本文選題：青島 + 城市想象��； 參考：《西南大學》2017年碩士論文

【摘要】：1897年德國占領了膠州灣并對其進行了長達十五年的統(tǒng)治,1914年第一次世界大戰(zhàn)爆發(fā),日本從德國手中接管了青島,1922年北洋政府收回青島,但隨著第二次世界大戰(zhàn)的爆發(fā),青島再次淪陷日本之手,直到1945年才被國民黨接收,1949年獲得解放。青島一波三折的殖民歷史賦予這座城市足夠的話題性,知識分子對青島的想象受到民族國家觀念和政治意識形態(tài)的影響,對其殖民現(xiàn)代化的態(tài)度顯得矛盾而復雜。本文圍繞殖民與現(xiàn)代化的同構過程,對知識分子的青島書寫進行了研究,除緒論和結語之外,正文分為三章。緒論部分簡要闡明青島城市想象研究的選題價值和意義,并對研究現(xiàn)狀進行評述。第一章從人物形象的塑造入手,考察殖民現(xiàn)代化在文學中的表現(xiàn)及影響,以三對反差的人物形象為切入點,在德國殖民者的建設與日本殖民者的破壞、知識分子的積極入世和前清遺臣的消極避世、娼妓的可憐可嘆與走狗的可悲可恨中,體察到殖民歷史帶給青島的喜怒哀樂,理解作者褒貶共存的矛盾心理。第二章以現(xiàn)代化西方文明對中國傳統(tǒng)的規(guī)訓為立足點,揣摩作家對于殖民現(xiàn)代性與中國傳統(tǒng)相互沖突的表達�，F(xiàn)代性對傳統(tǒng)的規(guī)訓必然引發(fā)沖突,尤其是當現(xiàn)代性背靠殖民勢力,規(guī)訓過程具有了殖民色彩。在二者共同作用下,中國社會的傳統(tǒng)受到極大沖擊,青島儼然成為一個洋人的城市。在從一個小漁村脫胎換骨成現(xiàn)代化旅游貿易都市的過程中,無論是空間的重塑、現(xiàn)代化基礎設施的建設還是現(xiàn)代生活習慣的樹立,其根本出發(fā)點都是為了讓殖民者在青島更好地生活,原本生活在這片土地上的中國人卻不得不摒棄原先的生活狀態(tài)投入到殖民者的生活節(jié)奏里。殖民現(xiàn)代化讓青島更接近西方文明的同時,也消磨了具有地方特色的中國文化傳統(tǒng)。第三章以第二章的研究為基礎,從作家對殖民現(xiàn)代化的選擇中探尋他們的創(chuàng)作動機和情感。出于民族意識和家國情懷,作家對殖民現(xiàn)代化帶來的國際化與都市體驗始終保持著距離,在歌頌都市五光十色的聲音中,一種反殖民現(xiàn)代化的表達方式不容忽視。在文學作品中,作家一方面利用民族傳統(tǒng)文化和地方特色來沖淡殖民色彩和現(xiàn)代化特征;另一方面又通過展現(xiàn)都市弊病來質疑殖民現(xiàn)代化的合理性。除此之外,作家還以異國戀的離散結局喻示區(qū)隔的東西方文化難以彌合。凡此種種,皆屬殖民現(xiàn)代化進程中的異調,它們表達出作家對這一進程的反抗,映射出他們內心既渴望又排斥的矛盾情感。結語總結概括全文。
[Abstract]:In 1897, Germany occupied Jiaozhou Bay and ruled it for 15 years. In 1914, when World War I broke out, Japan took over Qingdao from Germany, and the Beiyang government recovered Qingdao in 1922, but with the outbreak of World War II, Qingdao once again fell to Japan and was not accepted by the Kuomintang until 1945 and was liberated in 1949. The twists and turns of the colonial history of Qingdao gave the city enough topic. The intellectuals' imagination of Qingdao was influenced by the national state concept and political ideology, and the attitude towards its colonial modernization was contradictory and complicated. This paper focuses on the isomorphic process of colonization and modernization, and studies the writing of intellectuals in Qingdao. Besides the introduction and conclusion, the text is divided into three chapters. The introduction briefly expounds the value and significance of the topic of Qingdao urban imagination research, and comments on the status quo of the research. The first chapter begins with the shaping of the character image, examines the expression and influence of colonial modernization in literature, taking the three pairs of contrasting characters as the starting point, the construction of the colonists in Germany and the destruction of the Japanese colonists. The active entry of intellectuals and the passive escape of former Qing officials, the pity of prostitutes and the sad hate of running dogs, the understanding of the happiness and sadness brought by the colonial history to Qingdao, the understanding of the author's contradictory psychology of praise and demoralization. The second chapter takes the modern western civilization's discipline and discipline to Chinese tradition as the foothold, and tries to figure out the writer's expression of the conflict between the colonial modernity and the Chinese tradition. Modernity inevitably causes conflict to traditional discipline, especially when modernity is backed by colonial forces, the process of discipline has colonial color. Under the joint action of the two, the tradition of Chinese society was greatly impacted, and Qingdao became a foreign city. In the process of transforming a small fishing village into a modern tourist and trading city, whether it is the reconstruction of space, the construction of modern infrastructure or the establishment of modern living habits, Its basic starting point is to let the colonists live better in Qingdao, but the Chinese people who originally lived on this land had to abandon their original living conditions and put themselves into the rhythm of the colonists' lives. The colonial modernization brought Qingdao closer to western civilization and also killed the Chinese cultural tradition with local characteristics. The third chapter, based on the second chapter, explores their creative motives and emotions from the writers' choice of colonial modernization. Out of the national consciousness and the feelings of family and country, the writer's internationalization brought about by colonial modernization has always maintained a distance from the urban experience. In the singing of the colorful voice of the city, an anti-colonial modernization expression can not be ignored. In literary works, on the one hand, writers use national traditional culture and local characteristics to dilute the colonial color and modernization characteristics; on the other hand, they question the rationality of colonial modernization by showing the shortcomings of the city. In addition, the writer also shows that the separated eastern and western cultures are difficult to heal with the discrete ending of foreign love. All these are different tones in the process of colonial modernization. They express the writers' resistance to this process and reflect their contradictory feelings of desire and rejection. The conclusion summarizes the full text.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206

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