本文關(guān)鍵詞：基于場所精神的沈陽城市展覽館改造設(shè)計研究　出處：《沈陽航空航天大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 城市展覽館 場所精神 場所體驗 沈陽特色

【摘要】：伴隨中國城市化進程的迅速發(fā)展,各地政府為了讓市民分享城市發(fā)展的成果,了解城市的歷史文化,從而使廣大群眾積極參與到城市的建設(shè)中來,而構(gòu)建了一個交流與展示的平臺,即城市展覽館。城市展覽館具有載錄事實,傳承文化,宣傳教育等一系列社會功能,是隨著當(dāng)代經(jīng)濟社會發(fā)展而衍生出的特殊展館類型。本文主要的研究內(nèi)容是基于場所精神的城市展覽館設(shè)計研究,通過對挪威建筑師諾伯格舒爾茨所提出的場所精神理念的理解基礎(chǔ)上,梳理城市展覽館的相關(guān)概念及其發(fā)展動因,從而綜合分析城市展覽館與場所精神的緊密聯(lián)系。再以此為切入點結(jié)合場所精神理論,分別從地域環(huán)境以及觀者的精神需求這兩個方面分析城市展覽館中場所精神的形成因素,之后本文系統(tǒng)的探討了城市展覽館中場所精神的構(gòu)成部分,再分別從知覺體驗、情感體驗和行動體驗這三方面研究參觀主體的場所精神體驗方式,總結(jié)出城市展覽館中場所精神的內(nèi)涵,從而提煉出城市展覽館中場所精神的表達方式。在此基礎(chǔ)上,以沈陽城市展覽館改造設(shè)計為例,首先通過對沈陽城市展覽館的調(diào)研,發(fā)現(xiàn)目前沈陽城市展覽館內(nèi)部空間規(guī)劃混亂,路徑安排不夠明確,展陳內(nèi)容與展示形式千篇一律并且缺乏獨特場所精神的營造,因而導(dǎo)致觀者在參觀過程中的精神需求難以得到滿足。為解決以上問題,本文通過深入了解沈陽當(dāng)?shù)氐臍v史文化背景、地域特色和文化特質(zhì)等,將其經(jīng)由場所精神與沈陽城市展覽館的具體設(shè)計相結(jié)合,最終形成一個看得見、摸得著,使觀者身處其中能夠感受具有強烈沈陽地方特色的城市展覽館。從而使之成為日后沈陽地方文化產(chǎn)業(yè)推動的重要基地之一。
[Abstract]:With the rapid development of China's urbanization process, local governments in order to let citizens share the fruits of urban development, understand the city's history and culture, so that the masses actively participate in the construction of the city. The city exhibition hall has a series of social functions, such as recording facts, inheriting culture, propagating education and so on. It is a special type of exhibition hall derived from the development of contemporary economy and society. The main research content of this paper is the design research of city exhibition hall based on the spirit of place. Based on the understanding of the concept of place spirit put forward by Norwegian architect Norberg Schultz, this paper combs the related concepts of the urban exhibition hall and its development motivation. Thus comprehensive analysis of the close relationship between the city exhibition hall and the spirit of the place, and then as a starting point to combine with the spirit of the place theory. Respectively from the regional environment and the spiritual needs of the viewer of the two aspects of the city exhibition hall in the formation of the spirit of the formation of the factors, after a systematic discussion of the urban exhibition hall in the spirit of the site of the components. Then from the perceptual experience, emotional experience and action experience of the three aspects of the main body of the place spirit experience mode, summed up the city exhibition hall in the spirit of the connotation of the place. In order to extract the expression of the spirit of the place in the city exhibition hall. On this basis, taking the reconstruction design of Shenyang city exhibition hall as an example, first of all, through the research of Shenyang city exhibition hall. Found that the present Shenyang City Exhibition Hall internal space planning confusion, the path arrangement is not clear, exhibition content and display form are stereotyped and lack of unique spirit of the building of the place. As a result, it is difficult to satisfy the spiritual needs of the visitors during the visit. In order to solve the above problems, this article through in-depth understanding of the local historical and cultural background, regional characteristics and cultural characteristics of Shenyang. By combining the spirit of the place with the concrete design of Shenyang City Exhibition Hall, a visible and tangible form is finally formed. In which the viewer can feel the city exhibition hall with strong local characteristics of Shenyang, thus making it one of the important bases for the promotion of Shenyang local cultural industry in the future.
【學(xué)位授予單位】：沈陽航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TU242.5

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本文編號：1421343