傳統(tǒng)中式燈飾在室內(nèi)設計中的運用
發(fā)布時間：2018-08-02 21:25
【摘要】：中國燈飾藝術是中國傳統(tǒng)文化重要組成部分之一,中國傳統(tǒng)文化源遠流長,燈飾在漫長的歷史歲月長河中不斷發(fā)展,展現(xiàn)出其獨特的魅力。雖然中國作為燈飾大國,但是在現(xiàn)代燈飾設計并沒有走在世界前沿。為發(fā)揚中國現(xiàn)代燈飾設計,燈飾設計需與中國傳統(tǒng)文化相結(jié)合。本文從中國傳統(tǒng)燈飾的歷史演變發(fā)展中探尋其造型設計特點與設計思想,汲取古人的設計理念來獲取對現(xiàn)代燈飾設計的啟示,將古人設計理念靈活用于現(xiàn)代燈飾設計,設計出一套5件的燈飾作品并將其運用于室內(nèi)設計中。中國傳統(tǒng)燈飾豐富多樣,其中有相當一部分燈飾設計是具有仿生性特征。例如動物形燈、植物形燈、人物形燈等。古人早在崇尚師法自然時便出現(xiàn)了仿生設計這一理念。仿生設計作為古人設計思想中的重要的一個分支,凝聚著古人善于從自然中發(fā)現(xiàn)設計的設計理念,符合人們認識自然改造自然的規(guī)律�，F(xiàn)代社會的生活節(jié)奏越來越緊,人們需要輕松愉悅的生活環(huán)境來舒緩壓力�，F(xiàn)代燈飾設計應學習古人的仿生設計思想,汲取自然界的靈感,獲取想要的設計形態(tài),注重人的物質(zhì)與精神需求并加入現(xiàn)代的工藝技術來進行更好的設計創(chuàng)造。本人畢業(yè)設計作品以古人設計思想之一的仿生設計為指導思想,在設計過程中以中國傳統(tǒng)元素樹枝作為本次創(chuàng)作的主體,在導師的指導下在實地調(diào)研了多種樹木樹枝的形態(tài)變化并拍攝了大量的樹枝照片樣本作為實踐依據(jù)與創(chuàng)作來源。在設計時我從樣本中篩選出三十份樣本并以此為創(chuàng)作原型進行元素提取,采用樹枝的形態(tài)作為燈飾的支架,繪制出三十個燈飾草圖設計方案。最后,從中選取五個最為滿意的燈飾設計方案進行不斷的修改深化。本文在燈飾設計中注重與自然融合,對不同的燈飾有不同的材質(zhì)選擇、色彩搭配及燈光變化,展現(xiàn)其生態(tài)性特征與現(xiàn)代氣息,達到審美與功能并重,最終完成設計作品并運用于茶館室內(nèi)設計中。
[Abstract]:Chinese lighting art is one of the important components of Chinese traditional culture. Chinese traditional culture has a long history. Lighting has been developing continuously in the long historical years, showing its unique charm. Although China is a major lighting country, but in the modern lighting design is not in the forefront of the world. In order to develop Chinese modern lighting design, lighting design should be combined with Chinese traditional culture. From the historical evolution of Chinese traditional lighting, this paper explores the characteristics and design ideas of its modelling design, draws on the ancient design ideas to obtain the inspiration to the modern lighting design, and applies the ancients' design ideas flexibly to the modern lighting design. Design a set of 5 pieces of lighting works and apply them to interior design. Chinese traditional lighting is rich and diverse, among which a considerable part of the lighting design is bionic. For example, animal lamp, plant lamp, figure lamp and so on. The ancients advocated the concept of bionic design when they advocated the nature. As an important branch of the ancients' design thought, bionic design condenses the design idea that the ancients are good at discovering design from nature, which accords with the law of people's understanding of nature transformation. The pace of life in modern society is getting tighter and tighter. People need a relaxed and pleasant living environment to relieve stress. Modern lighting design should learn the ancients' bionic design ideas, draw inspiration from nature, obtain the desired design form, pay attention to the material and spiritual needs of human beings and add modern technology to better design and creation. My graduation design works take the bionic design, one of the ancient design ideas, as the guiding ideology. In the design process, I take the Chinese traditional element branch as the main body of this creation. Under the guidance of the tutor, the morphological changes of various tree branches were investigated in the field, and a large number of photographs of the branches were taken as the practical basis and creative source. In the design, I selected 30 samples from the samples and used them as the prototype to extract elements, and used the shape of branches as the support of lighting, and drew out the design scheme of thirty lighting sketches. Finally, five most satisfactory lighting design schemes are selected for continuous modification and deepening. This article pays attention to the integration with nature in the design of lighting, has different material choice, collocation of color and light change to different lighting, shows its ecological characteristic and modern breath, and achieves the equal emphasis of aesthetic and function. The final design works are used in the interior design of the teahouse.
