整體性考慮等。盡管我們可以從國外許多優(yōu)秀的博物館案例中得到啟示,但盲目地進行模仿和抄襲,會對我國遺址原真性造成破壞。另外,在遺址博物館設(shè)計中對參觀者的情感引導(dǎo)也是比較關(guān)鍵的部分,通過合理的空間布局規(guī)劃和歷史氛圍營造,能夠引起觀眾們對于歷史內(nèi)容的思考,使參觀者獲得前所未有的體驗,增進與遺址博物館的情感溝通。本文對大冶礦山遺址博物館項目進行了從理論到實踐的整體思考,通過尋找相關(guān)理論作為研究依據(jù),如“生態(tài)博物館”理念為設(shè)計提供了主體思想,即設(shè)計中注重文化遺產(chǎn)真實性和完整性以及原生性的保護,并在設(shè)計中對現(xiàn)存的文化遺產(chǎn)進行保護性展示,對其中破損和消失的部分進行恢復(fù)設(shè)計,以求整個遺址展示的完整性;再利用場所精神的場所性,為設(shè)計提供了情感特性,即在設(shè)計中將觀眾與場所聯(lián)系起來,豐富了人們在博物館參觀過程中的體驗。論文第一章主要分析遺址博物館的研究背景和意義以及國內(nèi)外研究現(xiàn)狀,指出目前國內(nèi)遺址博物館設(shè)計中存在的一些問題;并表明研究目的是為了更好的保護遺址的原生態(tài)環(huán)境和體現(xiàn)遺址文化內(nèi)涵。第二章思考在博物館設(shè)計中的生態(tài)博物館和場所精神理念及應(yīng)用要點;還通過相關(guān)案例分析和總結(jié)出遺址博物館設(shè)計中的四個策略,即保護遺址策略、適度開發(fā)策略、營造歷史情境策略、合理空間規(guī)劃策略;并最后對設(shè)計理念和策略進行總結(jié)。第三章從大冶礦山的歷史背景、地理環(huán)境和發(fā)展現(xiàn)狀三個方面進行分析,了解到大冶礦山的歷史發(fā)展脈絡(luò)和環(huán)境狀況,為后續(xù)的設(shè)計實踐提供必要的依據(jù)。第四章是大冶礦山遺址博物館的設(shè)計實踐。對大冶礦山遺址博物館的基址選擇和設(shè)計構(gòu)思進行說明;并運用生態(tài)博物館的理念對大冶礦山遺址博物館進行遺址保護設(shè)計和人文生態(tài)的展示設(shè)計,并對實施后帶來的社會效益進行分析。第五章通過對大冶礦山遺址博物館設(shè)計實踐的總結(jié),引發(fā)對遺址博物館設(shè)計新的問題的思考。
[Abstract]:With the rapid development of the society, the design ideas and forms of the museum have been diversified, among which the heritage museum as a branch has also been attached importance to and developed. Through the site we can learn the historical information left behind by human activities, and the function of the heritage museum is to protect the site and convey the site information. However, at present, the research on site protection is relatively backward in China, and there are many deficiencies in the design concept and form of the museum, such as incomplete protection of the integrity of the site. The site environment is destroyed in the process of development and the holistic consideration of the site environment is lacking. Although we can draw inspiration from many excellent museum cases abroad, blindly imitating and plagiarizing will destroy the original nature of the ruins in our country. In addition, the emotional guidance to the visitors in the design of the ruins museum is also a key part. Through reasonable space layout planning and historical atmosphere construction, the audience can think about the historical content. Let visitors gain unprecedented experience, and enhance the emotional communication with the ruins museum. This article has carried on the overall thinking from the theory to the practice to the Daye Mine ruins Museum project, through looking for the related theory as the research basis, for example, "the ecological museum" idea has provided the main body thought for the design, That is, the design pays attention to the authenticity and integrity of the cultural heritage and the protection of the original, and carries on the protective display to the existing cultural heritage in the design, and carries on the restoration design to the damaged and disappearing part of the cultural heritage. In order to achieve the integrity of the entire site display; Making use of the place nature of the place spirit, it provides the emotion characteristic for the design, that is, connecting the audience with the place in the design, and enriching people's experience in the course of visiting the museum. The first chapter mainly analyzes the research background and significance of the museum, as well as the current research situation at home and abroad, and points out some problems existing in the design of the domestic heritage museum. The purpose of the study is to better protect the original ecological environment of the site and embody the cultural connotation of the site. The second chapter thinks about the ecological museum and the place spirit idea and the application key points in the museum design; Through the analysis of relevant cases and summed up four strategies in the design of heritage museum, namely, the strategy of protecting the site, the strategy of moderate development, the strategy of creating historical situation, the strategy of rational space planning; and finally, the design concept and strategy are summarized. The third chapter analyzes the historical background, geographical environment and development status of Daye Mine, and finds out the historical development and environment of Daye Mine, which provides the necessary basis for the subsequent design practice. The fourth chapter is the design practice of Daye Mine site Museum. The selection of the base site and the design conception of the Daye Mine site Museum are explained. Using the concept of ecological museum, this paper carries out the design of site protection and the display of humanistic ecology of Daye Mine site Museum, and analyzes the social benefits brought by the implementation. The fifth chapter summarizes the design practice of Daye Mine Museum, which leads to some new problems.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TU242.5
