【摘要】：首先將佛光寺置于唐初武后打造五臺圣山,以及中宗在西京長安、東京洛陽分別建造兩座同樣名為"佛光寺"的皇宮內道場等歷史事件的語境中,揭示其作為皇家宗教構建所傳達的政治訊號;繼而通過對東大殿佛像設置、選址布局、內部空間等具體建造層面的分析,結合與漢唐之間所見其他宗教遺存的聯(lián)系和對比,指出唐初佛光寺不僅是國家意識形態(tài)建構的產(chǎn)物,映射了經(jīng)過遴選與借用的皇室宗教風尚,更是因中古時期印度之宗教思潮的傳入而出現(xiàn)的山林寺廟之重要案例,折射出了中國營建傳統(tǒng)在劇烈外來文化沖擊之下經(jīng)歷的反應與適應過程的一個側面。
[Abstract]:First of all, the Buddhist temple was placed in the context of historical events, such as the creation of Wutai Shengshan after the early Tang Dynasty, and the construction by Zhongzong in Changan, Xijing, and Luoyang, Tokyo, of two monasteries in the imperial palace, also called "Buddhist Temple". Revealing its political signal as a royal religious construction; Then, through the analysis of the setting up, location layout, internal space and other aspects of the construction of the Buddha statue in the East Hall, combined with the connection and comparison with other religious relics seen between Han and Tang dynasties, it points out that the Buddhist Temple in the early Tang Dynasty is not only the product of the construction of national ideology. It reflects the Royal Religion style that has been selected and borrowed, and it is also an important case of mountain forest temples arising from the introduction of religious thoughts in India during the Middle Ages. It reflects the reaction and adaptation process of Chinese construction tradition under the violent foreign culture shock.
【作者單位】： 東南大學建筑學院;
【分類號】：K878.6;TU-092

【參考文獻】

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