【摘要】：21世紀(jì)以來(lái),隨著社會(huì)主義精神文明創(chuàng)建活動(dòng)的持續(xù)深入,人們更加渴求以健康的文學(xué)藝術(shù)陶冶情操,豐富生活,這對(duì)新時(shí)代的文學(xué)創(chuàng)作提出了更高的要求,也為文學(xué)領(lǐng)域的創(chuàng)新發(fā)展提供了契機(jī)。為了迎合現(xiàn)代人的審美需求,文藝工作者一方面在多元文化背景下艱難求索,力圖在創(chuàng)作理念和技法上直入人心,另一方面,新思維的注入也打開了經(jīng)典文本的“重生”之路,使文本的解讀方式不再囿于特定的歷史語(yǔ)境與文化傳統(tǒng),這種趨向?yàn)閴m封在歷史潮流下的文藝產(chǎn)物,尤其是十七年文學(xué)研究開拓了新的視野。柳青作為十七年文學(xué)的代表,其本人及嘔心瀝血之作《創(chuàng)業(yè)史》顯然成為了那個(gè)時(shí)代的犧牲品,在近60年的評(píng)價(jià)史中,柳青及《創(chuàng)業(yè)史》始終難以擺脫氤氳其間的政治質(zhì)素,這是時(shí)代的局限,也是文壇的不幸。站在新世紀(jì)的開放格局下,以發(fā)展的學(xué)術(shù)眼光重新審視作家作品,在被歷史塵埃遮蔽的“紅色經(jīng)典”中發(fā)掘新時(shí)代所需要的精神養(yǎng)分,是文學(xué)實(shí)踐的需要,也是推動(dòng)文藝發(fā)展、文化繁榮的需要。文章以作家和作品雙線并進(jìn),將全文分為三章:第一章從柳青“三個(gè)學(xué)�！钡奈膶W(xué)觀入手,根據(jù)柳青的生活態(tài)度、政治立場(chǎng)和藝術(shù)探求,深入作家的精神世界,把握柳青在特定歷史背景下的文化心理特質(zhì)和文學(xué)思想。之所以將“三個(gè)學(xué)校”文學(xué)觀作為追尋“柳青精神”的切入點(diǎn),不僅源于柳青本人對(duì)“三所學(xué)�！钡男叛雠c推崇,生活、政治、藝術(shù)這三方面也幾乎構(gòu)筑出了一個(gè)生活在政治氣候下的文藝追求者的“精神世界”。第二章以柳青的代表作《創(chuàng)業(yè)史》為例,通過對(duì)60年代初到新世紀(jì)以來(lái)《創(chuàng)業(yè)史》在文壇掀起的評(píng)論熱潮的梳理,分析其形成懸殊的政治、社會(huì)及文化原因,并站在現(xiàn)代視角對(duì)其做出再評(píng)價(jià),這不僅有利于我們回顧《創(chuàng)業(yè)史》是怎樣舉步維艱地出現(xiàn)在當(dāng)代文學(xué)視野中,更重要的是通過梳理與分析,啟示我們?cè)鯓訉じ捽E,找到新時(shí)代的解讀出口。第三章以多元文化為背景,以時(shí)代需求為契機(jī),提煉柳青文化心理特質(zhì)的時(shí)代意義與《創(chuàng)業(yè)史》在藝術(shù)探求上的歷史貢獻(xiàn),簡(jiǎn)析以路遙、陳忠實(shí)為代表的陜西作家對(duì)柳青精神的傳承與突破,從而提煉柳青及《創(chuàng)業(yè)史》研究對(duì)新時(shí)代人文精神和文學(xué)創(chuàng)作的重要價(jià)值,這也是文章“再解讀”的意義所在。
[Abstract]:Since the 21st century, with the continuous deepening of the establishment of socialist spiritual civilization, people are more eager to cultivate sentiment and enrich life with healthy literature and art, which puts forward higher requirements for literary creation in the new era. It also provides an opportunity for the innovation and development of literature. In order to meet the aesthetic needs of modern people, on the one hand, literary and art workers are trying hard to find out under the multicultural background, trying hard to get directly into the hearts of the people in terms of creative ideas and techniques. On the other hand, the injection of new thinking has also opened the way of "rebirth" of classical texts. So that the interpretation of the text is no longer confined to the specific historical context and cultural tradition, this trend has opened up a new field of vision for literature and art under the historical trend, especially for the 17 years of literary research. As a representative of 17 years literature, Liu Qing himself and his painstaking work "the History of Entrepreneurship" obviously became the victim of that era. In the nearly 60 years of evaluation history, Liu Qing and "the History of Entrepreneurship" have always been difficult to get rid of the political quality of the period. This is the limitation of the times, but also the misfortune of the literary world. Standing in the opening pattern of the new century, we should re-examine the writers and works from the academic perspective of development, and explore the spiritual nutrients needed in the new era in the "Red Classics" obscured by the historical dust. It is the need of literary practice and also the promotion of the development of literature and art. The need for cultural prosperity. The article divides the full text into three chapters: the first chapter starts with Liu Qing's literary view of "three schools", according to Liu Qing's attitude to life, political standpoint and artistic exploration, and goes deep into the writer's spiritual world. Grasp Liu Qing's cultural psychological characteristics and literary thoughts under the specific historical background. The reason why the literary view of "three schools" is regarded as the starting point of pursuing "Liu Qing's spirit" is not only from Liu Qing's belief and esteem, life, politics, but also from his belief in "three schools". The three aspects of art have almost constructed a spiritual world for literary pursuers living in the political climate. The second chapter takes Liu Qing's masterpiece "the History of Entrepreneurship" as an example, through combing the reviews of "the History of Entrepreneurship" in the literary world from the early 1960s to the new century, and analyzes the political, social and cultural reasons for the great disparity in the formation of "the History of Entrepreneurship". It is not only helpful for us to review how the History of Entrepreneurship appeared in the field of contemporary literature, but also, through combing and analyzing, enlighten us how to find our roots. Find the interpretation of the new era export. The third chapter takes multiculturalism as the background, takes the time demand as the opportunity, refines the age significance of Liu Qing's cultural psychology characteristic and the historical contribution of "the History of Entrepreneurship" in the artistic exploration. The Shaanxi writer represented by Chen Zhongshi inherits and breaks through the spirit of Liu Qing, so as to refine the important value of the study of Liu Qing and the History of Entrepreneurship to the humanistic spirit and literary creation of the new era, which is also the significance of the article's "reinterpretation".
【學(xué)位授予單位】：西安外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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