本文選題：地域風(fēng)貌 + 本土化進(jìn)程��； 參考：《藝術(shù)工作》2017年01期

【摘要】：正一.天津近代地域風(fēng)貌建筑文化的代表——"小洋樓"的緣起所謂洋樓是鴉片戰(zhàn)爭之后,隨著針對外國人反抗活動(dòng)的增多,洋樓紛紛進(jìn)入本國的租界地,達(dá)官顯貴攜家眷也來到天津租界,他們所建的花園別墅和西式住宅,便被統(tǒng)稱為"天津小洋樓"。簡而言之,"小洋樓"是中國人修筑的外國房子。天津的洋樓大致可分為辦公區(qū)、住宅區(qū)和商業(yè)區(qū)三部分。從"洋樓"發(fā)展到"小洋樓"是天津近代建筑發(fā)展的脈絡(luò)。小洋樓的本土化進(jìn)程,也是東西方文化被迫交
[Abstract]:Masone. After the Opium War, after the Opium War, with the increase of revolt against foreigners, the foreign buildings entered the concession area of their own country one after another. Official dignitaries and family members also came to Tianjin concession, they built garden villas and Western-style houses, they were collectively called "Tianjin small foreign building." In short, Xiao Yang Lou is a foreign house built by Chinese people. Tianjin's foreign buildings can be roughly divided into office, residential and commercial areas three parts. The development from "foreign building" to "small building" is the development of modern architecture in Tianjin. The localization process of the small foreign building is also forced by the eastern and western cultures.
【分類號】：TU-87

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