傳統(tǒng)中式燈飾在室內(nèi)設(shè)計(jì)中的運(yùn)用
發(fā)布時(shí)間：2018-08-02 21:25
【摘要】：中國(guó)燈飾藝術(shù)是中國(guó)傳統(tǒng)文化重要組成部分之一,中國(guó)傳統(tǒng)文化源遠(yuǎn)流長(zhǎng),燈飾在漫長(zhǎng)的歷史歲月長(zhǎng)河中不斷發(fā)展,展現(xiàn)出其獨(dú)特的魅力。雖然中國(guó)作為燈飾大國(guó),但是在現(xiàn)代燈飾設(shè)計(jì)并沒(méi)有走在世界前沿。為發(fā)揚(yáng)中國(guó)現(xiàn)代燈飾設(shè)計(jì),燈飾設(shè)計(jì)需與中國(guó)傳統(tǒng)文化相結(jié)合。本文從中國(guó)傳統(tǒng)燈飾的歷史演變發(fā)展中探尋其造型設(shè)計(jì)特點(diǎn)與設(shè)計(jì)思想,汲取古人的設(shè)計(jì)理念來(lái)獲取對(duì)現(xiàn)代燈飾設(shè)計(jì)的啟示,將古人設(shè)計(jì)理念靈活用于現(xiàn)代燈飾設(shè)計(jì),設(shè)計(jì)出一套5件的燈飾作品并將其運(yùn)用于室內(nèi)設(shè)計(jì)中。中國(guó)傳統(tǒng)燈飾豐富多樣,其中有相當(dāng)一部分燈飾設(shè)計(jì)是具有仿生性特征。例如動(dòng)物形燈、植物形燈、人物形燈等。古人早在崇尚師法自然時(shí)便出現(xiàn)了仿生設(shè)計(jì)這一理念。仿生設(shè)計(jì)作為古人設(shè)計(jì)思想中的重要的一個(gè)分支,凝聚著古人善于從自然中發(fā)現(xiàn)設(shè)計(jì)的設(shè)計(jì)理念,符合人們認(rèn)識(shí)自然改造自然的規(guī)律�，F(xiàn)代社會(huì)的生活節(jié)奏越來(lái)越緊,人們需要輕松愉悅的生活環(huán)境來(lái)舒緩壓力�，F(xiàn)代燈飾設(shè)計(jì)應(yīng)學(xué)習(xí)古人的仿生設(shè)計(jì)思想,汲取自然界的靈感,獲取想要的設(shè)計(jì)形態(tài),注重人的物質(zhì)與精神需求并加入現(xiàn)代的工藝技術(shù)來(lái)進(jìn)行更好的設(shè)計(jì)創(chuàng)造。本人畢業(yè)設(shè)計(jì)作品以古人設(shè)計(jì)思想之一的仿生設(shè)計(jì)為指導(dǎo)思想,在設(shè)計(jì)過(guò)程中以中國(guó)傳統(tǒng)元素樹(shù)枝作為本次創(chuàng)作的主體,在導(dǎo)師的指導(dǎo)下在實(shí)地調(diào)研了多種樹(shù)木樹(shù)枝的形態(tài)變化并拍攝了大量的樹(shù)枝照片樣本作為實(shí)踐依據(jù)與創(chuàng)作來(lái)源。在設(shè)計(jì)時(shí)我從樣本中篩選出三十份樣本并以此為創(chuàng)作原型進(jìn)行元素提取,采用樹(shù)枝的形態(tài)作為燈飾的支架,繪制出三十個(gè)燈飾草圖設(shè)計(jì)方案。最后,從中選取五個(gè)最為滿意的燈飾設(shè)計(jì)方案進(jìn)行不斷的修改深化。本文在燈飾設(shè)計(jì)中注重與自然融合,對(duì)不同的燈飾有不同的材質(zhì)選擇、色彩搭配及燈光變化,展現(xiàn)其生態(tài)性特征與現(xiàn)代氣息,達(dá)到審美與功能并重,最終完成設(shè)計(jì)作品并運(yùn)用于茶館室內(nèi)設(shè)計(jì)中。
[Abstract]:Chinese lighting art is one of the important components of Chinese traditional culture. Chinese traditional culture has a long history. Lighting has been developing continuously in the long historical years, showing its unique charm. Although China is a major lighting country, but in the modern lighting design is not in the forefront of the world. In order to develop Chinese modern lighting design, lighting design should be combined with Chinese traditional culture. From the historical evolution of Chinese traditional lighting, this paper explores the characteristics and design ideas of its modelling design, draws on the ancient design ideas to obtain the inspiration to the modern lighting design, and applies the ancients' design ideas flexibly to the modern lighting design. Design a set of 5 pieces of lighting works and apply them to interior design. Chinese traditional lighting is rich and diverse, among which a considerable part of the lighting design is bionic. For example, animal lamp, plant lamp, figure lamp and so on. The ancients advocated the concept of bionic design when they advocated the nature. As an important branch of the ancients' design thought, bionic design condenses the design idea that the ancients are good at discovering design from nature, which accords with the law of people's understanding of nature transformation. The pace of life in modern society is getting tighter and tighter. People need a relaxed and pleasant living environment to relieve stress. Modern lighting design should learn the ancients' bionic design ideas, draw inspiration from nature, obtain the desired design form, pay attention to the material and spiritual needs of human beings and add modern technology to better design and creation. My graduation design works take the bionic design, one of the ancient design ideas, as the guiding ideology. In the design process, I take the Chinese traditional element branch as the main body of this creation. Under the guidance of the tutor, the morphological changes of various tree branches were investigated in the field, and a large number of photographs of the branches were taken as the practical basis and creative