本文選題：晉中 + 民居建筑　； 參考：《太原理工大學》2017年碩士論文

【摘要】：山西作為全國古建筑的寶庫,五臺山佛教建筑群、云岡石窟、平遙古城均被列為世界文化遺產(chǎn),另外丁村古建筑群、杏花嶺汾酒老作坊、關(guān)圣文化建筑群、應縣木塔也均被列為預備名單。全國重點文物保護單位有271處,山西省省級重點文物保護單位從第一批到第五批就有487處,因此對于山西建筑文物的研究意義深遠。由于晉商文化的發(fā)展,在其影響下的晉商民居數(shù)量龐大,山西民居建筑主要以明清時期的建筑為主,較為完整的村落民居并且集中于一個區(qū)域內(nèi)也唯有晉中地區(qū)了。建筑可以很好的體現(xiàn)當時的時代特征與民族特點,其中最能體現(xiàn)人民當時的生活現(xiàn)象以及人民愿望的即在各個構(gòu)建當中平面化紋樣的展示。植物因其與人類活動的緊密相關(guān)性以及它的自身美,自人類誕生起就與人類的衣、食方面,到后期發(fā)展的工藝品、衣物、建筑裝飾方面密不可分。本文從研究晉中民居的紋樣裝飾著手,首先分別對植物紋樣的發(fā)展與晉中民居的建筑和裝飾特點進行述,對晉中代表性民居的植物紋樣進行資料收集、實地調(diào)查、數(shù)據(jù)統(tǒng)計,重點述植物紋樣的裝飾特點,分別從植物紋樣的含義、裝飾手法等方面進行分析,然后將具有代表性的紋樣以白的方式展示出來,以圖更清晰的體現(xiàn)紋飾特點。通過對以上晉中傳統(tǒng)民居的植物紋樣研究,以小見大,期望民眾對植物紋樣,以及這一時期整個建筑民居和風俗習慣進一步了解,從而呼吁在對傳統(tǒng)紋樣的保護以及加強在現(xiàn)代設計中的積極應用。
[Abstract]:Shanxi is the treasure-house of ancient buildings in the whole country. The Buddhist buildings of Wutai Mountain, Yungang Grottoes and Pingyao are all listed as world cultural heritage. In addition, the ancient buildings of Ding Village, the old workshop of Fenjiu in Xinghualing, the building complex of Guansheng Culture, Yingxian wooden tower is also listed as a preparatory list. There are 271 key cultural relic protection units in China and 487 provincial key cultural relic protection units in Shanxi Province from the first batch to the fifth batch. Due to the development of Shanxi merchants' culture, the number of Shanxi folk houses under its influence is huge. Shanxi folk houses are mainly built in the Ming and Qing dynasties, and relatively complete village houses are concentrated in a region only Jinzhong area. Architecture can well reflect the characteristics of the times and national characteristics at that time, which can best reflect the life of the people at that time and people's wishes in the construction of the plane pattern display. Because of its close relationship with human activities and its own beauty, plants have been closely related to human clothing, food and crafts, clothing and architectural decoration since the birth of human beings. This paper begins with the study of the pattern decoration of the folk houses in Jinzhong. Firstly, the development of plant patterns and the architectural and decorative characteristics of the houses in Jinzhong are described, and the plant patterns of representative houses in Jinzhong are collected, investigated on the spot, and statistics are made. Focus on the decorative characteristics of plant patterns, respectively from the meaning of plant patterns, decorative techniques and other aspects of analysis, and then the representative patterns in a white way to show, in order to more clearly reflect the decorative characteristics. By studying the plant patterns of the traditional dwellings in Jinzhong above, we hope that the people will have a better understanding of the plant patterns, as well as the entire architectural houses and customs of this period. It calls for the protection of traditional patterns and the active application in modern design.
【學位授予單位】：太原理工大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：TU241.5

【參考文獻】

相關(guān)期刊論文 前4條

1 孫曄;;中國古代植物紋樣的象征性[J];服裝學報;2016年02期

2 趙海燕;;王家大院建筑裝飾植物紋樣探微[J];太原師范學院學報(社會科學版);2012年03期

3 張曉霞;;明清植物裝飾紋樣探析[J];蘇州教育學院學報;2007年03期

4 袁宣萍;論我國裝飾藝術(shù)中植物紋樣的發(fā)展[J];浙江工業(yè)大學學報(社會科學版);2005年01期

相關(guān)博士學位論文 前2條

1 陳慎;中國傳統(tǒng)吉祥紋樣初探[D];福建師范大學;2009年

2 張曉霞;中國古代植物裝飾紋樣發(fā)展源流[D];蘇州大學;2005年

相關(guān)碩士學位論文 前4條

1 戎喜平;晉商大院“三雕”圖案藝術(shù)研究[D];山西師范大學;2013年

2 劉卓;常家莊園建筑石構(gòu)件裝飾藝術(shù)研究[D];太原理工大學;2011年

3 楊志勇;晉商大院建筑室內(nèi)裝飾藝術(shù)研究[D];西安建筑科技大學;2010年

4 高燕萍;山西晉中大院照壁的文化意蘊[D];山西師范大學;2010年

，

本文編號：2016139