意象是詩歌的重要組成成分,因?yàn)橐庀篌w現(xiàn)了每個(gè)詩人獨(dú)特的審美愛好,生活經(jīng)歷以及精神世界。正如大多數(shù)中國學(xué)者所說,意象聯(lián)結(jié)了言與意,因?yàn)檠圆荒艹浞诌_(dá)意,而象可以招引,激活和強(qiáng)化意的表達(dá)。但是詩歌意象的傳統(tǒng)研究很少探究意象與言及意之間互動(dòng)的認(rèn)知機(jī)制。而認(rèn)知語言學(xué)理論的快速發(fā)展為我們的研究提供了分析工具。本研究選取了李清照的四十七首詞作為研究語料,采用定性的研究方法,以概念隱喻理論和意象圖式理論為理論框架,探究詞中的核心意象。首先,人工整理了李清照詞中的核心意象,統(tǒng)計(jì)每個(gè)意象的出現(xiàn)頻率,并將其分類,探究其特點(diǎn)和內(nèi)涵。第二,根據(jù)概念隱喻理論識(shí)別意象與抽象的概念域之間系統(tǒng)的隱喻投射,并試圖解釋隱喻背后的經(jīng)驗(yàn)基礎(chǔ)。第三,識(shí)別意象系統(tǒng)中普遍的意象圖式,并探究其如何組織涉身體驗(yàn)和引發(fā)從物理空間向抽象的概念和情感的隱喻投射。我們的研究首先發(fā)現(xiàn),在李清照詞中,核心意象可劃分為兩個(gè)范疇,即自然意象和人文意象,其中花意象和酒意象分別是每個(gè)范疇中最突出的意象。第二,在自然意象中,花意象集中體現(xiàn)了雙向隱喻的存在,主要表現(xiàn)為花與女子之間的雙向隱喻映射:(1)植物是人,詞人將傳統(tǒng)的概念隱喻拓展為三個(gè)新的隱喻,即花是女子...

【文章頁數(shù)】：119 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
Chapter One Introduction
    1.1 Background of the Study
    1.2 The Purpose and Significance of the Research
    1.3 Organization of the Thesis
Chapter Two Literature Review
    2.1 Cognitive Approaches to Poetry
        2.1.1 Cognitive Approaches to Poetry Abroad
        2.1.2 Cognitive Approaches to Poetry at Home
    2.2 Studies on Images
        2.2.1 Definition of Images
        2.2.2 Cognitive Linguistic Studies on Images
    2.3 Studies on Li's Poems
        2.3.1 Introduction to Li Qingzhao and Her Poems
        2.3.2 Traditional Literary Studies on Li's Poems
        2.3.3 Linguistic Studies on Li's Poems
    2.4 Summary
Chapter Three Theories and Methodologies
    3.1 Conceptual Metaphor Theory
        3.1.1 The Internal Structure of Metaphor
        3.1.2 The Poetic Metaphor
    3.2 Image Schema Theory
    3.3 Research Methodology
        3.3.1 Research Questions
        3.3.2 Data Collection
        3.3.3 Research Design
    3.4 Summary
Chapter Four Core Images in Li's Poems
    4.1 Frequencies of Core Images in Li's Poems
    4.2 Descriptions of Core Images in Li's Poems
        4.2.1 Non-metaphorical Images
        4.2.2 Metaphorical Images
            4.2.2.1 Cliche Metaphorical Images
            4.2.2.2 Novel Metaphorical Images
    4.3 Summary
Chapter Five Image Schema Reflected in Core Images
    5.1 Introduction
    5.2 CONTAINER
    5.3 SCALE
    5.4 CYCLE
    5.5 Other Image Schemata
    5.6 Summary
Chapter Six Conceptual Metaphors Reflected in Core Images
    6.1 Introduction
    6.2 Ontological Metaphor
        6.2.1 FLOWERS ARE FEMALES
            6.2.1.1 Mappings of Properties
            6.2.1.2 Mappings of Emotions
        6.2.2 FEMALES ARE FLOWERS
        6.2.3 Bidirectional Mappings Between Flowers and Females
    6.3 Orientational Metaphor
    6.4 Structural Metaphor
    6.5 Summary
Chapter Seven Conclusion
    7.1 Major Findings
    7.2 Limitations of the Research
    7.3 Implications for the Literary Analysis
Bibliography
Appendix The Chinese and English Version of the Cited Poems
Acknowledgements



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