【摘要】：“江南”既不是城市也不是省份,而是被歷代文人所美化了的風(fēng)雅之地,“江南”一詞更是與風(fēng)雅的文人生活幾乎同義。的確,江南文人的趣味代表了中國傳統(tǒng)審美的一個(gè)層面,既不同于民間風(fēng)尚,又不同于皇家氣度。正如《詩經(jīng)》風(fēng)、雅、頌三個(gè)部分一樣,文人意趣成為“雅”的定義標(biāo)準(zhǔn)。一個(gè)時(shí)代的文人書齋作為文人群體最具心境的場所,共同闡釋時(shí)代清雅趣味及其流變方向。它涵蓋了院落及建筑、陳設(shè)與文玩清供諸多層面,也間接反映了經(jīng)濟(jì)文化對文人趣味的影響。本文通過對明清江南文人書齋的梳理,對文人風(fēng)尚、清雅與凡俗進(jìn)行新的探討,從物化的書齋內(nèi)容來窺探文人的書案生活。
[Abstract]:"Jiangnan" is neither a city nor a province, but an elegant place beautified by literati of all dynasties, and the word "Jiangnan" is almost synonymous with the life of elegant literati. It is true that the tastes of the literati in the south of the Yangtze River represent a level of Chinese traditional aesthetics, which is different from both folk customs and royal demeanour. Just as the wind, elegance and praise of the Book of songs, literati interest becomes the standard of definition of elegance. As the most mood place of the literati group, the literati of a time explained the elegant taste of the times and its changing direction. It covers the courtyard and architecture, furnishes and plays clearly for various levels, and indirectly reflects the influence of economic culture on the taste of literati. Through combing the literati's study in the south of the Yangtze River in Ming and Qing dynasties, this paper makes a new discussion on the style, elegance and common custom of the literati, and probes into the life of the literati's book case from the materialized contents of the study.
【作者單位】： 中國裝飾雜志社;

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