本文選題：語(yǔ)言 + 改造��； 參考：《中國(guó)現(xiàn)代文學(xué)研究叢刊》2017年05期

【摘要】：歐化在詩(shī)學(xué)范疇內(nèi)呼應(yīng)中西文學(xué)交流的要求,指向中國(guó)詩(shī)歌如何吸收外國(guó)詩(shī)歌觀念與形式的技術(shù)層面,是一個(gè)具有時(shí)空性的語(yǔ)言結(jié)構(gòu)命題。20世紀(jì)20年代新詩(shī)歐化提供了白話漢語(yǔ)到西方詩(shī)學(xué)語(yǔ)言過(guò)渡的想象,在詩(shī)歌美學(xué)標(biāo)準(zhǔn)提升的議程之外,文學(xué)語(yǔ)言如何改造民族語(yǔ)言始終是啟蒙主義的重要課題。著力于語(yǔ)言復(fù)雜性探索的歐化沖動(dòng)在不同階段經(jīng)歷停頓和重啟,拓展了新詩(shī)的言說(shuō)可能和美學(xué)觀念,西方話語(yǔ)如何傳達(dá)本土經(jīng)驗(yàn)所面臨的挑戰(zhàn),亦在歐化過(guò)程中被突顯。
[Abstract]:Europeanization echoes the requirements of Chinese and Western literary exchanges in the field of poetics, pointing to the technical aspects of how Chinese poetry absorbs the concepts and forms of foreign poetry. The Europeanization of the new poetry in the 1920s provides the imagination of the transition from vernacular Chinese to western poetics, which is beyond the agenda of the promotion of the aesthetic standards of poetry. How to transform the national language has always been an important subject of enlightenment. The Europeanization impulse, which focuses on the exploration of language complexity, pauses and restarts at different stages, expands the discourse possibility and aesthetic concept of new poetry, and the challenge of how western discourse conveys the local experience is also highlighted in the process of Europeanization.
【作者單位】： 暨南大學(xué)中文系;
【基金】：2014年度教育部人文社科青年項(xiàng)目“第三世界詩(shī)歌譯介與20世紀(jì)中國(guó)詩(shī)歌關(guān)系研究”(14YJC751027)的階段性成果
【分類(lèi)號(hào)】：I207.25
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本文編號(hào)：2066107