本文編號：2370097
[Abstract]:With the rapid development of the society, the design ideas and forms of the museum have been diversified, among which the heritage museum as a branch has also been attached importance to and developed. Through the site we can learn the historical information left behind by human activities, and the function of the heritage museum is to protect the site and convey the site information. However, at present, the research on site protection is relatively backward in China, and there are many deficiencies in the design concept and form of the museum, such as incomplete protection of the integrity of the site. The site environment is destroyed in the process of development and the holistic consideration of the site environment is lacking. Although we can draw inspiration from many excellent museum cases abroad, blindly imitating and plagiarizing will destroy the original nature of the ruins in our country. In addition, the emotional guidance to the visitors in the design of the ruins museum is also a key part. Through reasonable space layout planning and historical atmosphere construction, the audience can think about the historical content. Let visitors gain unprecedented experience, and enhance the emotional communication with the ruins museum. This article has carried on the overall thinking from the theory to the practice to the Daye Mine ruins Museum project, through looking for the related theory as the research basis, for example, "the ecological museum" idea has provided the main body thought for the design, That is, the design pays attention to the authenticity and integrity of the cultural heritage and the protection of the original, and carries on the protective display to the existing cultural heritage in the design, and carries on the restoration design to the damaged and disappearing part of the cultural heritage. In order to achieve the integrity of the entire site display; Making use of the place nature of the place spirit, it provides the emotion characteristic for the design, that is, connecting the audience with the place in the design, and enriching people's experience in the course of visiting the museum. The first chapter mainly analyzes the research background and significance of the museum, as well as the current research situation at home and abroad, and points out some problems existing in the design of the domestic heritage museum. The purpose of the study is to better protect the original ecological environment of the site and embody the cultural connotation of the site. The second chapter thinks about the ecological museum and the place spirit idea and the application key points in the museum design; Through the analysis of relevant cases and summed up four strategies in the design of heritage museum, namely, the strategy of protecting the site, the strategy of moderate development, the strategy of creating historical situation, the strategy of rational space planning; and finally, the design concept and strategy are summarized. The third chapter analyzes the historical background, geographical environment and development status of Daye Mine, and finds out the historical development and environment of Daye Mine, which provides the necessary basis for the subsequent design practice. The fourth chapter is the design practice of Daye Mine site Museum. The selection of the base site and the design conception of the Daye Mine site Museum are explained. Using the concept of ecological museum, this paper carries out the design of site protection and the display of humanistic ecology of Daye Mine site Museum, and analyzes the social benefits brought by the implementation. The fifth chapter summarizes the design practice of Daye Mine Museum, which leads to some new problems.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TU242.5
【參考文獻】
相關(guān)期刊論文 前10條
1 金露;;生態(tài)博物館理念、功能轉(zhuǎn)向及中國實踐[J];貴州社會科學;2014年06期
2 劉容;;場所精神:中國城市工業(yè)遺產(chǎn)保護的核心價值選擇[J];東南文化;2013年01期
3 潘守永;;生態(tài)博物館及其在中國的發(fā)展:歷時性觀察與思考[J];中國博物館;2011年Z1期
4 楊海榮;閻磊;;論博物館建筑內(nèi)部的交通流線設(shè)計[J];四川建筑科學研究;2009年05期
5 沈巖;;地域特征在遺址博物館設(shè)計中的體現(xiàn)——萬壽巖遺址博物館設(shè)計[J];福建建筑;2009年10期
6 崔愷;;遺址博物館設(shè)計淺談[J];建筑學報;2009年05期
7 舒赫;莫修權(quán);;金沙遺址博物館[J];建筑學報;2009年02期
8 張男;;機遇與困境：遺址博物館設(shè)計的現(xiàn)狀分析[J];建筑創(chuàng)作;2009年01期
9 崔愷;張男;;再談殷墟博物館[J];室內(nèi)設(shè)計與裝修;2008年02期
10 蘇伯民;;國外遺址保護發(fā)展狀況和趨勢[J];中國文化遺產(chǎn);2005年01期
相關(guān)博士學位論文 前1條
1 段陽萍;中國西南民族地區(qū)不同類型生態(tài)博物館的比較研究[D];中央民族大學;2012年
相關(guān)碩士學位論文 前8條
1 鄧慧超;安吉生態(tài)博物館試析[D];陜西師范大學;2015年
2 俞貝妮;淺析場所精神理論對博物館設(shè)計的啟示[D];浙江理工大學;2012年
3 劉鈺;遺址博物館設(shè)計研究[D];北京建筑工程學院;2012年
4 楊義新;遺址博物館建筑設(shè)計研究[D];重慶大學;2011年
5 任杰;遺址博物館公共關(guān)系研究[D];復(fù)旦大學;2011年
6 褚奕爽;遺址博物館的建筑設(shè)計研究[D];北京工業(yè)大學;2010年
7 李丹;博物館建筑空間中的情節(jié)性[D];大連理工大學;2004年
8 張男;遺址博物館建筑研究[D];天津大學;2004年
，本文編號：2370097
本文鏈接：http://sikaile.net/jianzhugongchenglunwen/2370097.html
最近更新
教材專著
