本文選題：白族民居　切入點(diǎn)：建筑藝術(shù)　出處：《云南師范大學(xué)》2017年碩士論文

【摘要】：建筑作為藝術(shù)的一種外在具體形式一定表現(xiàn)著特定文化群體的內(nèi)在精神世界。因此,本文通過(guò)對(duì)大理地區(qū)白族民居建筑藝術(shù)形式的研究來(lái)揭示作為共同體的白民族在精神世界層面所共有的審美經(jīng)驗(yàn)與審美意識(shí)。宗教作為藝術(shù)發(fā)源的母體,一方面既包括了一個(gè)文化群體精神世界的主要內(nèi)容,另一方面也形塑了這一群體藝術(shù)樣態(tài)的主要形式,這其中也包括最具實(shí)用價(jià)值的建筑藝術(shù)。因此,筆者通過(guò)宗教的視角來(lái)反觀藝術(shù)的形式和審美的內(nèi)容,就是希望能夠盡可能從起源開(kāi)始詳細(xì)描繪出白族建筑藝術(shù)的形式特征與歷史發(fā)展,最終呈現(xiàn)本文關(guān)注的核心——即獨(dú)特時(shí)空條件下形成的白族審美經(jīng)驗(yàn)與審美意識(shí)。白族建筑藝術(shù)發(fā)展的時(shí)間背景是其民族獨(dú)特審美心理所形成的重要?dú)v史動(dòng)因。白民族的發(fā)展受到了云南獨(dú)特空間條件的限制,在原始居民混居發(fā)展出自身文化特征的基礎(chǔ)上不斷受到中原漢民族政治、文化和經(jīng)濟(jì)等多元因素的影響最終融合多文化族群形成了具有多元文化特征的白民族。而白民族在文化特征上的多元性在精神層面的最直觀的表現(xiàn)就是他們同樣具有多元特征的宗教。宗教現(xiàn)象的多元特征在歷史過(guò)程中一定會(huì)影響白民族的審美經(jīng)驗(yàn)與審美意識(shí),這種影響深刻且顯著地外顯白民族的建筑藝術(shù)上。白族建筑藝術(shù)的發(fā)展與其宗教的發(fā)展是高度契合的,建筑藝術(shù)在不同時(shí)期反映著宗教的不同內(nèi)容,而這些具體的宗教內(nèi)容不僅反映著宗教文化的發(fā)展,更是民族審美經(jīng)驗(yàn)和審美意識(shí)的宗教形態(tài)的呈現(xiàn),并通過(guò)具體的建筑得以保留至今�，F(xiàn)有白族民居建筑中所不斷被再現(xiàn)與其宗教意識(shí)緊密聯(lián)系的審美經(jīng)驗(yàn)與審美意識(shí),使得白族人民的日常生活本身就是一種審美活動(dòng),一方面勾連著審美經(jīng)驗(yàn),另一方面勾連著宗教意識(shí)。白族民居建筑藝術(shù)在宗教學(xué)視野下,就是其民族獨(dú)特審美經(jīng)驗(yàn)和審美意識(shí)的具體表現(xiàn),并經(jīng)由儀式的審美活動(dòng)不斷再現(xiàn)著,成為了白民族精神世界的重要體現(xiàn),對(duì)于當(dāng)代民族建筑藝術(shù)的傳承保護(hù)及歷史研究有著重要的意義。
[Abstract]:Architecture, as an external concrete form of art, must represent the inner spiritual world of a particular cultural group. Through the study of the architectural forms of Bai folk houses in Dali area, this paper reveals the common aesthetic experience and aesthetic consciousness shared by the Bai nationality in the spiritual world. Religion is the mother of the origin of art. On the one hand, it includes the main contents of the spiritual world of a cultural group, on the other hand, it also shapes the main form of this group art model, which also includes the architectural art of the most practical value. From the perspective of religion, the author reflects the form and aesthetic content of art, hoping to describe the formal characteristics and historical development of Bai architectural art in detail from the origin as far as possible. Finally, it presents the core of this paper, that is, the aesthetic experience and consciousness of Bai nationality formed under the unique space-time condition. The time background of the development of Bai nationality's architectural art is the important historical cause of the formation of the unique aesthetic psychology of Bai nationality. The development of ethnic groups is restricted by the unique spatial conditions of Yunnan. On the basis of the development of their own cultural characteristics in the mixed settlements of the original inhabitants, they were constantly subjected to the politics of the Han nationality in the Central Plains. The influence of many factors, such as culture and economy, has resulted in the formation of a white nation with multicultural characteristics. The most intuitive manifestation of the cultural diversity of the white people in the spiritual level is that they are the same. Religions with pluralistic characteristics. The pluralistic features of religious phenomena will certainly affect the aesthetic experience and aesthetic consciousness of the white people in the course of history. The development of Bai nationality architecture art is highly consistent with its religious development, and architectural art reflects different contents of religion in different periods. These concrete religious contents not only reflect the development of religious culture, but also present the religious form of national aesthetic experience and aesthetic consciousness. The aesthetic experience and aesthetic consciousness, which are closely related to their religious consciousness, are constantly reproduced in the existing Bai nationality residential buildings, which makes the daily life of the Bai people itself an aesthetic activity. On the one hand, there is aesthetic experience, on the other hand, there is religious consciousness. The architectural art of Bai folk residence is the concrete manifestation of its unique aesthetic experience and aesthetic consciousness in the view of religious education, and is reproduced continuously through the aesthetic activities of ritual. It has become an important embodiment of the spiritual world of Bai nationality, and has important significance for the inheritance, protection and historical study of contemporary national architectural art.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TU-80;TU253

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