【摘要】：本文秉承“內(nèi)部研究”的批評(píng)原則,以《詩(shī)與真》和《詩(shī)與真二集》這兩本代表梁宗岱30年代詩(shī)學(xué)最高成就的文集為主要研究對(duì)象,圍繞這一研究對(duì)象,本文分別從梁宗岱30年代詩(shī)學(xué)觀所形成的思想淵源、詩(shī)學(xué)中的核心觀念、詩(shī)學(xué)的基本特征、詩(shī)學(xué)理論價(jià)值這四個(gè)方面進(jìn)行了論述,從而揭開(kāi)梁宗岱詩(shī)學(xué)的本真價(jià)值以及對(duì)當(dāng)下詩(shī)學(xué)建構(gòu)的啟示意義。本論文共分三大部分:緒論、正文與結(jié)論:緒論部分簡(jiǎn)要的闡述了論文的歷史研究成果、研究的現(xiàn)實(shí)意義、研究的思路和方法。具體闡明了本文寫作的背景,對(duì)梁宗岱詩(shī)學(xué)研究現(xiàn)狀作了梳理與概括。正文部分共分為四章。第一章追尋梁宗岱30年代詩(shī)學(xué)的思想淵源。梁宗岱不是對(duì)西方詩(shī)學(xué)進(jìn)行簡(jiǎn)單的拿來(lái)與模仿,而是將西方現(xiàn)代詩(shī)學(xué)作為中國(guó)現(xiàn)代詩(shī)學(xué)的一種參照。一方面,梁宗岱從西方象征主義詩(shī)學(xué)中獲得了詩(shī)歌創(chuàng)作理論的啟發(fā),對(duì)“詩(shī)與真”進(jìn)行不倦的探索與追求。另一方面,梁宗岱30年代詩(shī)學(xué),祛除了象征主義詩(shī)學(xué)中的頹廢氣息,融入了一種寧?kù)o、和諧的特色,追求一種超功利、物我融一的自由境界,賦予了這一西方詩(shī)學(xué)以鮮明的民族特色,從而,實(shí)現(xiàn)了中西融合的最高詩(shī)學(xué)境界。第二章探討梁宗岱30年代詩(shī)學(xué)中的核心概念:“純?cè)姟�、“真”和“宇宙意識(shí)”。梁宗岱的30年代詩(shī)學(xué)思想集中體現(xiàn)在《詩(shī)與真》和《詩(shī)與真二集》當(dāng)中,他從象征主義詩(shī)學(xué)與中國(guó)古代文論中汲取了詩(shī)學(xué)元素和精神氣脈,逐步構(gòu)建起以“純?cè)姟�、“真”、“宇宙意識(shí)”等為核心觀念的詩(shī)學(xué)體系。第三章論述了梁宗岱詩(shī)學(xué)中的詩(shī)性智慧和求真之力。西方的瓦萊里和歌德對(duì)梁宗岱的詩(shī)學(xué)思想影響極大,在歌德的“美”與“智”相融合、瓦萊里的“科學(xué)的真與直覺(jué)的美”相統(tǒng)一的詩(shī)學(xué)觀的基礎(chǔ)上,梁宗岱逐步的建構(gòu)了自己富有特色的詩(shī)學(xué)體系,形成了一種鮮明的詩(shī)學(xué)特征:詩(shī)性智慧與求真之力。第四章旨在闡述梁宗岱詩(shī)學(xué)的理論價(jià)值,筆者認(rèn)為,其30年代詩(shī)學(xué)貢獻(xiàn)主要體現(xiàn)在了兩大方面,一是詩(shī)學(xué)中的現(xiàn)代美學(xué)意識(shí),二是新的詩(shī)學(xué)建構(gòu)方式。與同時(shí)代的很多詩(shī)學(xué)理論家相比,梁宗岱詩(shī)學(xué)擁有自己的獨(dú)特之處。在許多方面,他的詩(shī)學(xué)思想觸及到了前人所沒(méi)有探討的問(wèn)題,從而為現(xiàn)代詩(shī)學(xué)內(nèi)涵增添豐富性,在現(xiàn)代詩(shī)學(xué)史上熠熠生輝。結(jié)論部分,主要是對(duì)論文前四章的概括和總結(jié),在對(duì)梁宗岱的30年代詩(shī)學(xué)進(jìn)行深入細(xì)致研究的基礎(chǔ)上,更加關(guān)注梁宗岱的詩(shī)學(xué)對(duì)我國(guó)當(dāng)代詩(shī)學(xué)建設(shè)的啟示意義。
[Abstract]:Following the critical principle of "Internal Research", this paper takes Poems and Truth and two volumes of Poems and Truth as the main objects of study, which represent the highest achievements in poetics of Liang Zongdai in the 1930s. This paper discusses the ideological origin of Liang Zongdai's poetics in the 1930s, the core concepts in poetics, the basic characteristics of poetics, and the theoretical value of poetics. So as to uncover the true value of Liang Zongdai poetics and enlighten the construction of current poetics. This paper is divided into three parts: introduction, text and conclusion: the introduction part briefly describes the historical research results, the practical significance of the research, the research ideas and methods. This paper clarifies the background of this thesis and summarizes the present situation of Liang Zongdai poetics. The text is divided into four chapters. The first chapter explores the ideological origin of Liang Zongdai's 30 s poetics. Liang Zongdai does not simply take and imitate western poetics, but regards western modern poetics as a reference for Chinese modern poetics. On the one hand, Liang Zongdai obtained the inspiration of poetry creation theory from western symbolism poetics, and explored and pursued Poems and Truth tirelessly. On the other hand, Liang Zongdai's poetics in the 1930s dispelled the decadence of symbolism poetics, incorporated a quiet and harmonious characteristic, and pursued a free realm of super-utilitarian and materialistic integration. This western poetics is endowed with distinct national characteristics, thus realizing the highest poetic realm of Chinese and Western integration. The second chapter discusses the core concepts of Liang Zongdai's 30 s poetics: pure poetry, truth and universal consciousness. Liang Zongdai's poetic thoughts in the 1930s are embodied in Poems and Truth and Poems and Truth. He draws poetics elements and spiritual veins from symbolism poetics and ancient Chinese literary theory, and gradually constructs "pure poetry" and "truth". The poetic system in which "the consciousness of the universe" is the core concept. The third chapter discusses the poetic wisdom and the power of seeking truth in Liang Zongdai poetics. Valery and Goethe of the West have a great influence on Liang Zongdai's poetics. On the basis of the combination of Goethe's "Beauty" and "Wisdom" and Valery's "Scientific Truth and intuitive Beauty", Liang Zongdai gradually constructed his own poetics system, forming a distinctive poetic characteristics: poetic wisdom and the force of seeking truth. The fourth chapter aims to expound the theoretical value of Liang Zongdai's poetics. The author thinks that the contribution of poetics in the 1930s is mainly reflected in two aspects, one is the modern aesthetic consciousness in poetics, the other is the new way of poetics construction. Compared with many contemporary poetic theorists, Liang Zongdai poetics has its own unique features. In many respects, his poetics thought touched on the problems which had not been discussed by the predecessors, thus adding richness to the connotation of modern poetics and shining brilliantly in the history of modern poetics. The conclusion part is the summary and summary of the first four chapters of the thesis. On the basis of the thorough and meticulous research on Liang Zongdai's poetics in the 1930s, the author pays more attention to the enlightening significance of Liang Zongdai's poetics to the construction of contemporary poetics in China.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.25

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本文編號(hào)：2198145