source. In the design, I selected 30 samples from the samples and used them as the prototype to extract elements, and used the shape of branches as the support of lighting, and drew out the design scheme of thirty lighting sketches. Finally, five most satisfactory lighting design schemes are selected for continuous modification and deepening. This article pays attention to the integration with nature in the design of lighting, has different material choice, collocation of color and light change to different lighting, shows its ecological characteristic and modern breath, and achieves the equal emphasis of aesthetic and function. The final design works are used in the interior design of the teahouse.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TS956;TU238.2
本文編號(hào)：2160781
[Abstract]:Chinese lighting art is one of the important components of Chinese traditional culture. Chinese traditional culture has a long history. Lighting has been developing continuously in the long historical years, showing its unique charm. Although China is a major lighting country, but in the modern lighting design is not in the forefront of the world. In order to develop Chinese modern lighting design, lighting design should be combined with Chinese traditional culture. From the historical evolution of Chinese traditional lighting, this paper explores the characteristics and design ideas of its modelling design, draws on the ancient design ideas to obtain the inspiration to the modern lighting design, and applies the ancients' design ideas flexibly to the modern lighting design. Design a set of 5 pieces of lighting works and apply them to interior design. Chinese traditional lighting is rich and diverse, among which a considerable part of the lighting design is bionic. For example, animal lamp, plant lamp, figure lamp and so on. The ancients advocated the concept of bionic design when they advocated the nature. As an important branch of the ancients' design thought, bionic design condenses the design idea that the ancients are good at discovering design from nature, which accords with the law of people's understanding of nature transformation. The pace of life in modern society is getting tighter and tighter. People need a relaxed and pleasant living environment to relieve stress. Modern lighting design should learn the ancients' bionic design ideas, draw inspiration from nature, obtain the desired design form, pay attention to the material and spiritual needs of human beings and add modern technology to better design and creation. My graduation design works take the bionic design, one of the ancient design ideas, as the guiding ideology. In the design process, I take the Chinese traditional element branch as the main body of this creation. Under the guidance of the tutor, the morphological changes of various tree branches were investigated in the field, and a large number of photographs of the branches were taken as the practical basis and creative source. In the design, I selected 30 samples from the samples and used them as the prototype to extract elements, and used the shape of branches as the support of lighting, and drew out the design scheme of thirty lighting sketches. Finally, five most satisfactory lighting design schemes are selected for continuous modification and deepening. This article pays attention to the integration with nature in the design of lighting, has different material choice, collocation of color and light change to different lighting, shows its ecological characteristic and modern breath, and achieves the equal emphasis of aesthetic and function. The final design works are used in the interior design of the teahouse.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TS956;TU238.2
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