本文選題：蘇軾 + 藝術(shù)哲學��； 參考：《文藝研究》2017年11期

【摘要】："無還"是蘇軾藝術(shù)哲學的核心概念,它主要是在佛經(jīng)《楞嚴經(jīng)》影響下產(chǎn)生的。蘇軾以"無還"為中心建立的理論,從"性"上言,要變外在"道"的追求為內(nèi)在妙明本心的發(fā)現(xiàn);從"見"上言,由渺然歸程的尋覓轉(zhuǎn)向?qū)Ξ斚轮苯由w驗的重視;從"變"上言,要超越生成變壞的表相而直呈隨處充滿的生命真實;從"物"上言,化"留意"于物的物我相互奴役為齊同物我的契合如如境界。這一思想直接影響他關于藝術(shù)創(chuàng)造、賞鑒等相關問題的看法,也是深埋在其紛紜復雜藝術(shù)哲學思想內(nèi)部的一條主脈。蘇軾是中國傳統(tǒng)文人藝術(shù)的思想領袖,以他為首的文人集團的形成,標志著傳統(tǒng)文人藝術(shù)真正成為一種與重載道、順秩序一脈思想相抗衡的思潮。以"無還"為基礎概念的蘇軾藝術(shù)哲學思想,對南宋以來文人藝術(shù)的發(fā)展產(chǎn)生了根本性的影響。
[Abstract]:"No return" is the core concept of Su Shi's philosophy of art, and it is mainly produced under the influence of the Buddhist Sutra, the Shurangama Sutra. The theory established by Su Shi with "no return" as the center, from "nature" to "nature", to change the pursuit of external "Tao" into the discovery of the inner and subtle heart, from "seeing" to "seeing", from the seeking of the ethereal return course to the attention to the immediate direct life experience; From the word "change", we should go beyond the creation of a bad surface and present the reality of life everywhere; from the word "things", "pay attention to" things I enslaved each other into the same things as my congenial realm. This thought has a direct influence on his views on artistic creation, appreciation and other related issues, and is also a main vein embedded in his complicated philosophy of art. Su Shi is the thought leader of the Chinese traditional literati art. The formation of the literati group headed by him symbolizes that the traditional literati art has become a kind of ideological trend that competes with the thought of reloading the Tao and following the order. Su Shi's philosophy of art, based on the concept of "no return", had a fundamental influence on the development of literati art since the Southern Song Dynasty.
【作者單位】： 北京大學哲學系;
【分類號】：B244.99;I206.2

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