【學位授予單位】：安徽工程大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TS956;TU238.2
本文編號：2160782
[Abstract]:Chinese lighting art is one of the important components of Chinese traditional culture. Chinese traditional culture has a long history. Lighting has been developing continuously in the long historical years, showing its unique charm. Although China is a major lighting country, but in the modern lighting design is not in the forefront of the world. In order to develop Chinese modern lighting design, lighting design should be combined with Chinese traditional culture. From the historical evolution of Chinese traditional lighting, this paper explores the characteristics and design ideas of its modelling design, draws on the ancient design ideas to obtain the inspiration to the modern lighting design, and applies the ancients' design ideas flexibly to the modern lighting design. Design a set of 5 pieces of lighting works and apply them to interior design. Chinese traditional lighting is rich and diverse, among which a considerable part of the lighting design is bionic. For example, animal lamp, plant lamp, figure lamp and so on. The ancients advocated the concept of bionic design when they advocated the nature. As an important branch of the ancients' design thought, bionic design condenses the design idea that the ancients are good at discovering design from nature, which accords with the law of people's understanding of nature transformation. The pace of life in modern society is getting tighter and tighter. People need a relaxed and pleasant living environment to relieve stress. Modern lighting design should learn the ancients' bionic design ideas, draw inspiration from nature, obtain the desired design form, pay attention to the material and spiritual needs of human beings and add modern technology to better design and creation. My graduation design works take the bionic design, one of the ancient design ideas, as the guiding ideology. In the design process, I take the Chinese traditional element branch as the main body of this creation. Under the guidance of the tutor, the morphological changes of various tree branches were investigated in the field, and a large number of photographs of the branches were taken as the practical basis and creative source. In the design, I selected 30 samples from the samples and used them as the prototype to extract elements, and used the shape of branches as the support of lighting, and drew out the design scheme of thirty lighting sketches. Finally, five most satisfactory lighting design schemes are selected for continuous modification and deepening. This article pays attention to the integration with nature in the design of lighting, has different material choice, collocation of color and light change to different lighting, shows its ecological characteristic and modern breath, and achieves the equal emphasis of aesthetic and function. The final design works are used in the interior design of the teahouse.
【學位授予單位】：安徽工程大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TS956;TU238.2
【參考文獻】
相關期刊論文 前4條
1 李馥穎;;中國古代燈具的環(huán)保主義設計[J];大眾文藝;2012年14期
2 魏艷麗;周小儒;;淺談燈具中的仿生設計[J];電影評介;2012年09期
3 王菲;;燈光視覺感知在室內(nèi)設計中的重要性[J];大舞臺;2011年01期
4 吳愷;;茶館室內(nèi)燈光設計——用燈光營造環(huán)境氛圍[J];大眾文藝(理論);2008年06期
相關碩士學位論文 前1條
1 汪娣;中國傳統(tǒng)燈具的造型研究[D];淮北師范大學;2011年
，本文編號：2160782
本文鏈接：http://sikaile.net/jianzhugongchenglunwen/2160782.html
最近更新
教材專著
