本文選題：《詩(shī)》四言 + 分章合樂(lè)�。� 參考：《中國(guó)人民大學(xué)學(xué)報(bào)》2017年04期

【摘要】：《詩(shī)》四言簡(jiǎn)質(zhì)未舒,但以虛字襯貼、疊字形容、章句字詞重復(fù)間破板質(zhì),而且分章合樂(lè)適于言志的歌詠。賦在一章具有整體性和結(jié)構(gòu)性的作用,比興則僅有暫時(shí)性和片段性的功能�！对�(shī)》四言與《書(shū)》四言散語(yǔ)實(shí)字并列及賦體四言散語(yǔ)一順?shù)侁惥哂斜举|(zhì)的區(qū)別,但漢代四言參合《詩(shī)·頌》和《書(shū)》語(yǔ),愈顯典重。漢末以降文人創(chuàng)制已非分章合樂(lè),或自抒懷抱,或受五言、駢體影響,工于屬對(duì)鍛煉,及唐人四言都從擬樂(lè)府而來(lái),終乖《詩(shī)》體本調(diào)。
[Abstract]:"Poems" is not easy, but with empty words, repeat words, the words of Zhang sentence repeatedly break the quality of the board, and the music is suitable for the singing of words and aspirations. Fu has the function of integrity and structure in one chapter, but Bi Xing has only temporary and piecemeal function. But in the Han Dynasty, the four characters combined the Ode of Poems and the words of Book, which became more and more important. In the end of the Han Dynasty, it was no longer a piece of music to be created by scholars, or to express their feelings, or to be influenced by five characters and parallel styles, and to work for exercise, and all four characters of the Tang Dynasty came from Yuefu.
【基金】：國(guó)家社會(huì)科學(xué)基金一般項(xiàng)目“中國(guó)古代詩(shī)法理論的現(xiàn)代闡釋”(12BZW013)
【分類(lèi)號(hào)】：I207.22
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本文編號(hào)：2114894