試論魏晉六朝吟誦之風(fēng)對于中國詩體發(fā)展之影響
發(fā)布時間:2018-10-09 19:19
【摘要】:魏晉六朝時期,吟誦取代歌唱而成為了中國古典詩歌最主要的誦讀方式。吟誦在當(dāng)時的盛行以及對詩歌美聽的講求,直接推動了五言詩二三頓挫的形成以及“四聲八病”聲律論的提出,從而促進了永明體的產(chǎn)生乃至近體詩的形成,中國詩歌的基本體式從此建立。
[Abstract]:In Wei, Jin and six dynasties, recitation replaced singing and became the most important way of reading classical Chinese poetry. The prevalence of recitation at that time and the emphasis on the aesthetic listening of poetry directly promoted the formation of 23 setbacks in five-character poetry and the putting forward of the theory of "four voices and eight diseases", thus promoting the formation of Yongming style and even the formation of modern poetry. The basic style of Chinese poetry was established from then on.
【作者單位】: 北京大學(xué)中文系;
【分類號】:I207.22
[Abstract]:In Wei, Jin and six dynasties, recitation replaced singing and became the most important way of reading classical Chinese poetry. The prevalence of recitation at that time and the emphasis on the aesthetic listening of poetry directly promoted the formation of 23 setbacks in five-character poetry and the putting forward of the theory of "four voices and eight diseases", thus promoting the formation of Yongming style and even the formation of modern poetry. The basic style of Chinese poetry was established from then on.
【作者單位】: 北京大學(xué)中文系;
【分類號】:I207.22
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