【摘要】：胡應(yīng)麟能夠以史的觀念來審視詩體、詩風(fēng)的演進(jìn)和嬗變,論詩尚"格調(diào)",認(rèn)為它與"興象風(fēng)神"密不可分;尚"變"尚"化",批評(píng)宋人學(xué)杜不知變主格、化主境;尚"法"重"悟",認(rèn)為二者不可偏廢,切中江西末流死守法度而不悟的弊病。勾勒了宋調(diào)形成的歷程,批評(píng)江西派詩好用事而為事障;學(xué)杜僅取一端,或得其皮骨,或得其變不得其正。而對(duì)其某些句法的評(píng)價(jià),則辯證而中肯。
[Abstract]:Hu Yinglin is able to examine the poetic style and the evolution and evolution of the poetic style with the concept of history. He considers that the poetry is closely related to the "exaltation of wind and spirit," and criticizes the Song Dynasty's study of du, who does not know how to change the subject and changes the subject. Still "law" emphasizes "realize", think both can not be partial, cut to Jiangxi end flow stick to law but do not realize malaise. It outlines the process of the formation of the tune of the Song Dynasty, criticizes the Jiangxi School of Poetry as an obstacle, and only takes one end, or gets its skin and bone, or gets it to be correct. The evaluation of some syntax is dialectical and relevant.
【作者單位】： 廣州大學(xué)人文學(xué)院;廣州大學(xué)文學(xué)思想研究中心;
【基金】：國家社科基金后期資助項(xiàng)目“知性反省江西詩學(xué)研究”(項(xiàng)目編號(hào):16FZW005)的階段性成果
【分類號(hào)】：I207.22
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本文編號(hào)：2211930