新世紀以來抗戰(zhàn)題材小說敘事模式研究
本文選題:新世紀 + 抗戰(zhàn)題材小說; 參考:《廣東技術(shù)師范學(xué)院》2017年碩士論文
【摘要】:本文以新世紀以來抗戰(zhàn)題材小說的敘事模式為研究對象,結(jié)合二十世紀各個不同階段的抗戰(zhàn)題材小說敘事模式狀況,從敘事時間、敘事空間、敘事視角、敘事結(jié)構(gòu)等方面探討和分析新世紀以來抗戰(zhàn)題材小說的敘事模式,闡明新世紀以來抗戰(zhàn)題材小說敘事方面的突破與拓展。論文除緒論和結(jié)語外,主要包括六個章節(jié)。緒論部分主要提出隨著時間的推移,步入新世紀該如何書寫戰(zhàn)爭?并且通過對抗戰(zhàn)題材小說研究狀況、敘事狀況的概述,指出關(guān)于新世紀抗戰(zhàn)題材小說的研究目前還不全面系統(tǒng),有必要將它作為一個專門的研究范疇,就其敘事模式方面做一次嘗試性的探討和總結(jié)。第一章說明了“抗戰(zhàn)小說”、“抗戰(zhàn)題材小說”、“敘事模式”的概念,為下文的闡述做好必要的說明和鋪墊。第二章闡述了二十世紀“十四年”、“十七年”、“新歷史時期”三個階段抗戰(zhàn)題材小說敘事模式的狀況,指出抗戰(zhàn)題材小說的敘事模式在不斷地變化,探討了每個階段變化的各個因素。第三章總體概述了新世紀以來抗戰(zhàn)題材小說的敘事模式狀況,指出這時期抗戰(zhàn)題材小說敘事模式是注重民族意識提升,重塑英雄人物,展開宏大的史詩性敘事,展開大型戰(zhàn)爭情境描述;打破二元對立,從多個視角來描摹抗戰(zhàn),關(guān)注民間立場,把曾經(jīng)被遮蔽的歷史縫隙挖掘出來,體現(xiàn)全民抗戰(zhàn)的歷史事實;重視對戰(zhàn)爭中“人性”的描摹和思考,從人性的角度來反思戰(zhàn)爭,理解戰(zhàn)爭,把人們對“戰(zhàn)爭”的認識提到一個新的高度。第四章到第六章分別從敘事時間、敘事空間、敘事視角、敘事結(jié)構(gòu)這四個方面具體詳細地分析新世紀抗戰(zhàn)題材小說的敘事模式與以往二十世紀抗戰(zhàn)題材小說的異同,凸顯當中每一個敘事元素較以往不同的特點和審美效果,再次得出新世紀抗戰(zhàn)題材小說敘事模式拓展和突破的結(jié)論。結(jié)語部分總括了全文的論述內(nèi)容,在此基礎(chǔ)上肯定了新世紀抗戰(zhàn)題材小說敘事的拓展和突破,同時也指出新世紀以來一部分抗戰(zhàn)題材小說或者以此為文本的影視劇違背了書寫歷史文學(xué)的原則,打破了“寫史和想象”之間應(yīng)有的平衡,脫離歷史真實,使“想象”完全喪失了藝術(shù)的意蘊;還指出新世紀抗戰(zhàn)題材小說仍需要提升對世界和平的呼喚和折射人道主義光輝的書寫模式。
[Abstract]:This paper takes the narrative mode of the novel of the Anti-Japanese War since the new century as the research object, and combines the narrative mode condition of the various stages of the 20th century, from the narrative time, the narrative space, the narrative angle of view. This paper probes into and analyzes the narrative mode of the novels on the subject of the War of Resistance against Japan since the new century, and expounds the breakthrough and expansion of the narrative aspects of the novels of the theme of the War of Resistance against Japan since the new century. In addition to the introduction and conclusion, the paper mainly includes six chapters. The introduction part mainly puts forward how to write war in the new century with the passage of time. And through the research situation of the novel of the anti-Japanese war theme and the summary of the narrative situation, the author points out that the study of the novel about the theme of the anti-Japanese war in the new century is not comprehensive and systematic at present, so it is necessary to regard it as a special research category. To its narrative mode to do a trial discussion and summary. The first chapter explains the concepts of "War of Resistance novel", "novel of War of Resistance" and "narrative Mode". The second chapter expounds the narrative mode of the novel of Anti-Japanese War in the three stages of "fourteen years", "seventeen years" and "the new historical period" in the 20th century, and points out that the narrative mode of the novels about the theme of the War of Resistance against Japan is constantly changing. The factors of change in each stage are discussed. The third chapter gives a general overview of the narrative mode of anti-Japanese novels since the new century, pointing out that the narrative mode of anti-Japanese novels in this period is to pay attention to the national consciousness, to reshape the heroes, and to launch a grand historical poetic narrative. To break the dualistic opposition, to describe the War of Resistance from many angles, to pay close attention to the folk position, to dig out the historical gap that had been obscured, and to reflect the historical facts of the Anti-Japanese War of the whole people. Attach importance to the description and thinking of "human nature" in war, reflect on war from the angle of human nature, understand war, and raise people's understanding of "war" to a new height. From chapter four to chapter six, the author analyzes in detail the similarities and differences between the narrative mode of the novel on the theme of anti-Japanese war in the new century and the novels of the past 20th century in terms of narrative time, narrative space, narrative angle of view and narrative structure. It highlights the different characteristics and aesthetic effects of each narrative element, and draws the conclusion that the narrative mode of the novel on the theme of the War of Resistance against Japan in the new century expands and breaks through. The conclusion summarizes the content of the full text, and on this basis affirms the expansion and breakthrough of the narrative of the novel of the War of Resistance against Japan in the new century. At the same time, it also points out that since the new century, some novels about the War of Resistance or films and TV plays based on this text have violated the principle of writing historical literature, broke the balance between "writing history and imagination," and divorced from historical reality. It also points out that the novel of the War of Resistance against Japan in the new century still needs to promote the call for world peace and the writing mode of refraction of humanitarianism brilliance.
【學(xué)位授予單位】:廣東技術(shù)師范學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I207.42
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