鐵抗文學(xué)作品研究
發(fā)布時(shí)間：2018-08-18 08:54
【摘要】：自1931年的九一八事變,中國(guó)大陸的局勢(shì)越來(lái)越緊張,南洋地帶的華僑的反日情緒與日俱增。1936年10月初,魯迅、矛盾、巴金、洪深、冰心、周瘦鵑、包天笑等21位文藝界代表人物共同發(fā)表了《文藝界同人為團(tuán)結(jié)御侮與言論自由宣言》,呼喚文藝界對(duì)抗日工作的團(tuán)結(jié)。直到1937年的七七事變,南洋地帶的抗日情緒更是沸騰到極點(diǎn),新加坡中華總商會(huì)領(lǐng)先組織了僑民大會(huì)和組織救濟(jì)祖國(guó)等籌賑活動(dòng)。當(dāng)時(shí)《光明日?qǐng)?bào)》副刊《努力》的編者道：“在目前這個(gè)大動(dòng)亂的時(shí)代,——唯一的路線只有大家聯(lián)在一起,站在同一的戰(zhàn)線,努力殺退了我們民族敵人的吼聲。同樣地,新興階級(jí)的詩(shī)人們,也應(yīng)該站在國(guó)防的最前線,盡量地舍下個(gè)人主義的內(nèi)容與形式,跑向現(xiàn)實(shí)主義的路線之最前面,去和時(shí)代合拍,與大眾同流,抒出時(shí)代與大眾的吼歌,用著他偉大的精神,巨聲地唱著大眾的聲音�！蹦涎笞骷冶闶窃谶@種非常時(shí)代的呼喚中,熱烈地通過(guò)文藝作品擔(dān)任起抗戰(zhàn)的責(zé)任,新馬文藝界由此形成了前所未有的文藝高峰期。鐵抗先生正是這個(gè)年代最杰出的現(xiàn)實(shí)主義作家之一鐵抗先生作品的研究現(xiàn)狀處于罕見(jiàn),我們認(rèn)為主要有兩項(xiàng)原因。首先是鐵抗先生蒙難于日軍實(shí)行的“大檢證”之后,新加坡接著便淪陷了三年零八個(gè)月,淪陷期間的文藝活動(dòng)和研究基本上是被弄斷的。戰(zhàn)后,新加坡仍處于動(dòng)蕩時(shí)代,學(xué)術(shù)界和政府機(jī)關(guān)首要關(guān)注的是國(guó)家的未來(lái)、穩(wěn)定和發(fā)展,文藝作品方面的研究是有限的。其次無(wú)疑是因鐵抗先生逝世得早,若他能在戰(zhàn)后繼續(xù)創(chuàng)作,其作品必定會(huì)受到更高的注目。方修先生(本名吳之光,新加坡文學(xué)歷史研究專(zhuān)家,已故)于1979年編寫(xiě)了《鐵抗作品選／方修編》,收集了鐵抗先生大部分分散于各種載體的作品,讓我們有機(jī)會(huì)接觸到鐵抗先生的精品。駱明先生(原名葉昆燦,新加坡著名學(xué)者、作家)于2006年編撰了《鐵抗研究專(zhuān)集》,繼續(xù)收集了許多關(guān)于鐵抗作品的讀后感、文藝爭(zhēng)論和前代作家對(duì)他的回憶錄,讓我們能深入鐵抗先生遇難前的生活。我們認(rèn)為鐵抗先生作品的研究還有許多可以補(bǔ)充的方面,發(fā)展的空間還很遼闊。筆者希望能通過(guò)這份論文更深入地探討鐵抗先生的作品。我們即將通過(guò)第一章收集目前存有的資料,了解鐵抗先生蒙難前的生活,探索他的家庭背景、文化基礎(chǔ)和靈感來(lái)源,了解他寫(xiě)作的動(dòng)機(jī)。在第二章,我們將研究鐵抗先生的中篇小說(shuō)《試煉時(shí)代》,探索小說(shuō)對(duì)抗戰(zhàn)工作的貢獻(xiàn)、寫(xiě)作手法的特點(diǎn)和藝術(shù)色彩。我們也會(huì)在第三章探索鐵抗先生的另一部中短篇小說(shuō)《白蟻》中的特點(diǎn),尤為作品中使用的諷刺手法。我們也會(huì)設(shè)法了解鐵抗先生這兩部具有代表性的作品在寫(xiě)作方向和內(nèi)容上的轉(zhuǎn)變和原因。最終,我們將會(huì)在第四章參考鐵抗先生在抗戰(zhàn)時(shí)期與其他南洋作家之間的辯論,分析他們的論點(diǎn)。
[Abstract]:Since the September 18 incident in 1931, the situation in mainland China has become more and more tense, and the anti-Japanese sentiment of overseas Chinese in the Southern Ocean has been increasing. In early October 1936, Lu Xun, contradictions, Ba Jin, Hong Shen, Bing Xin, Zhou Shoujuan, Bao Tianxiao and 21 representatives of the literary and art circles jointly issued the Manifesto of Solidarity between Literary and Art circles against aggression and Freedom of speech, calling for the unity of literary and art circles in the work of resisting Japanese aggression. Until the July 7 incident in 1937, the anti-Japanese sentiment in the Nanyang region was boiling to the extreme. The Chinese General Chamber of Commerce in Singapore led the organization of diaspora conferences and relief activities for the motherland. At that time, the editor of the supplement of Guangming Daily, "hard work," said, "in this time of great turmoil, the only way is to unite and stand on the same front in an effort to kill the roar of our national enemy. Likewise, poets of the new class should stand at the forefront of national defense, try their best to dispense with the contents and forms of individualism, and run to the front of the realistic line, in keeping with the times and in keeping with the masses. Express the times and the roar of the masses, singing the voice of the masses with his great spirit. " Nanyang writers took the responsibility of the War of Resistance through literature and art works in this kind of very times, and thus the literary and art circles of New Malaysia and Malaysia formed an unprecedented peak of literature and art. Tiekang is one of the most outstanding realistic writers in this era, the research status of his works is rare, we think there are two main reasons. First, after Mr. Tiekang was confronted by the Japanese army's "major inspection", Singapore then fell to three years and eight months, during which literary and artistic activities and research were basically disrupted. After the war, Singapore is still in a turbulent era, the academic and government agencies are primarily concerned with the future, stability and development of the country, and the study of literary works is limited. Second, Mr. Tiekang died early, and if he could continue to write after the war, his work would certainly receive more attention. In 1979, Mr. Fang Xiu (named Wu Zhiguang, an expert in the study of Singapore's literary history, the late) wrote "selected works of Iron Resistance / Fang Xiu", and collected most of his works scattered across various carriers. Let us have access to the quality of Mr. iron resistance. Mr. Luo Ming, formerly known as Ye Kuncan, a famous Singaporean scholar and author, compiled the Iron Resistance Research monograph in 2006, continuing to collect a lot of post-reading, literary debates, and memoirs of his works by previous generations of writers. So that we can go deep into the life before the death of Mr. Tiekang. We believe that there are many complementary aspects to the research of Mr. Tei Kang's works, and the space for development is still vast. I hope that through this paper, I can explore the work of Mr. iron Kang more deeply. Through the first chapter, we will collect the existing data to understand the life of Tiekang before his suffering, explore his family background, cultural basis and inspiration, and understand his motivation for writing. In the second chapter, we will study Mr. Tiekang's novella "trial time", explore the contribution of the novel to the work of the War of Resistance, the characteristics of writing techniques and artistic color. We will also explore in chapter 3 the features of another short and medium-sized novel by Mr. Tikung, termites, especially the sarcasm used in his works. We will also try to understand the changes and reasons for the direction and content of the two representative works. Finally, in Chapter 4, we will analyze the arguments of Mr. Tiekang during the War of Resistance against Japan with other Nanyang writers.