【摘要】：新見清初章回小說《莽男兒》二十四回(殘失第5—11回),是目前所知東亞"老獺稚"故事母題存世時間最早的小說文本,它在敘述獺精之子董蟒兒成長史的基礎(chǔ)上,擴展演繹了蟒兒與鹽徒結(jié)盟、起義、征戰(zhàn)以及跨海平定ma泥國叛亂的英雄故事,其超人與鹽徒的獨特人物組合、長江水系與ma泥島國虛實相間的地理空間設(shè)置,都在明清小說史上顯得頗為獨樹一幟。此外,《莽男兒》小說還與清初《獺鏡緣》《繡衣郎》傳奇存在親密的文本承繼關(guān)系,據(jù)現(xiàn)有資料,本文傾向于認為《繡衣郎》傳奇乃據(jù)《莽男兒》小說改編而成,這為古代小說戲曲相互改編研究,增添了一個新的學(xué)術(shù)個案。
[Abstract]:The novel "Mang Man" in the early Qing Dynasty is the earliest novel text known at present in East Asia's "Old Otter" story motif. It is based on the narration of the growth history of Dong Boa, the son of Otter essence. It expands the heroic story of python's alliance with saltwater, insurrection, war, and ma mutiny across the sea, the unique characters of its superman and saltwater, and the geographical space between the Yangtze River water system and the ma mud island. In the Ming and Qing dynasties novel history seems quite unique. In addition, there is a close relationship between the novel and the legend of "Otter Mirror" in the early Qing Dynasty. According to the available data, this article tends to think that the legend of "embroidery Yilang" is based on the adaptation of the novel "Wild Man". This adds a new academic case for the study of the adaptation of ancient novels and operas.
【作者單位】： 北京大學(xué)中文系;
【分類號】：I206.2
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本文編號：2422962