本文選題：瀝粉 + 貼金�。� 參考：《湖北工業(yè)大學(xué)》2017年碩士論文

【摘要】：瀝粉貼金屬于建筑彩畫工藝,也是漢族傳統(tǒng)工藝制做的花色品種之一。古時候民間流傳的做法是先把膠和土粉混合成膏體,裝入筆頭處有個孔的容器里,按照底稿的圖案描線,描出凸起的紋路,等線干透后在上面涂上膠,待膠快干時貼上金箔,便可以突出圖案的立體感。中國瀝粉貼金工藝源遠(yuǎn)流長,并伴隨著人類進(jìn)步的歷程不斷發(fā)展和變化,反映了人類在不同時期的社會生活,文化思想和精神風(fēng)貌。以往的瀝粉貼金多以建筑或者墻體作為它的載體,如今隨著時代的進(jìn)步,觀念的轉(zhuǎn)變,傳統(tǒng)瀝粉貼金正在以一種新的裝飾畫的方式來到我們的身邊,進(jìn)入我們的生活,離我們越來越近。本文通過對傳統(tǒng)瀝粉貼金工藝在裝飾繪畫中的應(yīng)用與研究,來進(jìn)學(xué)習(xí)、分析和反復(fù)試驗。從優(yōu)秀傳統(tǒng)中提取精華,使得這一工藝可以更好的傳承和發(fā)展。本文正文共分四個部分,前兩個部分宏觀的概括介紹了瀝粉貼金工藝,整理并論述了瀝粉貼金工藝的歷史背景,工具與材料,工藝技術(shù)應(yīng)用。本文的第三部分以法海寺壁畫中的瀝粉貼金為代表,舉實際例子詳細(xì)分析了瀝粉貼金在法海寺壁畫中的表現(xiàn)形式,并展開分別論述了線條的表現(xiàn)形式和圖案的表現(xiàn)形式。如此分析能更深入的學(xué)習(xí)了解瀝粉貼金工藝的特征。文章的最后一個部分結(jié)合了本人的創(chuàng)作實踐,在傳統(tǒng)瀝粉貼金工藝的基礎(chǔ)上有一定的創(chuàng)新,探索著傳統(tǒng)瀝粉貼金在裝飾畫中的的創(chuàng)作與應(yīng)用。
[Abstract]:Lifen gold is a building painting process, is also one of the Han traditional craftsmanship made of one of the varieties. In ancient times, the popular practice was to mix glue with soil powder into a paste, put it into a container with a hole in the pen head, draw lines according to the pattern of the manuscript, draw out the raised lines, and apply glue to them after drying out thoroughly, and when the glue dried quickly, they would put gold foil on them. You can highlight the three-dimensional feel of the pattern. The process of Chinese leachate paste gold has a long history and is accompanied by the continuous development and change of human progress, which reflects the social life, cultural thought and spiritual outlook of human beings in different periods. In the past, most of the Lek Pink stickers used buildings or walls as its carrier. Now, with the progress of the times and the change of ideas, the traditional Lek Pen stickers are coming to us in a new way of decorative painting and entering our lives. We are getting closer and closer. In this paper, the application and research of the traditional Lek paste gold technology in decorative painting are studied, analyzed and tested repeatedly. Extract the essence from the excellent tradition, so that this process can be better passed on and developed. The main body of this paper is divided into four parts. The first two parts introduce the process of leachate gold affixing. The historical background, tools and materials, and the application of technology are discussed. In the third part of this paper, taking the Fahai Temple mural as a representative, the paper gives a practical example to analyze in detail the expression form of Lek Pink in Fahai Temple murals, and discusses the expression forms of lines and patterns respectively. This analysis can be more in-depth learning to understand the characteristics of the leachate gold paste process. The last part of the article combines my creative practice, on the basis of the traditional leachate gold paste process, there is a certain innovation, exploring the creation and application of the traditional Lek paste gold in decorative painting.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TU767

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本文編號：2077183