臨夏建筑彩畫技藝傳承現(xiàn)狀研究
發(fā)布時間:2018-06-04 21:57
本文選題:建筑彩畫 + 技藝 ; 參考:《西北民族大學(xué)》2017年碩士論文
【摘要】:建筑彩畫在中國民間傳承已久,不同的地域特色、文化語境賦予了各地建筑彩畫獨特的文化內(nèi)涵。筆者選擇臨夏建筑彩畫作為本論文的研究對象,以臨夏地區(qū)自古以來多民族聚居互融的歷史文化背景、自然生態(tài)環(huán)境、臨夏建筑彩畫的基本面貌為基點展開研究。從社會功能的角度來看,臨夏建筑彩畫是該地區(qū)多民族文化即相互滲透又相互制約的集中體現(xiàn),其技藝的現(xiàn)狀與傳承將作為本論文的研究重點。文章首先闡明本選題的目的和意義、研究現(xiàn)狀和研究方法及其課題研究的可行性;其次,通過對臨夏建筑彩畫面貌的實地考察,梳理出臨夏建筑彩畫的基本面貌、藝術(shù)特征與文化元素;然后以匠師訪談為主干,結(jié)合各類文獻資料,從原料、工具、工序、技藝等方面初步理清了臨夏地方油作、彩畫作的技術(shù)特征;最后討論臨夏建筑彩畫在當代的變遷、傳承與保護。通過文章,挖掘出臨夏建筑彩畫的藝術(shù)風(fēng)格與制作技藝,同時通過對臨夏建筑彩畫當代變遷的研究,探究其在現(xiàn)代社會環(huán)境中的生存發(fā)展狀況。對臨夏建筑彩畫技藝傳承現(xiàn)狀的研究,是基于藝術(shù)人類學(xué)背景,民族民間美術(shù)的具體體現(xiàn),是我國豐富的物質(zhì)文化與非物質(zhì)文化遺產(chǎn)相結(jié)合的個案研究。文章通過對當代臨夏建筑彩畫面貌及技藝的研究,發(fā)現(xiàn)技藝的變化與工匠們的知識構(gòu)成和經(jīng)驗有關(guān)系;與工匠們應(yīng)對生存的策略有關(guān)系;與工匠們對自身技能的運用有關(guān)系;與工匠們的技藝傳承方式有關(guān)系。
[Abstract]:Architectural color painting has been inherited in China for a long time, with different regional characteristics, cultural context endows local architectural color painting with a unique cultural connotation. The author chooses the Linxia architecture color painting as the research object of this paper, taking the historical and cultural background, natural ecological environment and the basic appearance of Linxia architecture color painting as the basic point of the study. From the point of view of social function, Linxia architecture color painting is a concentrated embodiment of the multi-national culture in this area, which permeates each other and restricts each other. The present situation and inheritance of its skills will be the focus of this paper. Firstly, the paper clarifies the purpose and significance of this topic, the present research situation, the research method and the feasibility of the research. Secondly, through the field investigation of the appearance of Linxia architecture color painting, the author sorts out the basic appearance of Linxia architecture color painting. Then, with the interview of the craftsman as the main part, combining with all kinds of documents and materials, the technical characteristics of Linxia local oil painting and color painting are preliminarily clarified from the aspects of raw materials, tools, working procedures, techniques and so on. Finally, the paper discusses the contemporary changes, inheritance and protection of Linxia architecture color painting. Through this article, the author excavates the art style and production technique of Linxia architecture color painting, and probes into its survival and development condition in the modern social environment by studying the contemporary vicissitude of Linxia architecture color painting. Based on the background of art anthropology and the concrete embodiment of national folk art, the research on the inheritance status of Linxia architecture color painting is a case study of the combination of rich material culture and intangible cultural heritage in our country. Based on the study of the features and techniques of contemporary architectural color paintings in Linxia, this paper finds that the changes of skills are related to the knowledge composition and experience of craftsmen, to the strategies of survival of craftsmen, to the use of their own skills by craftsmen. It has something to do with the way craftsmen pass on their skills.
【學(xué)位授予單位】:西北民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:TU-80
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