【摘要】：正一、游走中的作者的幽靈作為普通讀者,人們?cè)陂喿x小說時(shí),通常會(huì)浮現(xiàn)關(guān)于一部好小說的期待。盡管"好小說"這一術(shù)語具有明顯的非歷史主義的指向,它置小說這一文學(xué)體裁紛繁復(fù)雜的變遷的歷程于不顧,將它的某些特性抽象化,并進(jìn)而神圣化偶像化。漸漸地,它成為讀者的集體無意識(shí),深深扎根于他們的頭腦之中:鮮活的人物,吸引力強(qiáng)的情節(jié),催人淚下的情感沖擊力,嚴(yán)謹(jǐn)勻稱的結(jié)構(gòu),
[Abstract]:First, the ghost of the wandering author, as an ordinary reader, usually looks forward to a good novel when reading a novel. Although the term "good novel" has an obvious non-historicist orientation, it ignores the complex evolution of the literary genre, abstracts some of its characteristics, and then sanctifies it as idolization. Gradually, it becomes the collective unconscious of the reader, deeply rooted in their minds: fresh characters, attractive plots, tear-provoking emotional impulses, rigorous and well-proportioned structures,
【作者單位】： 復(fù)旦大學(xué)中文系;
【分類號(hào)】：I207.425

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