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：I207.42
，
本文編號(hào)：2188982
[Abstract]:Since the September 18 incident in 1931, the situation in mainland China has become more and more tense, and the anti-Japanese sentiment of overseas Chinese in the Southern Ocean has been increasing. In early October 1936, Lu Xun, contradictions, Ba Jin, Hong Shen, Bing Xin, Zhou Shoujuan, Bao Tianxiao and 21 representatives of the literary and art circles jointly issued the Manifesto of Solidarity between Literary and Art circles against aggression and Freedom of speech, calling for the unity of literary and art circles in the work of resisting Japanese aggression. Until the July 7 incident in 1937, the anti-Japanese sentiment in the Nanyang region was boiling to the extreme. The Chinese General Chamber of Commerce in Singapore led the organization of diaspora conferences and relief activities for the motherland. At that time, the editor of the supplement of Guangming Daily, "hard work," said, "in this time of great turmoil, the only way is to unite and stand on the same front in an effort to kill the roar of our national enemy. Likewise, poets of the new class should stand at the forefront of national defense, try their best to dispense with the contents and forms of individualism, and run to the front of the realistic line, in keeping with the times and in keeping with the masses. Express the times and the roar of the masses, singing the voice of the masses with his great spirit. " Nanyang writers took the responsibility of the War of Resistance through literature and art works in this kind of very times, and thus the literary and art circles of New Malaysia and Malaysia formed an unprecedented peak of literature and art. Tiekang is one of the most outstanding realistic writers in this era, the research status of his works is rare, we think there are two main reasons. First, after Mr. Tiekang was confronted by the Japanese army's "major inspection", Singapore then fell to three years and eight months, during which literary and artistic activities and research were basically disrupted. After the war, Singapore is still in a turbulent era, the academic and government agencies are primarily concerned with the future, stability and development of the country, and the study of literary works is limited. Second, Mr. Tiekang died early, and if he could continue to write after the war, his work would certainly receive more attention. In 1979, Mr. Fang Xiu (named Wu Zhiguang, an expert in the study of Singapore's literary history, the late) wrote "selected works of Iron Resistance / Fang Xiu", and collected most of his works scattered across various carriers. Let us have access to the quality of Mr. iron resistance. Mr. Luo Ming, formerly known as Ye Kuncan, a famous Singaporean scholar and author, compiled the Iron Resistance Research monograph in 2006, continuing to collect a lot of post-reading, literary debates, and memoirs of his works by previous generations of writers. So that we can go deep into the life before the death of Mr. Tiekang. We believe that there are many complementary aspects to the research of Mr. Tei Kang's works, and the space for development is still vast. I hope that through this paper, I can explore the work of Mr. iron Kang more deeply. Through the first chapter, we will collect the existing data to understand the life of Tiekang before his suffering, explore his family background, cultural basis and inspiration, and understand his motivation for writing. In the second chapter, we will study Mr. Tiekang's novella "trial time", explore the contribution of the novel to the work of the War of Resistance, the characteristics of writing techniques and artistic color. We will also explore in chapter 3 the features of another short and medium-sized novel by Mr. Tikung, termites, especially the sarcasm used in his works. We will also try to understand the changes and reasons for the direction and content of the two representative works. Finally, in Chapter 4, we will analyze the arguments of Mr. Tiekang during the War of Resistance against Japan with other Nanyang writers.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：I207.42
，
本文編號(hào)：2188982
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